Breathing and its rhythms—liminal, syncopal, and usually inconspicuous—have become a core poetic compositional principle in modern literature. Examining moments when breath's punctuations, cessations, inhalations, or exhalations operate at the limits of meaningful speech, Stefanie Heine explores how literary texts reflect their own mediality, production, and reception in alluding to and incorporating pneumatic rhythms, respiratory sound, and silent pauses. Through close readings of works by a series of pairs—Jack Kerouac and Allen Ginsberg; Robert Musil and Virginia Woolf; Samuel Beckett and Sylvia Plath; and Paul Celan and Herta Müller—Poetics of Breathing suggests that each offers a different conception of literary or poetic breath as a precondition of writing. Presenting a challenge to historical and contemporary discourses that tie breath to the transcendent and the natural, Heine traces a decoupling of breath from its traditional association with life, and asks what literature might lie beyond.

Meaning and appropriate usage of idioms, provides carefully written examples, relying on simplicity and clarity.

Examining both familiar and underappreciated texts, Hassan Melehy foregrounds the relationships that early modern French and English writers conceived with both their classical predecessors and authors from flourishing literary traditions in neighboring countries. In order to present their own avowedly national literatures as successfully surpassing others, they engaged in a paradoxical strategy of presenting other traditions as both inspiring and dead. Each of the book's four sections focuses on one early modern author: Joachim Du Bellay, Edmund Spenser, Michel de Montaigne, and William Shakespeare. Melehy details the elaborate strategies that each author uses to rewrite and overcome the work of predecessors. His book touches on issues highly pertinent to current early modern studies: among these are translation, the relationship between classicism and writing in the vernacular, the role of literature in the consolidation of the state, attitudes toward colonial expansion and the "New World," and definitions of modernity and the past.

Teancum Leon, who goes by Tean, is a wildlife veterinarian. His life has settled into a holding pattern: he loves his job, he hates first dates, and he only occasionally has to deal with his neighbor Mrs. Wish’s cat-related disasters. All of that changes, though, when a man appears in his office, asking for help to find his brother. Jem is convinced that something bad has happened to Benny, and he thinks Tean might be able to help. Tean isn’t sure, but he’s willing to try. After all, Jem is charming and sweet and surprisingly vulnerable. Oh. And hot. Then things get strange: phone calls with no one on the other end of the line; surveillance footage that shows what might be an abduction; a truck that tries to run Tean and Jem off the road. As Tean and Jem investigate, they realize that Benny might have stumbled onto a conspiracy and that someone is willing to kill to keep the truth from coming out. But not everything is as it seems, and Tean suspects that Jem has been keeping secrets of his own.

USA TODAY bestselling author Kim Lawrence reunites the most scandalous of royal matches in this gripping pregnancy romance… One scorching night… …will take her back to the palace! Waking up next to her soon-to-be-ex husband, Crown Prince Dante, Beatrice is determined this will be their final goodbye. Despite their ever-present chemistry, she’s done with a life of royal scrutiny. Until a positive pregnancy test makes walking away impossible… For the sake of their baby, former playboy Dante demands Beatrice give palace life another chance. But she demands that this time, their marriage must be different. It’s up to Dante to balance his duty with desire, if he’s to keep his princess by his side! From Harlequin Presents: Escape to exotic locations where passion knows no bounds.