THE SUNDAY TIMES BESTSELLER & BEST GARDENING BOOKS OF 2020 - Sunday Times 'Every page a joy' NIGEL SLATER 'From a very early age I loved the countryside as much as any garden and was fascinated by the life that I saw all around me from trees, wildflowers, birds, insects and mammals. In a sense this book has been over sixty years in gestation. I have kept notebooks and journals ever since I could write and I have drawn upon these as well as the events of the past year.' Spend a year with Monty Don. My Garden World is a celebration of every living creature and the natural world that we all share. Recent times have given us the enforced opportunity to learn more about the fascinating natural world around us. Whether you live in the countryside or the town, Monty's observations and insights are relevant to each and every one of us. My Garden World is Monty Don's personal journey through the natural year, month by month, season by season, observed from the immediate world around him. 'Wildlife is not something that we watch happening in remote and exotic parts of the world on our screens, but right here in our own back yards and the more that we encourage it and learn to live with it, the more rewarding it becomes. If, in our own modest back yards, we can help preserve and treasure our natural world then we will make the world a better place -- not just for ourselves but for every living creature.'

He roams New England, Arkansas, the Caribbean, Nova Scotia and the familiar and odd plots of mind and thought. He explores shorelines and climbs "hillish" mountains. He sits on porches and talks to passersby and their dogs. He meets strange and delightful people, most of whom are real.

‘[Kincaid] is able to do something that is almost never done in garden writing, and do it very well . . .’ - The New York Times Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book) Kincaid gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. This is an intimate, playful book on gardens, the plants that fill them, and the people who tend to them. Now in the Picador Collection.

This book is about the fundamental nature of talk in school science. Language as a formal system provides resources for conducting everyday affairs, including the doing of science. And while writing science is one aspect, talking science may in fact constitute a much more important means by which we navigate and know the world-the very medium through which we do science. In Talking Science Wolff-Michael Roth articulates a view of language that differs from the way science educators generally think about it. Knowing language, in this view, is no longer distinct from knowing one's way around a particular section of the world. It is a non-representational view of language and dispenses with language as a barrier between the individual subject and the world it knows. In addition, the book includes detailed analyses from actual classrooms to exemplify what such a different approach means for science education. The conclusion is that once we have learned new ways of articulating the world and talking about it, we also have learned to handle this world more easily.

An infant is born - the first cry, the first teardrop, the first drop of the mother's life-sustaining milk. the human journey begins. What lies ahead is unknown, the mind, like an infant, not yet mature, wonders. the long road, paved with uncertainty, stretches before us, the horizon far ahead. A fog mystifies and obscures our vision. Mirages deceive the eye. Not knowing our destination, we are lost in a circle of perpetual spin. the mind triggers a dizzying journey. the rainbow enlightens; the clouds darken. Lightning blinds the vision, but the journey, with one step, two steps, three steps, slowly and surely begins.

Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 1 include: . the letters of Ablard and Heloise . the letters by Abigail Adams, John Adams, and John Quincy Adams . Aesop's fables . selections from the works of Louisa May Alcott (Little Women and more), Alfred the Great, and Henri Frdric Amiel . and much, much more.

The classic novel of fly fishing and spirituality republished with a new Afterword by the author. Since its publication in 1983, The River Why has become a classic. David James Duncan's sweeping novel is a coming-of-age comedy about love, nature, and the quest for self-discovery, written in a voice as distinct and powerful as any in American letters. Gus Orviston is a young fly fisherman who leaves behind his comically schizoid family to find his own path. Taking refuge in a remote cabin, he sets out in pursuit of the Pacific Northwest's elusive steelhead. But what begins as a physical quarry becomes a spiritual one as his quest for self-knowledge batters him with unforeseeable experiences. Profoundly reflective about our connection to nature and to one another, The River Why is also a comedic rollercoaster. Like Gus, the reader emerges utterly changed, stripped bare by the journey Duncan so expertly navigates.

At the turn of the nineteenth century—when most food in America was bland and brown and few people appreciated the economic potential of then-exotic foods—David Fairchild convinced the U.S. Department of Agriculture to finance overseas explorations to find and bring back foreign cultivars. Fairchild traveled to remote corners of the globe, searching for fruits, vegetables, and grains that could find a new home in American fields and in the American diet. In Fruits of Eden, Amanda Harris vividly recounts the exploits of Fairchild and his small band of adventurers and botanists as they traversed distant lands—Algeria, Baghdad, Cape Town, Hong Kong, Java, and Zanzibar—to return with new and exciting flavors. Their expeditions led to a renaissance not only at the dinner table but also in horticulture, providing diversity of crops for farmers across the country. Not everyone was supportive, however. The scientific community was concerned with invasive species, and World War I fanned the flames of xenophobia in Washington. Adversaries who believed Fairchild’s discoveries would contaminate the purity of native crops eventually shut down his program, but his legacy lives on in today’s modern kitchen, where navel oranges, Meyer lemons, honeydew melons, soybeans, and durum wheat are now standard.

The Boy from World’s End is a detailed and honest account of the life and experiences of David Smith. The book traces David’s early education in England, focusing on his experiences of wartime evacuation and life in a remote rural setting at a place known as World’s End Farm. When an exciting overseas journey takes David to begin a new life in Canada, he experiences the difficulties related to being an immigrant, but finds inspiration and encouragement that transforms his life into one dedicated to learning and growth. In these pages, David paints a vivid picture of his past, sharing stories from his family life, as well as the course of his higher education, which led him into his career as a university professor: a role in which he flourished as teacher, author, and administrator. Scattered throughout are stories of the interests, hobbies, and pastimes that enriched his life. While David aspires to share his life story with family, friends and colleagues, his narrative imparts valuable insights for all who read his story. He encourages readers to “know themselves”, that is, to be explicitly aware of the values that guide them through life and to weigh them in its ever-changing circumstances. And he always brings his story back down to earth, reminding us to adopt creative pursuits that connect us with nature and that help us to work through life’s inevitable quandaries and opportunities.

“Far-ranging and deeply researched, Urban Forests reveals the beauty and significance of the trees around us.” —Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction “Jonnes extols the many contributions that trees make to city life and celebrates the men and women who stood up for America’s city trees over the past two centuries. . . . An authoritative account.” —Gerard Helferich, The Wall Street Journal “We all know that trees can make streets look prettier. But in her new book Urban Forests, Jill Jonnes explains how they make them safer as well.” —Sara Begley, Time Magazine A celebration of urban trees and the Americans—presidents, plant explorers, visionaries, citizen activists, scientists, nurserymen, and tree nerds—whose arboreal passions have shaped and ornamented the nation’s cities, from Jefferson’s day to the present As nature’s largest and longest-lived creations, trees play an extraordinarily important role in our cities; they are living landmarks that define space, cool the air, soothe our psyches, and connect us to nature and our past. Today, four-fifths of Americans live in or near urban areas, surrounded by millions of trees of hundreds of different species. Despite their ubiquity and familiarity, most of us take trees for granted and know little of their fascinating natural history or remarkable civic virtues. Jill Jonnes’s Urban Forests tells the captivating stories of the founding mothers and fathers of urban forestry, in addition to those arboreal advocates presently using the latest technologies to illuminate the value of trees to public health and to our urban infrastructure. The book examines such questions as the character of American urban forests and the effect that tree-rich landscaping might have on commerce, crime, and human well-being. For amateur botanists, urbanists, environmentalists, and policymakers, Urban Forests will be a revelation of one of the greatest, most productive, and most beautiful of our natural resources.