A stunning new translation—“the best in a century, without a doubt”—of the Hebrew Bible that restores the creativity and poetry of the original text (New Republic). Whether rendering the Bible as wondrous or as strangely familiar, David Rosenberg’s “brilliant” and “truly fresh” translation forces us to ask again—and at last in literary terms—why the Bible remains a crucial foundation of our culture (Booklist). Until today, translators have presented a homogeneous Bible in uniform style—even as the various books within it were written by different authors, in diverse genres and periods, stretching over many centuries. Now, Rosenbergs artful translation restores what has been left aside: the essence of imaginative creation in the Bible. In A Literary Bible, Rosenberg presents for the first time a synthesis of the literary aspects of the Hebrew Bible—restoring a sense of the original authors and providing a literary revelation for the contemporary reader. Rosenberg himself brings a finely tuned ear to the original text. His penetrating scholarship allows the reader to encounter inspired biblical prose and verse, and to experience each book as if it were written for our time.

The first textbook to engage with the crossover between the Bible and literature, covering all the key methods of literary criticism and presenting a truly inter-disciplinary approach.

It is regarded as a truism that the King James Bible is one of the finest pieces of English prose. Yet few people are aware that the King James Bible was generally scorned or ignored as English writing for a century and a half after its publication. The reputation of this Bible is the central, most fascinating, element in a larger history, that of literary ideas of the Bible as they have come into and developed in English culture; and the first volume of David Norton's magisterial two-volume work surveys and analyses a comprehensive range of these ideas from biblical times to the end of the seventeenth century, providing a unique view of the Bible and translation.

Why the Good Book Is a Great Read If you want to rightly understand the Bible, you must begin by recognizing what it is: a composite of literary styles. It is meant to be read, not just interpreted. The Bible’s truths are embedded like jewels in the rich strata of story and poetry, metaphor and proverb, parable and letter, satire and symbolism. Paying attention to the literary form of a passage will help you understand the meaning and truth of that passage. How to Read the Bible as Literature takes you through the various literary forms used by the biblical authors. This book will help you read the Bible with renewed appreciation and excitement and gain a more profound grasp of its truths. Designed for maximum clarity and usefulness, How to Read the Bible as Literature includes * sidebar captions to enhance organization * wide margins ideal for note taking * suggestions for further reading * appendix: "The Allegorical Nature of the Parables" * indexes of persons and subjects

This book considers the relationship between biblical readings and literary writings in early modern England and it explores the impact of how the Bible was read across a variety of writers and genres.

The studies assembled in this volume focus on two issues: firstly, the analysis and illustration of literary techniques employed by authors and compilers of the books of the Hebrew bible. In several instances, their development is followed into the early post-biblical Qumran writings and Apocrypha. Thus, the essays in this section relate to biblical literature qua literature, an issue which has especially attracted scholars in the field of recent times. In a second group of essays, the author sets out to probe the interconnection of literature and society in biblical Israel. Literary patterns, foremost motifs, are analyzed in the attempt to extract from them facets of underlying conceptual or speculative thought. Since biblical authors refrained, on the whole, from presenting systematically their world of ideas, the proposed evaluation of literary patterns may help in better gauging the conceptual universe of Israel in the biblical period

Examines a series of parallels between the stories of origins in the Bible and ancient Greek genealogical writings from the 7–5 centuries BCE, as well as other early Eastern Mediterranean (Phoenician and Anatolian) sources from the first millennium BCE, some of which have only been published in recent years.