She pens Broadway songs, but will the curtain ever close on her feelings for her ex-fiancé? Love gets a redo in this show-stopping romance. Ashley Grainger goes through a dry spell in her songwriting career, and it could not have happened at a worse time. Her music-writing ability has been hampered by the return of her ex-fiancé Zach. When Zach blows back into town, he has the potential to destroy Ashley's career. Zach is still overwhelmed by his feelings for Ashley, but will his desperate ploy to stop loving her get in the way of helping her further her career? As Ashley and Zach discover, it's hard to rewrite the lyrics to their passionate and complicated love song.

On February 10th, 1906, Alice Ruth Moore, estranged wife of renowned poet Paul Lawrence Dunbar, opened her newspaper to learn of her husband's death the day before. This work traces the tempestuous romance of America's most noted African American literary couple, drawing on a variety of resources.

A book of new lyrics consisting of six hundred and forty-two pages and containing three hundred lyrics. on different topics.

A superb volume, fully worthy of these famous but often misunderstood poems. P. G. Walsh's unmatched erudition in Latin literature furnishes lucid grammatical explanations, incisive analysis of goliardic literary values and technique, and illuminating references to ancient and medieval parallels. His prose translations make the poems accessible also to those with little or no Latin. Janet M. Martin, Princeton University

Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.

Heart Felt Lyrics 2 and Actual Love: 50 country song lyrics, details, romance, relationships solutions and real actual love to improve your life. The lyrics interspersed throughout are about the author extraordinary experiences and schizophrenia in his life and inspiration. It all started in the spirit world and thereafter I was born into a life's path where my life was threatened to come to an end, but being for ordained to accomplish my mission on earth I persisted. Marriage for me is still a struggle but successful considering my illness and many challenges I face. My stories are an inspiration to anyone for relationships and to others who suffer from mental illness or struggle with loved ones. The Ten Commandment is a guide to good relationships peace and prosperity.

This book is the first comprehensive scholarly study of religious images in popular music. Examining bestsellers from 1906 to 1971, the work explores the role religious images have in the secularization of American culture. Popular music lyrics that express an adherence to a sacred order are couched in inoffensive, content-less language. These lyrics of civility reflect and shape the increasing secularization of American culture in the twentieth century. The analysis focuses primarily on the way these lyrics reduce the meaning of the terms and theology of the Biblical faith. The aesthetic of civility carries over into theology, the narratives, and the accompanying instrumental arrangements of songs that adhere to the Biblical sacred order. On the other hand, lyrics that reject the Biblical tradition use content-filled, offensive language. The result is that displaced adherents withdraw from the Biblical tradition and turn to alternative cultural religions, or idols of attraction, including popular music, that offer meaning to fill a void in the individual. The secularization of American society, therefore, is not a withdrawal from the idea of religion itself. The analysis focuses on the two dominant themes in songs that include religious images: prayer and heaven. The author explores the songs of the two world wars, the hit parade era, the rhythm and blues and doo-wop of the 1950s, the new folk singer movement, soul music and rock music of the 1960s, and the revival rock of the early 1970s. The work demonstrates the capacity of one form of popular culture to separate adherents from a subculture through diluting the meaning of the language of the subculture's elemental thought. (Ph.D. dissertation, Bowling Green State University, 1994; revised with new preface, bibliography, and index)