A novel of suspense and mystical adventure in China from the New York Times–bestselling author of Jian and the Nicholas Linnear series. A martial arts expert and former agent of the top secret US government agency known as the Quarry, Jake Maroc has experienced great betrayal and tragedy. Caught up in a game of shifting loyalties, assassins, and power hungry nations, he knows there are few he can trust. Now part of Hong Kong’s yuhn-hyun, the inner circle that will someday control all of Asia, Jake is poised to lead China to fulfill its ancient destiny. On a plateau in the heart of the Burmese highlands lies Shan, the holy site where men are tested and the deepest secrets of Eastern mysticism are revealed. It is here that Jake will face his greatest challenge as the fate of the world hangs in the balance. From a master known for his continuation of Robert Ludlum’s legendary Jason Bourne thrillers, as well as numerous other bestsellers, Shan is “a Far East Arthurian epic, laden with . . . dragons, mountains, fire . . . and a story line mined with mystical aphorisms” (The Wall Street Journal).

This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies. The chapters in this volume cover a wide range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, from Cold War diplomacy to avant-garde dance collaborations, and from festival dance to dance on screen. Working against the Western-centric category of “Asian dance” and Western-centric theorizations of intercultural performance that foreground “East-West” relationships, each contribution shows how dances in Asia make one another as their key aesthetic references beyond Eurocentric influences, as well as how inter-Asia relations emerge from cultural, geographical, and aesthetic diversity within the region. This book is the first of its kind in both cultural studies and dance studies. It will contribute greatly to readers’ understanding of how performance shapes and transforms the cultural and political dynamics of inter-Asia, with a focus on dance circulations in and across East, South, and Southeast Asia. Inter-Asia in Motion: Dance as Method will be a key resource for academics, researchers, and advanced students of Dance Studies, Performance Studies, Cultural Studies, Asian Studies, International Relations and Politics, History, and Sociology. The chapters included in this book were originally published in Inter-Asia Cultural Studies.

Asian Cultural Studies or Cultural Studies in Asia is a new and burgeoning field, and the Inter-Asia Cultural Studies Journal is at its cutting edge. Committed to bringing Asian Cultural Studies scholarship to the international English speaking world and constantly challenging existing conceptions of cultural studies, the journal has emerged as the leading publication in Cultural Studies in Asia. The Inter-Asia Cultural Studies Reader brings together the best of the ground breaking papers published in the journal and includes a new introduction by the editors, Chen Kuan-Hsing and Chua Beng Huat. Essays are grouped in thematic sections, including issues which are important across the region, such as State violence and social movements and work produced by IACS sub-groups, such as feminism, queer studies, cinema studies and popular culture studies. The Reader provides useful alternative case studies and challenging perspectives, which will be invaluable for both students and scholars in media and cultural studies.

Issues in Discovery, Experimental, and Laboratory Medicine: 2011 Edition is a ScholarlyEditions™ eBook that delivers timely, authoritative, and comprehensive information about Discovery, Experimental, and Laboratory Medicine. The editors have built Issues in Discovery, Experimental, and Laboratory Medicine: 2011 Edition on the vast information databases of ScholarlyNews.™ You can expect the information about Discovery, Experimental, and Laboratory Medicine in this eBook to be deeper than what you can access anywhere else, as well as consistently reliable, authoritative, informed, and relevant. The content of Issues in Discovery, Experimental, and Laboratory Medicine: 2011 Edition has been produced by the world’s leading scientists, engineers, analysts, research institutions, and companies. All of the content is from peer-reviewed sources, and all of it is written, assembled, and edited by the editors at ScholarlyEditions™ and available exclusively from us. You now have a source you can cite with authority, confidence, and credibility. More information is available at http://www.ScholarlyEditions.com/.

In this comprehensive volume, leading scholars of media and communication examine the nexus of globalization, digital media, and popular culture in the early 21st century. The book begins by interrogating globalization as a critical and intensely contested concept, and proceeds to explore how digital media have influenced a complex set of globalization processes in broad international and comparative contexts. Contributors address a number of key political, economic, cultural, and technological issues relative to globalization, such as free trade agreements, cultural imperialism, heterogeneity, the increasing dominance of American digital media in global cultural markets, the powers of the nation-state, and global corporate media ownership. By extension, readers are introduced to core theoretical concepts and practical ideas, which they can apply to a broad range of contemporary media policies, practices, movements, and technologies in different geographic regions of the world—North America, Europe, Africa, the Middle East, Latin America, and Asia. Scholars of global media, international communication, media industries, globalization, and popular culture will find this to be a singular resource for understanding the interconnected relationship between digital media and globalization.

Increased flows of people, capital, and ideas across geographic borders raise urgent challenges to the existing terms and practices of politics. Comparative political theory seeks to devise new intellectual frames for addressing these challenges by questioning the canonical (that is, Euro-American) categories that have historically shaped inquiry in political theory and other disciplines. It does this byanalyzing normative claims, discursive structures, and formations of power in and from all parts of the world. By looking to alternative bodies of thought and experience, as well as the terms we might use to critically examine them, comparative political theory encourages self-reflexivity about the premises of normative ideas and articulates new possibilities for political theory and practice. The Oxford Handbook of Comparative Political Theory provides an entry point into this burgeoning field by both synthesizing and challenging the terms which motivate it. Over the course of five thematic sections and thirty-three chapters, this volume surveys the field and archives of comparative political theory, bringing the many approaches to the field into conversation for the first time. Sections address geographic location as a subject of political theorizing; how the past becomes a key site for staking political claims; the politics of translation and appropriation; the justification of political authority; and questions of disciplinary commitment and rules of knowledge. Ultimately, the handbook demonstrates how mainstream political theory can and must be enriched through attention to genuinely global, rather than parochially Euro-American, contributions to political thinking.

This edited collection explores affect in nationalism as method of producing inclusion and exclusion in Asia.