Book 1: Venture into the realm of medieval legend with “The Legends of King Arthur and His Knights by Sir James Knowles and Sir Thomas Malory.” This collection brings together the tales of King Arthur, the Knights of the Round Table, and the quest for the Holy Grail. Drawing from Sir Thomas Malory's seminal work, the legends transport readers to a world of chivalry, honor, and mythical adventure that has captured imaginations for centuries. Book 2: Experience the poetic brilliance of “Idylls of the King by Baron Alfred Tennyson Tennyson.” Alfred Lord Tennyson's epic cycle of poems retells the stories of King Arthur and the Knights of the Round Table. Tennyson weaves a narrative that explores the ideals of chivalry, love, and the inevitable decline of a once-glorious kingdom. With lyrical beauty and profound themes, "Idylls of the King" stands as a poetic tribute to the Arthurian legend. Book 3: Delve into the supernatural and the macabre with “Daemonologie by King of England James I.” James I of England, also known as James VI of Scotland, explores the nature of witchcraft and the occult in this treatise. Written in the form of a dialogue, "Daemonologie" reflects the beliefs and fears surrounding witchcraft during the early 17th century, offering insights into the historical perceptions of the supernatural.

Details the mythic life of King Arthur, the history of Arthurian legend, and the popular themes and characters associated with the legends.

The revival of interest in Arthurian legend in the 19th century was a remarkable phenomenon, apparently at odds with the spirit of the age. Tennyson was widely criticised for his choice of a medieval topic; yet The Idylls of the Kingwere accepted as the national epic, and a flood of lesser works was inspired by them, on both sides of the Atlantic. Elisabeth Brewer and Beverly Taylor survey the course of Arthurian literature from 1800 to the present day, and give an account of all the major English and American contributions. Some of the works are well-known, but there are also a host of names which will be new to most readers, and some surprises, such as J. Comyns Carr's King Arthur, rightly ignored as a text, but a piece oftheatrical history, for Sir Henry Irving played King Arthur, Ellen Terry was Guinevere, Arthur Sullivan wrote the music, and Burne-Jones designed the sets. The Arthurian works of the Pre-Raphaelites are discussed at length, as are the poemsof Edward Arlington Robinson, John Masefield and Charles Williams. Other writers have used the legends as part of a wider cultural consciousness: The Waste Land, David Jones's In Parenthesis and The Anathemata, and the echoes ofTristan and Iseult in Finnigan's Wake are discussed in this context. Novels on Arthurian themes are given their due place, from the satirical scenes of Thomas Love Peacock's The Misfortunes of Elphin and Mark Twain's A Connecticut Yankee at King Arthur's Court to T.H. White's serio-comic The Once and Future King and the many recent novelists who have turned away from the chivalric Arthur to depict him as a Dark Age ruler. The Return of King Arthurincludes a bibliography of British and American creative writing relating to the Arthurian legends from 1800 to the present day.

Reproduction of the original: The Legends of King Arthur by James Knowles

The "King Arthur Premium Collection: 10 Books of Legends & The History Behind The King of Camelot" presents an exceptional anthology that traverses the extensive landscape of Arthurian legend through a varied tapestry of narrative styles and perspectives. This collection stands as a monumental consolidation of myth, legend, and historical speculation, offering readers an in-depth exploration of the chivalric values, romantic adventures, and moral quandaries emblematic of the Arthurian ethos. The anthology strategically includes seminal works that have shaped the Arthurian tradition, including but not limited to the romantically poetic to the rigorously historic, thus reflecting the multifaceted nature of King Arthurs legacy across centuries. The contributing authors and editorsHoward Pyle, Richard Morris, James Knowles, T. W. Rolleston, Thomas Malory, Alfred Tennyson, and Maude L. Radfordare distinguishable not only for their individual contributions to literature but also for their collective embodiment of the cultural, historical, and literary movements that have sustained the Arthurian legend. Their backgrounds, ranging from medieval scholarship to poetry, enrich the collection with a depth that invites readers to explore the legend of King Arthur through lenses that are at once diverse and cohesive, aligning to form a comprehensive understanding of the mythos that continues to captivate the imagination. This anthology is recommended for readers seeking to immerse themselves in the multifarious narratives of King Arthur and his court. It serves not only as an educational journey through the annals of Arthurian legend but also as a monumental exploration of the human condition through the lens of myth. For scholars, enthusiasts, and new readers alike, this collection offers a unique opportunity to engage with the rich tapestry of tales and analyses that make up the Arthurian world, inviting a dialogue between the past and present, myth and history, across a spectrum of literary craftsmanship.

The 'KING ARTHUR - Ultimate Collection: 10 Books of Myths, Tales & The History Behind The Legendary King' is a rich tapestry of narrative adventure and literary exploration, bringing together an eclectic mix of tales about the iconic British leader and the chivalric order of the Round Table. This anthology showcases a remarkable diversity in storytelling, with works ranging from classic Arthurian legends to reinterpretations that breathe new life into ancient narratives. The compilation illuminates the enduring appeal of King Arthurs saga, spotlighting its influence on various literary styles and epochs, and the extraordinary depth with which these authors delve into the legends moral and ethical quandaries stands as a testament to its thematic richness and complexity. The contributing authors and editors, including figures like Howard Pyle and Alfred Tennyson, are rooted in dramatically different historical and cultural backgrounds, offering readers a panoramic view of the Arthurian legends evolution across time. Their collective works underscore significant movements within literature, from medieval romance to Victorian poetry, revealing how each period reimagined the Arthurian world to reflect contemporary concerns and values. This anthology is not just a collection of stories; it is a dialogue across centuries, showcasing the adaptability and resilience of the Arthurian legends. 'Readers seeking a comprehensive yet deeply nuanced exploration of the King Arthur mythos will find this collection invaluable. It is an enlightening journey through the ages, offering a unique opportunity to experience the myriad ways in which these timeless stories have been told and retold. By encompassing a broad spectrum of perspectives, styles, and themes, this anthology enriches our understanding of King Arthur's legend, inviting us to reconsider our notions of heroism, leadership, and morality. This collection is indispensable for enthusiasts of mythic literature, providing both an educational resource and a wellspring of inspiration that rekindles the magic and mystery of Arthur's world for a new generation.'

A Celtic historian re-creates the life and times of the real King Arthur and explains how even today Arthurian ideals of knightly virtue remain at the heart of Western thought.

There are more stories about King Arthur than you ever knew. Some of them may even be true. This massive collection spans the centuries of Arthurian legend. We are taken back to the sixth century in 'A Time Before Tales' by Colin Bradshaw-Jones. This controversial tale gives one possible explanation for a real Arthur. We are then transported to the medieval 'Kilhwch and Olwen' from The Mabinogion, translated by Lady Charlotte Guest. The story can lay claim to be one of the earliest written Arthurian romances in any language. Finally, Sir James Knowles gives us the epic collection which most closely resembles the King Arthur we know today, and which forms the largest portion of the book; 'And as they prayed, there was seen in the churchyard, set straight before the doorways of the church, a huge square stone having a naked sword stuck in the midst of it. And on the sword was written in letters of gold, "Whoso pulleth out the sword from this stone is born the rightful King of Britain."'