As one of the West Coast's most unique and beautiful resort cities, Laguna Beach has thrived as an enduring enclave of art culture, a destination of hidden beaches, and a coastline rich in natural wonders, which its officials and residents strive to maintain. Settlers arrived in the 1870s, and by the summer of 1918 Laguna's first art gallery opened, featuring works by a growing collective of local artists. Hundreds of visitors came on opening day and, in the next month, 2,000 more visited the small art gallery. In 1932, Laguna started what would become a world-renowned event called the Festival of the Arts and later added the equally famous Pageant of the Masters. Since its simple beginnings as a small village situated where Laguna Canyon opens onto the Pacific shoreline to the reason there are traffic jams on Coast Highway during hot-month weekends, this southern Orange County jewel has continued to be a great draw for beachgoers, painters, and nature lovers the world over.

The Laguna Madre of Texas and Tamaulipas is the only hypersaline coastal lagoon on the North American continent and only one of five worldwide. Extending along 277 miles of shoreline in South Texas and northeastern Mexico, the lagoon is renowned for its vast seagrass meadows, huge wintering redhead population, and bountiful fishing grounds. Recent concerns about increasing human activity have focused attention on the long-term health of the Laguna Madre as growing population pressures, pollution problems, and dredging threaten this unique ecosystem. The Nature Conservancy, whose mission is the conservation of biodiversity through protection of habitat, recognized the need to compile all known information about the Laguna Madre in order to move ahead with a science-based conservation agenda. This book is the result. Taking an ecosystem approach to the study of this rich habitat, the authors first provide an overview of the natural history of the Laguna Madre and adjacent areas, including an essay on the importance of the region's private ranches. Succeeding chapters discuss the diverse natural resources of the lagoon—seagrasses, open bays, tidal flats, barrier islands, abundant waterfowl, colonial waterbird rookeries, sea turtles, and fisheries. A final section identifies information gaps, offers a conservation framework, and makes recommendations for preserving the biodiversity of this complex and special ecosystem. Over seventy years of literature on the Laguna Madre and surrounding environments has been synthesized here. With 150 figures and illustrations, the book is the first to take a broad and comprehensive look at both the Texan and Tamaulipan Laguna Madre. For scientists, conservationists, resource managers, and policy makers involved in the future of the Texas and Mexico coasts, the value of this book is clear. And coastal residents, birders, anglers, and nature lovers who want to learn about and take care of the Laguna Madre will find this to be an indispensable guide.

Anglers treasure the Laguna Madre, a shallow lagoon resting along one hundred miles of the South Texas coast that offers some of the best fishing in the Gulf of Mexico. Its lush environment of seagrass meadows, tidal flats, submerged rock, jetties, worm reefs, mangroves, oyster beds, and open bays provides shelter, food, and nursery grounds for more than 100 kinds of fish, and in its upper portion, many popular game fish are at record levels. In Fishes of the Texas Laguna Madre, longtime angler and fish biologist David A. McKee taps into a lifetime of fishing and studying the lagoon to give us an expert’s guide to this estuary and the fish that live there. This book covers the natural history of the “Mother Lagoon” and provides information on the characteristics, life histories, ranges, and habits of the fish species found in this hypersaline environment. For some, and especially the “Big 5” coastal sportfish (spotted seatrout, red drum, black drum, sheepshead, and southern flounder), McKee offers additional notes on angling techniques, personal observations, record catches, and regulations. He also raises important conservation issues for boaters and anglers to keep in mind while enjoying this unusual ecosystem. Visitor contact information (including the location of boat docks, boat ramps, and piers) rounds out the text, along with three maps of the Laguna Madre. Excellent black-and-white drawings of the fish, the majority by the late Henry “Hank” Compton, are featured throughout. Fishes of the Texas Laguna Madre is for novices and “lagunatics” alike. It will be an invaluable guide for anglers and naturalists; canoers, kayakers, and boaters; students and teachers of fishery science; and anyone who lives near or has an interest in this unique and expansive body of water.

Everyone loves Laguna Beach; at least authors Foster J. Eubank and Gene Felder do, as well as everyone they know. It has long been an art colony, as indicated by city signs that read "Home of the Festival of Arts and Pageant of the Masters." The city's 23,000 residents work to protect its small-town atmosphere. Laguna Beach is now surrounded by 22,000 acres of protected natural open space that was originally part of Mexican land grants. In this volume, the authors show that much has changed, while much remains the same.

The distinguished American Indian photographer Lee Marmon has documented over sixty years of Laguna history: its people, customs, and cultural changes. Here more than one hundred of Marmon's photos showcase his talents while highlighting the cohesive, adaptive, and independent character of the Laguna people. Along with Marmon's own oral history of the tribe and his family photos dating back to 1872, Tom Corbett presents archival images and historical research, making this the most complete published history of any southwestern pueblo. Marmon and Corbett also interviewed noted tribal elders and oral historians regarding customs, religious practices, and events of the nineteenth and twentieth centuries. The resulting narrative provides a fascinating story of survival through severe natural and man-made adversities, including droughts, plagues, marauding tribes, and cultural invasion. Through it all, Laguna has preserved its culture and retained sovereign powers over the pueblo and its territory.

This fascinating rediscovery of Josephine Foard highlights her work at Laguna Pueblo beginning in 1899 and her efforts to improve and market pueblo pottery for the Lagunas' economic benefit.

"Laguna Niguel is one of America's earliest master-planned communities. In 1958, the Boston-based real estate firm of Cabot, Cabot & Forbes began acquiring over 7,000 acres of sheep-grazing land in south Orange County that had been owned by ranchers, including the French Basque Daguerra family and the Moulton family. Prior to that, the property was the Rancho Niguel Mexican land grant and, earlier, a part of a Niguili Native American village. The Boston firm hired noted architect Victor Gruen as the master planner and brought in investors through the Pacific Coast Stock Exchange. In 1959, the Laguna Niguel Corporation was formed, and the development began. Ansel Adams was hired to provide the original photographs of the property; Ladd & Kelsey, William Pereira, and other noted mid-century modern architects designed the housing, schools, offices, and retail centers. This development's interesting and groundbreaking concepts set the stage for how communities were created in the last half of the 20th century."--Amazon.com