Considerable interest in faery tradition has grown up in recent years and not least in the story of Melusine of Lusignan, the subject of a prose romance by Jean d'Arras at the end of the 14th century, swiftly followed by one in verse by Couldrette. This book provides a collection of material from various sources to give an all round picture of the remarkable faery, her town, her church, her immediate family, and the great Lusignan dynasty she founded. An established authority on Melusine, Gareth Knight collects together all the best source material, which he translates from the French, and presents his own researches into the Lusignan family of the 12th century, whose dynasty included kings of Cyprus and Jerusalem, examining the possibility of a familiar spirit guiding the family in its destiny.

This volume of original essays is the first collection devoted to the monumental Roman de Melusine (1393) by Jean d'Arras. A masterwork of late fourteenth-century French prose fiction, Melusine tells of the powerful medieval dynasty of Lusignan from its founding as a city by the legendary Melusine, an enigmatic fairy-figure subject to periodic monstrous transformations, through its expansion in Europe and the Near East, to its ultimate evanescence. Melusine offers a singular blend of history and fiction as it upholds the proprietary claims to Lusignan of the work's illustrious patron, Jean, Duc de Berry. The great deeds of Melusine, her forebears, and her progeny unfold in a narrative that blends elements of myth, folklore, and popular traditions with epic, Crusade narrative, romance, and theological doctrine. Advancing a wealth of new material and fresh insight, the essays in this volume address the complex interplay of the conventions of medieval fictional, historical, and genealogical writing from a wide variety of critical perspectives. Together, they offer a new, more balanced and comprehensive understanding of one of the most significant literary works of late medieval European culture.

In Melusine’s Footprint: Tracing the Legacy of a Medieval Myth, editors Misty Urban, Deva Kemmis, and Melissa Ridley Elmes offer an invigorating international and interdisciplinary examination of the legendary fairy Melusine. Along with fresh insights into the popular French and German traditions, these essays investigate Melusine’s English, Dutch, Spanish, and Chinese counterparts and explore her roots in philosophy, folklore, and classical myth. Combining approaches from art history, history, alchemy, literature, cultural studies, and medievalism, applying rigorous critical lenses ranging from feminism and comparative literature to film and monster theory, this volume brings Melusine scholarship into the twenty-first century with twenty lively and evocative essays that reassess this powerful figure’s multiple meanings and illuminate her dynamic resonances across cultures and time. Contributors are Anna Casas Aguilar, Jennifer Alberghini, Frederika Bain, Anna-Lisa Baumeister, Albrecht Classen, Chera A. Cole, Tania M. Colwell, Zoë Enstone, Stacey L. Hahn, Deva F. Kemmis, Ana Pairet, Pit Péporté, Simone Pfleger, Caroline Prud’Homme, Melissa Ridley Elmes, Renata Schellenberg, Misty Urban, Angela Jane Weisl, Lydia Zeldenrust, and Zifeng Zhao.

What are myths and what are they for? Myths are stories that both tell us how to live and remind us of the inescapability and pull of the collective past. The Survival of Myth: Innovation, Singularity and Alterity explores the continuing power of primal stories to inhabit our thinking. An international range of contributors examine a range of texts and figures from the Bible to Cormac McCarthy and from Thor to the Virgin Mary to focus on the way that ancient stories both give access to the unconscious and offer individuals and communities personae or masks. Myths translated and recreated become, in this sense, very public acts about very private thoughts and feelings. The subtitle of the book, ‘Innovation, Singularity and Alterity,’ reflects the way in which the history of cultures in all genres is a history of innovation, of a search for new modes of expression which, paradoxically, often entails recourse to myth precisely because it offers narratives of singularity and otherness which may be readily appropriated. The individual contributors offer testament to the continuing significance of myth through its own constant metamorphosis, as it both reflects and transforms the societies in which it is (re)produced.

This translation of the late 14th-century Roman de Parthenay (better known as Le Roman de Melusine) by the cleric Couldrette represents a most recent example of Matthew W. Morris' almost three decades of research, presentations and publications of the myth of Melusine and Melusinian materials. From among the 20 extant manuscripts of Couldrette's Melusine, Morris has selected B.N.MS.Fr.19167 because of its completeness and clarity, as base manuscript for the Middle French text of his line-for-line, en face bilingual edition. The translation maintains the impetus of Couldrette's story-line, keeping the reader's interest at a high pitch while retaining the flavour of the Middle French language. The introductory materials add a dimension for those not previously familiar with Couldrette's poem.