He roams New England, Arkansas, the Caribbean, Nova Scotia and the familiar and odd plots of mind and thought. He explores shorelines and climbs "hillish" mountains. He sits on porches and talks to passersby and their dogs. He meets strange and delightful people, most of whom are real.

‘[Kincaid] is able to do something that is almost never done in garden writing, and do it very well . . .’ - The New York Times Jamaica Kincaid's first garden in Vermont was a plot in the middle of her front lawn. There, to the consternation of more experienced friends, she planted only seeds of the flowers she liked best. In My Garden (Book) Kincaid gathers all she loves about gardening and plants, and examines it generously, passionately, and with sharp, idiosyncratic discrimination. This is an intimate, playful book on gardens, the plants that fill them, and the people who tend to them. Now in the Picador Collection.

This book is about the fundamental nature of talk in school science. Language as a formal system provides resources for conducting everyday affairs, including the doing of science. And while writing science is one aspect, talking science may in fact constitute a much more important means by which we navigate and know the world-the very medium through which we do science. In Talking Science Wolff-Michael Roth articulates a view of language that differs from the way science educators generally think about it. Knowing language, in this view, is no longer distinct from knowing one's way around a particular section of the world. It is a non-representational view of language and dispenses with language as a barrier between the individual subject and the world it knows. In addition, the book includes detailed analyses from actual classrooms to exemplify what such a different approach means for science education. The conclusion is that once we have learned new ways of articulating the world and talking about it, we also have learned to handle this world more easily.

'If you ever doubted that you can help change the world, READ THIS BOOK.' CAROLINE LUCAS 'The greatest existential crisis we face distilled into the crucible of a tiny piece of paradise.' CHRIS PACKHAM Five years after writing her first nature memoir, The Bumblebee Flies Anyway, Kate Bradbury has a new garden. It's busy: home to all sorts of wildlife, from red mason bees and bumblebees to house sparrows, hedgehogs and dragonflies. It seems the entire frog population of Brighton and Hove breeds in her small pond each spring, and now there are toads here, too. On summer evenings, Kate watches bats flit above her and for a moment, everything seems alright with the world. But she knows habitat loss remains a huge issue in gardens, the wider countryside and worldwide, and there's another, far bigger threat: climate change. Temperature increases are starting to bite, and she worries about what that will mean for our wildlife. In her uplifting new book, Kate writes passionately about how her climate-change anxiety pushes her to look for positive ways to keep going in a changing world. As in her first memoir, she invites you into her life, sharing stories of her mum's ongoing recovery and her adventures with her new rescue dog, Tosca. One Garden Against the World is a call to action for all of us – gardeners, communities and individuals – to do more for wildlife and more for the climate. Climate change and biodiversity loss go hand in hand, but if we work together, it's never too late to make a difference.

An infant is born - the first cry, the first teardrop, the first drop of the mother's life-sustaining milk. the human journey begins. What lies ahead is unknown, the mind, like an infant, not yet mature, wonders. the long road, paved with uncertainty, stretches before us, the horizon far ahead. A fog mystifies and obscures our vision. Mirages deceive the eye. Not knowing our destination, we are lost in a circle of perpetual spin. the mind triggers a dizzying journey. the rainbow enlightens; the clouds darken. Lightning blinds the vision, but the journey, with one step, two steps, three steps, slowly and surely begins.

At the turn of the nineteenth century—when most food in America was bland and brown and few people appreciated the economic potential of then-exotic foods—David Fairchild convinced the U.S. Department of Agriculture to finance overseas explorations to find and bring back foreign cultivars. Fairchild traveled to remote corners of the globe, searching for fruits, vegetables, and grains that could find a new home in American fields and in the American diet. In Fruits of Eden, Amanda Harris vividly recounts the exploits of Fairchild and his small band of adventurers and botanists as they traversed distant lands—Algeria, Baghdad, Cape Town, Hong Kong, Java, and Zanzibar—to return with new and exciting flavors. Their expeditions led to a renaissance not only at the dinner table but also in horticulture, providing diversity of crops for farmers across the country. Not everyone was supportive, however. The scientific community was concerned with invasive species, and World War I fanned the flames of xenophobia in Washington. Adversaries who believed Fairchild’s discoveries would contaminate the purity of native crops eventually shut down his program, but his legacy lives on in today’s modern kitchen, where navel oranges, Meyer lemons, honeydew melons, soybeans, and durum wheat are now standard.

Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 28 include: . excerpts from Ovid . the philosophy of Thomas Paine . the history writings of Francis Parkman . the philosophy of Parmenides . the writings of Pascal . the poetry of Coventry Patmore . excerpts from the diary of Samuel Pepys . and much, much more.

Library of the World's Best Mystery and Detective Stories by Julian Hawthorne: Enter a world of suspense, crime, and clever sleuthing with this comprehensive collection of mystery and detective stories curated by Julian Hawthorne. From classic whodunits to thrilling investigations, this anthology brings together the finest works in the genre, making it a must-read for mystery enthusiasts. Key Aspects of the Book "Library of the World's Best Mystery and Detective Stories": Genre Diversity: This anthology spans the entire spectrum of mystery and detective fiction, showcasing the versatility of the genre. Classic Works: Discover timeless tales by renowned authors that have stood the test of time and continue to captivate readers. Suspense and Intrigue: Each story is a masterclass in building tension and keeping readers engaged from start to finish. Julian Hawthorne, the editor of "Library of the World's Best Mystery and Detective Stories," was a prolific American writer and editor known for his contributions to literature and journalism. His curation of this collection reflects his deep appreciation for the mystery genre and his dedication to preserving and sharing its finest works with readers around the world.

DigiCat presents to you this unique and meticulously edited murder mystery collection: Detective Stories The Purloined Letter (Edgar Allan Poe) A Scandal in Bohemia (A. Conan Doyle) The Safety Match (Anton Chekhov) Missing: Page Thirteen (Anna Katherine Green) . . . Suspense Stories The Birth Mark (Nathaniel Hawthorne) The Oblong Box (Edgar Allan Poe) A Terribly Strange Bed (Wilkie Collins) The Torture by Hope (Villiers de l'Isle Adam) The Mysterious Card (Cleveland Moffett) . . . Ghost Stories Thrawn Janet (Robert Louis Stevenson) The Horla (Guy de Maupassant) To Sura: A Letter (Pliny the Younger) . . . The Man Who Went Too Far (E.F. Benson) The Phantom Rickshaw (Rudyard Kipling) The Apparition of Mrs. Veal (Daniel Defoe) The Damned Thing (Ambrose Bierce) . . . The Deserted House (E. T. A. Hoffmann) The Withered Arm (Thomas Hardy) The House and the Brain (Lord Edward Bulwer-Lytton) The Roll-Call of the Reef (A. T. Quiller-Couch) The Open Door (Mrs. Margaret Oliphant) . . . Paranormal Psychic Stories When the World Was Young (Jack London) Joseph—A Story (Katherine Rickford) Ligeia(Edgar Allan Poe) A Ghost (Lafcadio Hearn) The Eyes of the Panther (Ambrose Bierce) Photographing Invisible Beings (William T. Stead) The Sin-Eater (Fiona Macleod) . . . Humorous Mystery Stories The Secret of Goresthorpe Grange (A. Conan Doyle) Mr. Bloke's Item (Mark Twain) The Man Who Went Too Far (E. F. Benson) The Man With The Pale Eyes (Guy de Maupassant) . . .