Indian Writers attempt to locate diasporic voices in the interstitial spaces of countless ideologies. The anthology provides a critical examination of dislocated diasporic subjects - those who have adjusted to the dislocation well, those who have chosen the hybrid spaces for empowerment, those who are dragged forcefully to various territories, and yet those who gleefully inhabit trans-local spaces. A wide range of voices raise these critical questions: How do we read these voices? How are the voices received in various locations? Are these voices considered Indian? Do they represent Indianness, or some hybridized version of it? What is an authentic cultural identity? What, ultimately, is Indianness, or for that matter, any hard-won national or ethnic identity? Additionally, as more female writers are being read, both in the global south and in the north, the reception of these texts, particularly in an era of globalization, and in the aftermath of the 9/11 attack in the United States, raises questions on how the «other», the subaltern, is represented and read. Some writers use an assimilationist approach to the cultures of the West to such a degree that they find Indian culture monolithically oppressive, while others continue to romanticize Indianness, yet others eroticize and ethnicize the east for western consumption. The authors of the essays in this anthology examine contemporary debates in postcolonial and transnational literary criticism in an attempt to understand the often complex and hybrid narratives of the diasporic Indian subject.

This anthology explores and validate the nuances of Indian popular fiction which has hitherto been hounded by its ubiquitous 'commerical' success. It uncoverspopular in its socio-political and cultural contexts. Furthermore, it investigates the vitality embedded in theory and praxis of popular forms and their insurrections in mutants and new age oeuvres and looks to examine the symbiotic bonds between the reader and the author, as the latter articulates and perpetuates the needs of the former whose demands need continual fulfilment. This constant metamorphosis of the popular fueled by neoliberalism and postmodernity along with the shifts in the publishing industry to more democratic 'reader' driven genres is taken up here along with the millenial's fetish for romance, humanized mythical retellings and the evergreen whodunnits. As its natural soulmates, the anthology delves into the interstices of Indian Popular with desi (local) traditions, folk lore, community consciousness and nation building. Please note: This title is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

The Making of Indian English Literature brings together seventeen well-researched essays of Subhendu Mund with a long introduction by the author historicising the development of the Indian writing in English while exploring its identity among the many appellations tagged to it. The volume demonstrates, contrary to popular perceptions, that before the official introduction of English education in India, Indians had already tried their hands in nearly all forms of literature: poetry, fiction, drama, essay, bio­graphy, autobiography, book review, literary criticism and travel writing. Besides translation activities, Indians had also started editing and publish­ing periodicals in English before 1835. Through archival research the author brings to discussion a number of unknown and less discussed texts which contributed to the development of the genre. The work includes exclusive essays on such early poets and writers as Kylas Chunder Dutt, Shoshee Chunder Dutt, Toru Dutt, Mirza Moorad Alee Beg, Krupabai Satthianadhan, Swami Vivekananda, H. Dutt, and Sita Chatterjee; and historiographical studies on the various aspects of the genre. The author also examines the strategies used by the early writers to indianise the western language and the form of the novel. The present volume also demonstrates how from the very beginning Indian writing in English had a subtle nationalist agenda and created a space for protest literature. The Making of Indian English Literature will prove an invaluable addition to the studies in Indian writing in English as a source of reference and motivation for further research. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

This book critically examines the cultural desire for anglicisation of the Indian middle class in the context of postcolonial India. It looks at the history of anglicised self-fashioning as one of the major responses of the Indian middle class to British colonialism. The book explores the rich variety of nineteenth- and twentieth-century writings that document the attempts by the Indian middle class to innovatively interpret their personal histories, their putative racial histories, and the history of India to appropriate the English language and lay claim to an “English” identity. It discusses this unique quest for “Englishness” by reading the works of authors like Michael Madhusudan Dutt, Rabindranath Tagore, Cornelia Sorabji, Nirad C. Chaudhuri, Dom Moraes, and Salman Rushdie. An important intervention, this book will be of interest to scholars and researchers of postcolonial studies, Indian English literature, South Asian studies, cultural studies, and English literature in general.

Indian English Writing Is A Vast Arena Today. With New Trends Emerging, New Talents Making Their Mark, New Creative And Critical Branches Sprouting In Various Directions, As Well As With The Thematic Varieties, Technical Experiments, And Linguistic Innovations, It Is Now God S Plenty. The Extraordinary Richness And Variety Of Indian Writing Today, Indeed, Pose A Challenging Task For Any Critic Or Anthologist In The Area, Since It Has Become Next To Impossible To Give Any Comprehensive View Or Idea Of This Fast-Growing Literature In Its Totality Within The Compass Of A Single Volume.Still It Remains The Critic S Responsibility As Well As Pleasure To Find The New Authors And Texts Side By Side With The Older And Already Canonized Ones. As Robert Kroetsch, The Canadian Author, Says, We Want The Critic To Find Us Out Our Indian Authors Today Also Should Legitimately Expect The Perceptive-Responsive Critic To Find Them Out. It Is Especially Needed In The Present Case Since The Indian Writers In English Are Still Engaged In The Process Of Writing From Outside The Mainstream, And, Therefore, Are In Serious Need Of The Right Critical Attention And Understanding.It Is Precisely This Situation That Has Been Kept In View In Compiling The Present Anthology Of A Bunch Of Critical Essays On A Cross-Section Of Indian Fiction, Poetry And Drama In English. Quite A Number Of The Texts Discussed In This Volume Have Been Written In Recent Years, Whereas A Few Earlier Texts M.R. Anand S, For Example Have Also Been Included In Order To Help The Reader To View The Spectrum In A Total Perspective. The Critical Range Of This Volume Includes Mulk Raj Anand, Khushwant Singh, Ruth Jhabvala, Anita Desai, Manju Kapur, Amitav Ghosh In Fiction, A.K. Ramanujan, Nissim Ezekiel, Kamala Das In Poetry, Girish Karnad S Tuglaq And Hayavadana In Drama.The Articles Included In The Present Volume Will Allow Us A Glimpse Into Some Of The Representative Authors, Texts, And Trends.Students, Teachers, Scholars, As Well As The Common Reader Will Find The Book Useful And Interesting.

The Present Book, Concise Encyclopaedia Of India, Is A Compendium Of Diverse Aspects Of India Which Is One Of The Oldest Civilisations With A Kaleidoscopic Variety, Rich Cultural Heritage And Multifaceted Socio-Economic Progress. The Idea Behind Bringing Out This Book Is To Help One And All In Understanding The Country And Its Unity In Diversity. In Its Three Volumes, The Encyclopaedia Encompasses A Remarkably Wide Range Of Topics Related To India Its History, Physiography, People, Population, National Symbols, National Leaders, Languages And Literatures, Art, Culture, Defence, Education, Economy, Polity, Foreign Policy And Relations, Scientific And Technological Developments, Law And Justice, Sports, Festivals, Transport, Communication And Related Activities. In Addition, A Profile Of All Its 28 States And 7 Union Territories Has Also Been Provided. Furthermore, It Provides An Accessible, Authoritative Account Of The Latest Developments Made In Varied Fields Alongwith The Data From The Central And State Governments, Their Establishments, Constitutional Bodies, Autonomous And Semi-Autonomous Bodies And The Like.The Book Is Comprehensive, Self-Contained And User-Friendly, As The Emphasis Throughout Is On Ensuring That Readers, Particularly Students, Receive Worthwhile, Authentic Information Instead Of Irrelevant And Outdated Details. It Will Definitely Prove An Invaluable Reference Book To Students Of Different Educational Levels And Candidates Preparing For Civil Services Examinations Or Other Competitive Exams And Interviews For Various Jobs. Besides Students, The Researchers, Executives In Government And Private Sector And Also The Common Man Will Find It Highly Informative.

The Ezourvedam, used by Voltaire among others, as sourcebook for the most ancient of religions, was thereupon found to have been a fraud. Actually it was composed by a Christian – the text shows him to have been a French Jesuit missionary, who did not necessarily know Sanskrit – in order to convert Hindus to Christianity. The controversy surrounding the spurious Veda continues, involving a number of scholars and missionaries particularly in the question of whether or not the Veda was composed in Sanskrit or French. In tracing the history of the Ezourvedam Ludo Rocher adds a number of points, one being that the text was definitely first written in French with a view to a later Sanskrit translation or, more likely, to one of several modern Indian vernaculars. This edition is based on the manuscripts of Voltaire and Anquetil du Perron, and, especially, on a third manuscript preserved at the Bibliotheque National in Paris, wrongly catalogued there as Yajurveda. This edition is therefor markedly different from the 1778 edition by the Baron de Sainte-Croix.

Ruth Prawer Jhabvala, A Twentieth Century Expatriate Writer Of Polish-Jewish Origins And British Upbringing, Who Chose To Make India Her Home Since 1951 For More Than Two Decades, Has Made Her Mark As Writer Of Novel, Story, Screenplay, Non-Fiction, Etc, Which Have Brought Her Worldwide Recognition And Prestigious Awards And Fellowships Both In India And Abroad. Her Work Offers A Site For The Intersection Of Cultures, Especially Those Of India And Europe/America.Heat And Dust (1975), Jhabvala S Booker Winning And Most Well-Known Novel, Which Ensured Her Celebrity Status In The Literary World, Is A Delightful Interrogation Of The Imperial And Post-Imperial Discourses Vis-À-Vis India And England, As Presented Through The Parallel Lives Of Two English Women In India, Placed In Two Distinct Historical Contexts Across Half-A-Century, In Which The Young Narrator Is Set To Restore The Lost Story Of Her Predecessor From The Heat And Dust Of Passion And Oblivion.The Atlantic Critical Study Of Heat And Dust, Which Is Primarily Meant For The Students Of English Literature Of Indian Universities, Is A Comprehensive, Self-Sufficient, And An In-Depth Study Of The Text. The Present Book Provides A Thorough And Illuminating Study Of The Text And Examines It From Such Aspects As Race Relations, Man-Woman Relations, Themes, Form, Structure, And Technique. In Addition, It Provides Useful Background Materials Related To Jhabvala S Life, Works, Her Vision Of India, And A Detailed Critical Summary Of The Entire Text, Along With A Select Bibliography And Sample Questions. The Book Will Be Immensely Useful For Students, Scholars And Teachers In The Area.

The Encyclopedia of Humor: A Social History explores the concept of humor in history and modern society in the United States and internationally. This work’s scope encompasses the humor of children, adults, and even nonhuman primates throughout the ages, from crude jokes and simple slapstick to sophisticated word play and ironic parody and satire. As an academic social history, it includes the perspectives of a wide range of disciplines, including sociology, child development, social psychology, life style history, communication, and entertainment media. Readers will develop an understanding of the importance of humor as it has developed globally throughout history and appreciate its effects on child and adult development, especially in the areas of health, creativity, social development, and imagination. This two-volume set is available in both print and electronic formats. Features & Benefits: The General Editor also serves as Editor-in-Chief of HUMOR: International Journal of Humor Research for The International Society for Humor Studies. The book’s 335 articles are organized in A-to-Z fashion in two volumes (approximately 1,000 pages). This work is enhanced by an introduction by the General Editor, a Foreword, a list of the articles and contributors, and a Reader’s Guide that groups related entries thematically. A Chronology of Humor, a Resource Guide, and a detailed Index are included. Each entry concludes with References/Further Readings and cross references to related entries. The Index, Reader’s Guide themes, and cross references between and among related entries combine to provide robust search-and-browse features in the electronic version. This two-volume, A-to-Z set provides a general, non-technical resource for students and researchers in such diverse fields as communication and media studies, sociology and anthropology, social and cognitive psychology, history, literature and linguistics, and popular culture and folklore.

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