Have you ever wondered what the image of God means theologically? Mountains of material have been written about this topic, spanning ages, but is it just an idea or is it something physically real? This book answers those questions through ancient, modern, and scientific theories of memory in a Wesleyan anthropology. Bild-ing a Memory Model of God is a unique attempt at combining the fields of theology and neuroscience.

Reminiscent of the writings of Augustine, Teresa, and Thomas Merton, this volume is a book of honest pain and honest joy in the presence of God.

The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.

Memory is a major factor in the composition and practice of liturgy. Recent research into how the brain and memory function points the way to how liturgy can best meet the needs of worshippers. In Memory and Liturgy, Peter Atkins draws on the fruits of his research into the process of the brain and our memory and applies it to liturgical worship. His extensive experience in writing and using liturgy keeps this book rooted in reality. In its ten chapters the author applies the functioning of the brain and the memory to our remembrance of God in worship; God's memory of us through Baptism; our remembrance of Jesus Christ in the Eucharist; the corporate memory of the community created through worship; the healing of memories of sin and pain through forgiveness; three aids to help us worship; the process of continuity and change in liturgy; and the connection between memory, imagination and hope. The conclusion summarizes the main practical issues. This provides a check-list for those serving on Liturgical Commissions and those involved in the teaching of the practice of liturgy. This book is a positive contribution to the ongoing search for suitable liturgical worship and music for the 21st century.

The human race, along with the animals and plants that make up the creation of God, face a difficult future due to the multiple ways that the ecosystem on which they all depend is currently under stress. Temperatures are rising along with the oceans. Rain forests are falling along with the polar ice caps. Questions of the environment are now front and center in any catalog of concerns. Those who are called to preach need to include in the subjects of their sermons these environmental issues. Our Bible contains significant resources, often overlooked, as bases on which powerful environmental sermons can be preached. This book introduces the subject of preaching and the environment, offering close looks at important biblical passages that address the cosmos of God, and presenting sample sermons founded on those passages. The book calls for preachers both to name the vast problems we face and to offer the hope of the gospel of God to address them.

Take a walk. Change your world. Reading through the Bible is difficult. The Daily Walk Bible will help you complete the journey. Drawing from the rich resources of Walk Thru the Bible’s Daily Walk magazine, The Daily Walk Bible offers a simple daily reading plan and tools to help you complete the journey and see how the Bible fits together. Each day’s reading includes an overview to give you a bird’s-eye view of the day’s reading, several chapters from the Bible, an Insight offering an interesting fact from the day’s reading, and My Daily Walk—a short devotion to help you reflect on and apply a specific insight from the day’s reading. Every seventh day offers a pause on the journey as you are invited to Look Back over the readings from the previous week, Look Up to God, and Look Ahead to the reading to come. This edition uses the popular New International Version text.

Concentrationary Memories has, as its premise , the idea at the heart of Alain Resnais's film Night and Fog (1955) that the concentrationary plague unleashed on the world by the Nazis in the 1930s and 1940s is not simply confined to one place and one time but is now a permanent presence shadowing modern life. It further suggests that memory (and, indeed art in general) must be invoked to show this haunting of the present by this menacing past so that we can read for the signs of terror and counter its deformation of the human. Through working with political and cultural theory on readings of film, art, photographic and literary practices, Concentrationary Memories analyses different cultural responses to concentrationary terror in different sites in the post-war period, ranging from Auschwitz to Argentina. These readings show how those involved in the cultural production of memories of the horror of totalitarianism sought to find forms, languages and image systems which could make sense of and resist the post-war condition in which, as Hannah Arendt famously stated 'everything is possible' and 'human beings as human beings become superfluous.' Authors include Nicholas Chare, Isabelle de le Court, Thomas Elsaesser, Benjamin Hannavy Cousen, Matthew John, Claire Launchbury, Sylvie Lindeperg, Laura Malosetti Costa, Griselda Pollock, Max Silverman, Glenn Sujo, Annette Wieviorka and John Wolfe Ackerman.

I wrote this book to show people God is not about religion He is about relationship. As I wrote, I asked Him to inspire me to remember the significance of our walk together so to help people find that relationship and encourage my fellow believers. I do not claim to be a theologian, I am just a country boy called by God into ministry. He has carried me throughout my life providing rescue, needed help, and sustaining me through beautiful Spring days as well as the ferocious storms that came my way. God has helped me write this book for two major reasons. First to supply enough evidence for anyone seeking to know God the significance of His Spirit providing the "abundant Life". I believe that life is available to everyone in God's family. My second reason is to encourage believers by showing them how God has sustained me through every day of my life. This is how that life works for me. It is not about "Riches, Status, or Fame". The "Abundant Life" is being available to God and seeing Him at work in our lives. When I realize God has accomplished something totally beyond my capability, knowing it has to be Him, that is the "Abundant Life." I can tell you firsthand, that gives me an anointing of joy from His Spirit that is far beyond anything the world has to offer!!

Explore how the physical universe was created as well as the spiritual version that explains our existence. While it’s up to you to decide which version to believe, this book shows that both explanations are remarkably similar as the same events had to occur with both. Earl Thomas O’Farrell draws on his decades of experience as a researcher of religious beliefs, astrophysical theories, and the cosmology of the universe to examine the spiritual and scientific beginnings of the universe, the importance of magnetism, what the Big Bang created, the significance of the Higgs Boson, and the evolutionary process of energy matter. He also examines the theories of scientists such as Albert Einstein, where dark matter and dark energy come from (and how they work), celestial matter, and the creation of space, time, and light. Take a big step forward in understanding the world and decide for yourself the role God plays in our lives—if any—with the facts and insights in this book that explores the origins of the universe.

Music, Memory and Memoir provides a unique look at the contemporary cultural phenomenon of the music memoir and, leading from this, the way that music is used to construct memory. Via analyses of memoirs that consider punk and pop, indie and dance, this text examines the nature of memory for musicians and the function of music in creating personal and cultural narratives. This book includes innovative and multidisciplinary approaches from a range of contributors consisting of academics, critics and musicians, evaluating this phenomenon from multiple academic and creative practices, and examines the contemporary music memoir in its cultural and literary contexts.