At the age of seventy-two, Mary Delany, n�e Mary Granville (1700-1788), embarked upon a series of nearly a thousand botanical collages, or "paper mosaics,” which would prove to be the crowning achievement of her rich creative life. These delicate hand-cut floral designs, made by a method of Mrs. Delany’s own invention, vie with the finest botanical works of her time. More than two centuries later her extraordinary work continues to inspire. Although best known for these collages, Mrs. Delany was also an amateur artist, woman of fashion, and commentator on life and society in 18th-century England and Ireland. Her prolific craft activities not only served to cement personal bonds of friendship, but also allowed her to negotiate the interconnecting artistic, aristocratic, and scientific networks that surrounded her. This ambitious and groundbreaking book, the first to survey the full range of Mrs. Delany’s creative endeavors, reveals the complexity of her engagement with natural science, fashion, and design.

Contains the first printing of Sartor resartus, as well as other works by Thomas Carlyle.

This biographical work presents wonderfully a memoir of Frances or Fanny Burney, later known as Madame D'Arblay, compiled by Henry Austin Dobson. Fanny Burney was an English satirical novelist, diarist, and playwright. She was best known for her most successful and famous works, Evelina (1778), Cecilia (1782), Camilla (1796). English poet, critic, and biographer, Henry Austin Dobson used several sources to create this memoir. Besides her novels and the period's literature, he used Memoirs of Dr. Burney by his daughter, Franny Burney, Diary and Letters of Madame D'Arblay edited by her niece, and The Early Diary of Frances Burney 1768-1778, edited by Annie Raine Ellis. Contents include: The Burney Family No. 1, St. Martin's Street The Story of "Evelina" The Successful Author "Cecilia"—and After The Queen's Dresser Half a Lifetime