The notion of a superior ‘Germanic’ or ‘Nordic’ race was a central theme in Nazi ideology. But it was also a commonly accepted idea in the early twentieth century, an actual scientific concept originating from anthropological research on the physical characteristics of Europeans. The Scandinavian Peninsula was considered to be the historical cradle and the heartland of this ‘master race’. Measuring the Master Race investigates the role played by Scandinavian scholars in inventing this so-called superior race, and discusses how the concept stamped Norwegian physical anthropology, prehistory, national identity and the eugenics movement. It also explores the decline and scientific discrediting of these ideas in the 1930s as they came to be associated with the genetic cleansing of Nazi Germany. This is the first comprehensive study of Norwegian physical anthropology. Its findings shed new light on current political and scientific debates about race across the globe.

A historical rediscovery of one of the heroic founders of the conservation movement who was also one of the most infamous racists in American history

Reader, don't turn around. There's a SS Mutant Killer Gorilla standing behind you and reading my story. Keep very still, ok... What would happen if you transplanted the brains of German white-collar government workers into the bodies of gorillas? Read my story and find out.

Nazism remains an enigma. Historians do not know whether to slot Nazism as a phenomenon of the political “right” or “left,” largely because of a misunderstanding of how central eugenics was to the regime. Eugenics, or “racial hygiene,” was at the core of National Socialism’s domestic policy, foreign policy, culture wars, and even Hitler’s obsession with cars, highways, and city planning. Thus, no coherent understanding of the regime is possible without first grasping the nature of eugenics. Eugenics did not originate with Nazi Germany. It was the culmination of a worldwide movement that was widely accepted by the global scientific and academic community. This book traces the origins of the Nazi eugenics state, working backward down the timeline, tracing from leaf down to the root. We investigate this 100-year trajectory from its beginnings in British and American Academia, delving into the conveniently forgotten inner-workings of a scientific era, uncovering previously unpublished manuscripts, professional correspondence, and conveniently forgotten publications. With the centenary of The Holocaust looming, uprooting the web of professional connections that engendered this movement is in order. The seeds of Holocaust denial take root and prosper with misinformation. Clarity and transparency are imperative, as they leave no room for denial theories that would deprive the victims of justice, or rob the living of a future. www.RaceOfMasters.com  NOTE: A preliminary version of this book was circulated amongst academic circles and other interested parties as an Advanced Readers Copy (A.R.C.) in 2015. This version is a part the Eugenics Anthology seven-book series that is currently being completed by A.E. Samaan. Hardbound versions of the books will not be released until the series is complete, and all the puzzle pieces in place. For more information, please visit EugenicsAnthology.com

Chosen an "Outstanding Book on the Subject of Human Rights in the United States" by the Gustavus Myers Center for the Study of Human Rights. In this volume of incisive essays, Ward Churchill looks at representations of American Indians in literature and film, delineating a history of cultural propaganda that has served to support the continued colonization of Native America. During each phase of the genocide of American Indians, the media has played a critical role in creating easily digestible stereotypes of Indians for popular consumption. Literature about Indians was first written and published in order to provoke and sanctify warfare against them. Later, the focus changed to enlisting public support for "civilizing the savages," stripping them of their culture and assimilating them into the dominant society. Now, in the final stages of cultural genocide, it is the appropriation and stereotyping of Native culture that establishes control over knowledge and truth. The primary means by which this is accomplished is through the powerful publishing and film industries. Whether they are the tragically doomed "noble savages" walking into the sunset of Dances With Wolves or Carlos Castaneda's Don Juan, the exotic mythical Indians constitute no threat to the established order. Literature and art crafted by the dominant culture are an insidious political force, disinforming people who might otherwise develop a clearer understanding of indigenous struggles for justice and freedom. This book is offered to counter that deception, and to move people to take action on issues confronting American Indians today.

How do otherwise decent people become mesmerized by a doctrine of hate? How can its grip be broken? In seeking answers to these pressing questions for our times, Barbara Leimsner confronts the past to discover how one ordinary man—her adored German papa—became thoroughly indoctrinated with Nazi ideology during the Hitler years. Its hateful tentacles reached into her young life as he filled her head with beliefs about Aryan superiority, racist stereotypes, and conspiracy theories. Leimsner sweeps the reader from immigrant working-class life in 1960s suburban Ontario, back to fascism’s rise in her father’s former Sudeten homeland and into war. As she weaves together the roots of her shameful inheritance, she also discovers deeper truths about herself—and the cure for hate. This thoughtful, compelling story will appeal to anyone concerned about the resurgence of racism, nationalism, and far-right ideologies today, and those interested in the Nazi legacy and Second World War. It will speak to all readers with German ancestry grappling with the past, and those interested in the immigrant experience, issues of inter-generational memory, identity, and trauma.

A history of Nazi Germany’s SS and its leader examining the groups mystical cult aspects and Himmler’s rise through the ranks of power. Hitler’s Nazi Party, at its evil roots, embraced a bizarre interpretation of ancient European paganism, blending it with fragments of other traditions from sources as diverse as tenth-century Saxon warlords, nineteenth-century spiritualism, and early-twentieth-century fringe archeology. Even the swastika, the hated symbol of Nazism, had its roots in ancient symbolism, its first recorded appearance carved into a mammoth tusk twelve thousand years before Hitler came to power. At the heart of the evil was Hitler’s “witch doctor,” Heinrich Himmler, and his stranger-than-fiction cult, the deadly SS. The mundanely named Schutzstaffel, literally “protective squadron,” was the very essence of Nazism, and their threatening double lightning bolt was one of the most dreaded symbols of the Third Reich. With good reason: what the SS was truly protecting was the ideology of Aryan superiority. Hitler’s Master of the Dark Arts is the first history of the SS and its leader to focus on the mystical cult aspects of the organization. It follows Himmler’s transformation of the SS from a few hundred members in 1929 to over fifty thousand black-uniformed Aryans by the mid-1930s. Concurrent with its expansion and its eventual independence from the brown shirts of the SA, Himmler infused the Black Knights with a mishmash of occult beliefs and lunatic-fringe theories that would have been completely laughable—except that they were also used to justify the Final Solution.

Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.

The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.

This book constitutes the refereed proceedings of the 6th International Conference on Advances in Visual Informatics, IVIC 2019, held in Bangi, Malaysia, in November 2019. The 65 papers presented were carefully reviewed and selected from 130 submissions. The papers are organized into the following topics: Visualization and Digital Innovation for Society 5.0; Engineering and Digital Innovation for Society 5.0; Cyber Security and Digital Innovation for Society 5.0; and Social Informatics and Application for Society 5.0.