The term desire in the Hebrew Bible covers a wide range of human longings, emotions, and cravings. The direct and explicit term of desire is nevertheless limited to only two roots found in the Decalogue—the verb forms of the lexical roots חמד and אוה, which reflect not only the dynamics of desire occurring in human beings, but also in God. With an comprehensive semantic analysis and an overview of the synonyms and antonyms, the author shows that the verb form of the lexical root אוה denotes a variety of needs related to human existence including aspiration for God while the verb form of the lexical root חמד denotes the desire to acquire material wealth and possessions beyond basic needs. All the findings are compared on two levels—in relation to human beings (objects and people) and in relation to God—and ultimately serve for the interpretation of the roots in both versions of the Decalogue (Exod 20:17 and Deut 5:21) to resolve questions concerning the meaning of the desire in Tenth Commandment and substantiate whether the answers to life’s questions provided by the Bible correspond to modern society.

Interpretation and Meaning in Philosophy and Religion synthesizes cutting-edge philosophical reflections on interpretation with their application to religion. For this, new theoretical insights on interpretation by Krausz, Lamarque, Leddy, Hagberg, and Gibson are examined. Topics cover multiplism (i.e. interpretative pluralism), the goal of interpretation and its starting point. These concepts are then studied in relation to the practice of interpreting religious texts. For example, Grube proposes that the action-relevance of religious interpretations limits the possibility of tolerating divergent interpretations, Karrer-Grube challenges Lamarque’s insistence on a firm starting point, and Gokhale challenges Krausz by arguing that Vedantic practices of interpretation are non-multiplist.

Philosophy of logic and language, and of meaning and communication are central to this volume. The discussion of these issues involves analytical approaches, including semantics and semiotics, philosophy of science, mathematical logic, phenomenology, hermeneutics and some aspects of philosophical anthropology and aesthetics. Philosophy of the Absolute also belongs to this broad repertoire of philosophical problems and disciplines. A number of problems and viewpoints derive from the metaphysical system; any relativistic view on ethical values, for instance, makes sense in relation to some absolute. Metaphysical system building may have come to an end, but after all it belongs to philosophy to remind us of our past.

This accessible book gives academics, graduate students, and researchers a comprehensive survey of the vast, varied, and often confusing landscape of interpretive policy analysis. The book is both theoretically informed and clear and jargon-free in its wide-ranging coverage of the different interpretive approaches in policy analysis. For each approach, the author provides a strong practical example from the policy literature. He distinguishes between three distinct types of meaning--hermeneutic, discursive, and dialogical--each of which is rooted in different philosophical assumptions, underlies different approaches to interpretive analysis, and focuses on different topics in public policy. The book dispassionately discusses the specific strengths and limitations of different interpretive approaches, and combines thorough theoretical discussions with a practical orientation towards doing policy analysis. It includes an extremely comprehensive bibliography.

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.

This selection of research papers written by Hans Kamp presents the core of his scientific research on natural language semantics and its relation to logic, philosophy and linguistics. Arranged in six sections, the topics range from philosophical reflection on the foundational issues in the ancient Sorites Paradox with a formal account of its solution, to a detailed account of presuppositions in dynamic semantics.

The study of legal semiotics emphasizes the contingency and fluidity of legal concepts and stresses the existence of overlapping, competing and coexisting legal discourses. New problems, changing power structures and societal norms and new faces of injustice – all these force reconsideration, reformulation and even replacement of established doctrines. This book focuses on the application of law in a wide variety of contexts, including international politics and diplomatic practice.