The Love Letters of William and Mary Wordsworth collects 31 letters that William Wordsworth exchanged with his wife, Mary, during the early years of their marriage. These letters--fifteen from William to Mary and sixteen from her to him--were written during William's absences from home in 1810 and 1812 and offer an entirely new way of looking at the poet and his married life. Reproduced here with an informative introduction and headnotes by Beth Darlington that set each missive in biographical context, the letters cover a wide range of topics: village life, Regency politics, poetry and painting, London gossip, rural manners, their five children, domestic activities, and family anecdotes. Yet along with these everyday incidents and practical concerns, there are tender passages in which the Wordsworths ardently declare their love for each other and reveal a profound happiness in their marriage.The William Wordsworth who emerges from this correspondence is a figure more relaxed, more accessible, and indeed more human that he has been pictured; May emerges as a woman of keen intelligence, energy, and imagination. Revealing how thoroughly Wordsworth shared his inner and passional life with Mary, this volume puts to rest the notion that theirs was a marriage of convenience.

None of the letters in this volume has appeared in the original edition of the Letters, and most have never previously been published at all. They throw striking and unexpected new light on Wordsworth's imaginative and emotional life, his career as a poet, his activities and friendships, and his relationships within his own circle.

Shedding fresh light on Wordsworth's contested relationship with an England that changed dramatically over the course of his career, James Garrett places the poet's lifelong attempt to control his literary representation within the context of national ideas of self-determination represented by the national census, national survey, and national museum. Garrett provides historical background on the origins of these three institutions, which were initiated in Britain near the turn of the nineteenth century, and shows how their development converged with Wordsworth's own as a writer. The result is a new narrative for Wordsworth studies that re-integrates the early, middle, and late periods of the poet's career. Detailed critical discussions of Wordsworth's poetry, including works that are not typically accorded significant attention, force us to reconsider the usual view of Wordsworth as a fading middle-aged poet withdrawing into the hills. Rather, Wordsworth's ceaseless reworking of earlier poems and the flurry of new publications between 1814 and 1820 reveal Wordsworth as an engaged public figure attempting to 'write the nation' and position himself as the nation's poet.

Głównie listy Williama i Dorothy Wordsworth.

Wordsworth’s process of revision, his organization of poetic volumes and his supplementary writings are often seen as distinct from his poetic composition. Bates asserts that an analysis of these supplementary writings and paratexts are necessary to a full understanding of Wordsworth’s poetry.