The Infinity War is over- now continue the story with the Infinity Watch! Can a comatose Adam Warlock overcome his identity crisis and put himself back together again? If he does, Silver Surfer has a favor to ask, one that would pit Warlock against Mephisto for the soul of Surfer's love Shalla-Bal! Then, there's the battle for which green ink was invented: Drax the Destroyer versus the Incredible Hulk! Meanwhile, Quasar fights for the title of Protector of the Universe and his very life! Pip the Troll battles a resident of Monster Isle! The deadly Gamora confronts the United Nations! And don't miss a very Thanos Christmas! Collecting Warlock & the Infinity Watch #11-17, Silver Surfer/Warlock: Resurrection #1-4, and Quasar #41-43. Plus, material from Marvel Comics Presents (1988) #112, Marvel Holiday Special #2 and Marvel Swimsuit Special #2.

The Avengers have come a long way since they first assembled to fight off an alien invasion. The past five years have brought more and more challenges, and Earth's Mightiest Heroes have always risen to face them. But have they finally met their match in the intergalactic despot Thanos, who seeks to inflict his twisted will on all of reality? Just in time for the highly anticipated event, this keepsake volume celebrates the characters and concepts that will converge in April 2018, collecting art, interviews, and photography from films leading up to Marvel's Avengers: Infinity War.

The first two Avengers movies grossed over $ 2.9 billion worldwide, setting a new record. “Avengers: Infinity War” and its untitled sequel scheduled for release in 2019 will end the epic adventure started in 2012. All the superheroes of the Marvel Cinematic Universe will unite to try and defeat the terrifying Thanos. The arrival of the ultimate supervillain has been described as a real game changer: nothing will ever be the same. But why are superhero movies always so successful? And what do comic book artists think of the cinematic versions of Thanos, Star Lord, the Guardians of the Galaxy and all the others? The journey from comic books to a film set is a fascinating one: here you will find exclusive interviews about the backstage of "The Avengers" and “Avengers: Infinity War”.

Born in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954–2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and cocreated Crisis on Infinite Earths, which marked the publisher’s fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC’s Wonder Woman, a run that later inspired much of the 2017 film. Though Pérez’s style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez’s artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez’s work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel’s The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential.

Fans and the billion-dollar franchises in which they participate have together become powerful agents within popular culture. These franchises have launched avenues for fans to expand and influence the stories that they tell. This book examines those fan-driven narratives as "wilderness texts," in which fans use their platforms to create for themselves while also communicating their visions to the franchises, thus spurring innovation. The essays in this collection look at how fans intervene in the production of mass media. Scholars analyze the negotiations between fan desires for both novelty and familiarity that franchises must maintain in order to achieve critical and commercial success. Applying varying theoretical approaches to discussions of fan responses to franchises, including Star Wars, Marvel, Godzilla, Firefly, The Terminator, Star Trek, DC, and The Muppets, these essays provide insight into the ever-changing relationships between fandom and transmedia storytelling.

'Whether you love Marvel 3000 or you're a Scorsese sympathisers, MCU is worth your time, being a pacy, lively account of the single most important studio of the century... This account offers a wealth of insight.' - Empire 'The book every MCU fan needs to read ' - Alan Sepinwall, co-author of The Soprano Sessions Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe. As they delve into the studio's key moments - from the contentious hiring of Robert Downey Jr. for Iron Man to the negotiations over Disney's acquisition of Marvel to studio head Kevin Feige's embrace of streaming TV - the authors demonstrate that the genius of Marvel was its resurrection and modification of Hollywood's old studio system. Dishy and authoritative, MCU is the first book to tell the Marvel Studios story in full - and an essential, effervescent account of popular culture.

Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. This is the first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions. This book places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.