In one of the contributions to this edited volume an interviewee argues that "English is power". For researchers in the field of English Studies this raises the questions of where the power of English resides and which types and practices of power are implied in the uses of English. Linguists, scholars of literature and culture, and language educators address aspects of these questions in a wide range of contributions. The book shows that the power of English can oscillate between empowerment and subjection, on the one hand enabling humans to develop manifold capabilities and on the other constraining their scope of action and reflection. In this edited volume, a case is made for self-critical English Studies to be dialogic, empowering and power-critical in approach.

Making a strong case for the relevance of literary production to understanding international relations, this persuasive volume highlights the potential rewards of developing a methodology to bring literature to bear on a discipline which has tended to neglect fictional sources. Paul Sheeran considers the deep insight that can be gained from the study of key works in fiction and literature to enhance knowledge of the social forces shaping world affairs. While there are numerous relevant works, the author has carefully selected multi-faceted and colourful sources of material to explore developments in contemporary global issues such as the demise of the Soviet Union, the attack on the World Trade Centre, infectious diseases and human conflict. This exciting book enthusiastically breaks new ground and is highly suitable for courses on international relations, cultural studies and literature.

Vampire Literature: An Anthology is the first anthology of vampire literature designed specifically for use in the higher education classroom. As Nina Auerbach argues in her introduction to Our Vampires, Ourselves, vampires are “personifications of their age”; with coverage from the early nineteenth century to the twenty-first, Vampire Literature: An Anthology brings together a wide range of texts from many eras—and bring together as well work by American, British, Irish, and Caribbean writers. The focus is on shorter prose texts, primarily short stories and novellas (Polidori’s The Vampyre and LeFanu’s Carmilla are included in full); in a few cases, longer works are excerpted. Included as well are a range of illustrations and other visual materials. With an informative general introduction, headnotes to each selection, and explanatory footnotes throughout, Vampire Literature: An Anthology is ideally suited for use in the undergraduate classroom.

Collaboration between organizations on different continents can raise issues of economic development, health, the environment, risk sharing, supply chain efficiency and human resource management. It is an activity that can touch upon almost every aspect of business and social life. In this notable text, the authors combine rigorous theory with practical examples to create a useful, practical, one-stop resource covering topics such as: the principles of the theory of collaborative advantage managing aims membership structures and dynamics issues of identity using the theory. The key features of the book include rich theory, drawn directly from practice, explained in simple language, and a coherently developed understanding of the challenges of collaboration, based on careful research. This significant text will be an invaluable reference for all students, academics and managers studying or working in collaboration.

Addressing the apparent tensions between modernity and sustainability in Southeast Asia, this book offers novel insights into the global challenge of moving towards a low carbon energy system. With an original and accessible take on social theory related to energy transitions, modernity and sustainability, Mattijs Smits argues for a reinvigorated geography of energy. He also challenges universalistic and linear assumptions about energy transitions and makes the case for ’energy trajectories’, stressing embeddedness, contingency and connections between scales. Contemporary and historical empirical examples from Southeast Asia, primarily Thailand and Laos, are drawn upon to show the importance of scale at regional, national, local and household levels. The transitions in the national power sectors here have been intimately related to discourses of modernity and state formation since the colonial era. More recently, plans for international cooperation and discourses of regional power trade have taken centre stage. Local energy trajectories are understood to be part of these transitions, but also as embedded in local social, political and spatial relations. Examining how energy practices go hand-in-hand with the dissemination of different technologies, this work shows the complexities of achieving sustainability in the context of rapidly changing energy modernities in Southeast Asia.

This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms.