Tom collaborated with his blind dog on Stay Put? Make a Move?, so his 6th book breaks all the rules. The dog suffers from Attention Deficit Hyperactivity Disorder. (They needed to keep track with numbered paragraphs. Blame the dog.) Stay Put? covers more than just their lives and their locales; this is a narrative chock-full of cocktail party historical and pop culture facts. It’s about the lives and events of the famous and less known friends, people, places and events that touched Tom’s life. How did Tom’s High School Campaign Manager stop the Florida vote recount, resulting in chicken-hearted, pig-headed, hoodwinking, papa-rebellious, childish, unapologetic (now ‘feeling comfortable’) George Bush Jr. getting elected President? And how has it affected all of us? After graduating from Cornell University, Tom worked with Japan’s two top union movement leaders, Ohta Kaoru (who invented Shunto), and Yamagishi Akira (who founded the united RENGO labour union). There he had the lucky start of developing his vision to build world economies with better woman/manpower management. After a few serious parts, Stay Put? takes on more light-hearted topics. A drive from London to Katmandu; Marilyn Monroe’s marriage in Waccabuc; departing Waccabuc to capture Benedict Arnold; other lake and mountain facts; Robert Reich leading author’s John Jay High School; an impressive 39-year-old Donald Rumsfeld; Donald Trump; Bruce Willis; Richard Gere nearby; the Salem Witch Trials; the first half-black non-native New Yorker with Manhattan to himself for 11 years before the Dutch came; the Christmas Ghost; Bill Clinton at the Kill Bill restaurant; Tom singing ‘Otoko wa Tsurai Yo’ to Tora-san; Chiang Kai-shek and a talk with Princess Diana. Stay Put? features hundreds of other true stories – many that you will know something about. Where to live? Who to live with? What to do? What to change? What to think? What stories do you have to tell? And how many changed history for all of us?

Responding to the increasing interest in the movement of policies between places, sites, and settings, this timely book presents an alternative to critical approaches that center on ideas of policy transfer, dissemination, or learning. With profound implications for policy studies, contributors instead treat policy's movement as an active process of translation, in which policies are interpreted, inflected, and reworked as they change location. Mixing collectively written chapters with individual case studies of policies and practices, this book provides an exciting, accessible, and novel analytical and methodological foundation for rethinking policy studies through translation.

Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come.

Making History Move: Five Principles of the Historical Film consolidates decades of scholarship investigating history in visual culture in the fields of film and media, cultural studies, and history. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness in a systematic way, presenting criteria for engaging and assessing the truth status of depictions of the past. Its chapters offer a detailed methodology for analyzing history in moving images for the digital age, proposing five principles of analysis to organize past and future scholarship in this vital, interdisciplinary field of study. Including films such as The Birth of a Nation, Gone with the Wind, Lawrence of Arabia, and Saving Private Ryan the book sets the stage to examine the most influential form of history with the most significant impact on public perceptions of the past.

Current computer graphics hardware and software make it possible to synthesize near photo-realistic images, but the simulation of natural-looking motion of articulated figures remains a difficult and challenging task. Skillfully rendered animation of humans, animals, and robots can delight and move us, but simulating their realistic motion holds great promise for many other applications as well, including ergonomic engineering design, clinical diagnosis of pathological movements, rehabilitation therapy, and biomechanics. Making Them Move presents the work of leading researchers in computer graphics, psychology, robotics and mechanical engineering who were invited to attend the Workshop on the Mechanics, Control and Animation of Articulated Figures held at the MIT Media Lab in April 1989. The book explores biological and robotic motor control, as well as state-of-the-art computer graphics techniques for simulating human and animal figures in a natural and physically realistic manner.

Sian Smith looks at things moving at different speeds. She explores how pushes and pulls can make things start moving, stop moving and change direction.

Devious developers. A web of lies. A fatal flaw. Nurse Christie Taylor quits her job to care for her cantankerous father. But her decision to return home puts her in direct conflict with the Webster Group—developers who won’t take no for an answer. When Pop’s old friend, Curtis Altgelt, finds a dead body on his property, Christie’s thrust back into a mystery she thought was resolved. As developers swarm like vultures, this sassy Texas woman won’t allow anyone to ruin all she holds dear. Christie must get into the mind of a killer, but will her decision to move home come at a deadly cost? If you enjoy down-home clean, cozy mysteries with a horse-riding, pie-baking amateur sleuth, pick up Death Makes A Move today. Includes yummy pie recipe. Don’t read hungry! Saddle up with some feisty sleuths to uncover the truth. Book 2 in A Taylor Texas Mystery Series Pie-baking sleuth, Christie Taylor is baking up a yummy caramel apple pie. Recipe Included. Continue your journey with the characterful residents of the Texas Hill Country with Death Makes A Move. Books in the Taylor Texas series Death Takes A Break Death Makes A Move Death Stakes A Claim Death Steals A Kiss Death Cracks The Case Death Wakes A Snake

Making Things Move: Force and Motion is aligned to the Common Core State Standards for English/Language Arts, addressing Literacy.RI.2.2 and Literacy.L.2.5b. Readers are introduced to simple physics lessons in an accessible way, featuring real-world examples, in this book, which includes full-page color photographs paired with narrative nonfiction text that explain relevant concepts. This book should be paired with “Push and Pull: Understanding Force and Motion" (9781477723548) from the Rosen Common Core Readers Program to provide the alternative point of view on the same topic.

From the author of Stand Up, Yumi Chung! comes a funny and utterly charming novel about friends—how to make them, how to let go of them, and how to be your own BFF. This is the story of Sunny Park, a seventh-grade student at Ranchito Mesa Middle who loves the K-pop band Supreme Beat, hanging out with her cool grandma, dancing when no one is watching, snacking on shrimp chips, and being there for Bailey, her best friend since third grade. When Bailey decides that she and Sunny should audition for the school dance team in a ploy to parent-trap Bailey’s divorced mom and dad, Sunny agrees even though the thought of performing in public makes her pits sweat. After all, she’d do anything for Bailey. In a twist of fate, Sunny makes the team and Bailey doesn’t, and when Sunny reluctantly joins, it’s the start of a painful and drawn-out parting of ways for the two girls. As Sunny takes her first steps out from behind her friend’s shadow, she’ll have to figure out who she wants to be when she’s in the spotlight—and who she wants dancing alongside her.