Do our ways of talking about contemporary terrorism have a history in the science, technology, and culture of the Cold War? Human Programming explores this history in a groundbreaking work that draws connections across decades and throughout American culture, high and low. Scott Selisker argues that literary, cinematic, and scientific representations of the programmed mind have long shaped conversations in U.S. political culture about freedom and unfreedom, and about democracy and its enemies. Selisker demonstrates how American conceptions of freedom and of humanity have changed in tandem with developments in science and technology, including media technology, cybernetics, behaviorist psychology, and sociology. Since World War II, propagandists, scientists, and creative artists have adapted visions of human programmability as they sought to imagine the psychological manipulation and institutional controls that could produce the inscrutable subjects of totalitarian states, cults, and terrorist cells. At the same time, writers across the political spectrum reimagined ideals of American freedom, democracy, and diversity by way of contrast with these posthuman specters of mental unfreedom. Images of such “human automatons” circulated in popular films, trials, travelogues, and the news media, giving form to the nebulous enemies of the postwar and contemporary United States: totalitarianism, communism, total institutions, cult extremism, and fundamentalist terrorism. Ranging from discussions of The Manchurian Candidate and cyberpunk science fiction to the cases of Patty Hearst and the “American Taliban” John Walker Lindh, Human Programming opens new ways of understanding the intertwined roles of literature, film, science, and technology in American culture.

Philosophical understandings of Nature and Human Nature. Classical Greek and modern West, Christian, Buddhist, Taoist, by 14 authors, including Robert Neville, Stanley Rosen, David Eckel, Livia Kohn, Tienyu Cao, Abner Shimoney, Alfred Tauber, Krzysztof Michalski, Lawrence Cahoone, Stephen Scully, Alan Olson and Alfred Ferrarin. Dedicated to the phenomenological ecology of Erazim Kohák, with 10 of his essays and a full bibliography. Overall theme: on the question of the moral sense of nature.

Do you long for a more life-affirming, enriching faith life? Are you eager to encounter inspiring models of faith? If so, come! Walk the pages of this book through the seasons of the liturgical year. Come and meet Dorothy Day, perhaps in a new way. Come and be inspired by a seemingly ordinary tent-maker, a woman named Prisca, friend of Paul and leader of the early church. Be surprised by a contemporary woman with cerebral palsy, who breathes abundant life into the Good News of Easter . . . or an extraordinary founder of a local hospice movement. In this book, you will discover a deep probing of each season, lived in extraordinary ways by seemingly "ordinary" women. So come, be inspired. Be encouraged for your own life's journey.

Today, the belief that human beings are special is distinctly out of fashion. Almost every day we are presented with new revelations about how animals are so much more like us than we ever imagined. The argument is at its most powerful when it comes to our closest living relatives - the great apes. This book argues that whatever first impressions might tell us, apes are really not 'just like us'. Science has provided strong evidence that the boundaries between us and other species are vast. Unless we hold on to the belief in our exceptional abilities we will never be able to envision or build a better future - in which case, we might as well be monkeys.

This text attempts to map the unique structure and meaning that comprise Chekhov's immensely rich artistic universe. The prime components of his theatrical technique and fictional world are explored to uncover the basic principles governing the Chekhov's universe.

Infinity-To an infinite degree. Lacking limits or bounds. Something beyond measure of space and time. How can it exist? many are the self proclaimed experts who would own or claim limit, but it is the unlimited that humanity has pondered since the beginning of its earthly existence. On these pages are glimpses of possibilities and potential, humility and daring. A fleeting search through ancient mythology, and human belief for what might or could exist. How limit has come together in the infinite. Conscious glimpses of human fate and destiny.

Malaria is an infectious disease like no other: it is a dynamic force of nature and Africa’s most deadly and debilitating malady. James C. McCann tells the story of malaria in human, narrative terms and explains the history and ecology of the disease through the science of landscape change. All malaria is local. Instead of examining the disease at global or continental scale, McCann investigates malaria’s adaptation and persistence in a single region, Ethiopia, over time and at several contrasting sites. Malaria has evolved along with humankind and has adapted to even modern-day technological efforts to eradicate it or to control its movement. Insecticides, such as DDT, drug prophylaxis, development of experimental vaccines, and even molecular-level genetic manipulation have proven to be only temporary fixes. The failure of each stand-alone solution suggests the necessity of a comprehensive ecological understanding of malaria, its transmission, and its persistence, one that accepts its complexity and its local dynamism as fundamental features. The story of this disease in Ethiopia includes heroes, heroines, witches, spirits—and a very clever insect—as well as the efforts of scientists in entomology, agroecology, parasitology, and epidemiology. Ethiopia is an ideal case for studying the historical human culture of illness, the dynamism of nature’s disease ecology, and its complexity within malaria.

In this highly provocative and informed work, Byron L. Sherwin, one of the leading Jewish ethicists of our time, demonstrates how the wisdom of the past—found in classical texts that form Jewish religious tradition—can forcefully address the moral perplexities of the present. In setting out a contemporary agenda for Jewish ethics, Sherwin debunks common misconceptions about Jewish ethics and distinguishes between the ethics of Judaism and various forms of secular and religious ethics. He shows, for example, how the ethics of Judaism and the ethics of Jews often are at odds, how the Judeo-Christian ethic is an obsolete myth, and how Jewish and G:hristian ethics radically differ both in terms of their theological assumptions and in their applied methodologies. Sherwin delineates a methodology for Jewish ethics, which he applies to a wide variety of issues such as health and healing, euthanasia, reproductive biotechnology, cloning, parent-child relationships, economic justice, repentance or "moral rehabilitation," and the relationship between humans and machines. Drawing on a wide range of biblical, rabbinical, Jewish philosophical and kabbalistic sources, Jewish Ethics for the Twenty-First Century links the biblical term "image of God" to moral freedom, human creativity and the challenge of becoming God's "partner in creation" and a coauthor of the Torah.

Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage toward a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces. The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch. Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in—not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response. This is the task of a theatre of the virtual—to safeguard the possibility of the extra-epistemological and uphold one’s right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body. This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.