Have you ever wished that someone had told you ahead of time how a problem could be avoided? Do you feel like no one understands where you're coming from? Now there's a blueprint that can offer you comfort, motivation, and real solutions. When Yasmin Shiraz launched Mad Rhythms, a hip-hop magazine aimed at college students, she visited youth organizations and colleges across the country to teach young people how to effectively pursue their dreams. Drawn to Yasmin's confidence and determination, young women in particular sought her opinion on topics such as body image, popularity, dating, sexuality, child-parent relationships, and social and academic pressures. Yasmin could easily speak to those issues. She struggled with many of the same concerns when she was younger. Inspired by the common threads connecting each generation, Yasmin developed The Blueprint for My Girls to help young women discover who they are, develop a sense of self, and stay positive. In the book, Yasmin pairs her personal stories with 99 "expressions" designed to help readers deal with situations they may not feel comfortable discussing with friends and family. Each expression is accompanied by exercises to help readers progress on their journey. Staying real without being preachy, The Blueprint for My Girls will be a solution giver, a problem solver, and a friend in need for generations to come.

These short stories invite the reader to see Ireland afresh. Included are works by well-known authors such as Mary Lavin, Edna O'Brien, and Julia O'Faolain; the collection also showcases new writers such as Clare Boylan, Rita Kelly, and Una Woods. Repeatedly, the stories bring us up against the inherent contradiction of provincial Ireland and Ireland as a modern European state, and the complexities of women's lives in both. Helen Lucy Burke writes tellingly of an older, devout Irish Catholic woman as she encounters the startling realities of Italian Catholic Rome. Other stories also dwell on traditional Irish themes and situations through refreshingly varied voices. Ita Daly movingly portrays the problems of an educated, sensitive schoolteacher, resigned to her life in a country town. Anne Devlin handles yet another familiar theme: the Irelander in England, an England edgy about IRA bombings. A few stories deal with the "troubles" in Northern Ireland, while others address the troubles of the country as a whole: too many children, too much hypocrisy, too little communication, especially between women and men. The editors have provided an introduction that examines the role of women writers in Irish literature. T-hey have also supplied detailed biographical notes for each contributing author.

Little women, or, Meg, Jo, Beth and Amy. By Louisa May Alcott, with illustrations by May Alcott. Comprised of the adventures of four sisters, Meg, Jo, Beth and Amy as they grow into young womanhood in mid-nineteenth century New England. Written and set in the Alcott family home, Orchard House, in Concord, Massachusetts. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—and is loosely based on the author's childhood experiences with her three sisters. Reproduction of 1868 First Edition.

Twenty years ago, Chunichi penned the tale of Cezia, the good girl gone bad at the center of this hood classic. This will introduce new audiences to the Essence® bestseller’s debut novel, along with a new collectible cover for longtime fans. Meet Ceazia, a very attractive, very good girl who has just left the safety of her parents’ home and entered into the world of bad boys and fast money. Ceazia thinks the world belongs to her when she meets Vegas, one of the Tidewater, Virginia area’s most notorious drug dealers. Even though a relationship with Vegas goes against everything her parents taught her, she still can’t resist his bad-boy persona. He’s fine, sexy, and ready to give her anything her heart desires--just what the doctor ordered for a broke, wannabe diva. This might just end up being the biggest mistake of her life.

My book tells my personal story in fiction form. I was abused by my husband. I loved him, forgave him, and trusted him each time that I went back to him. For outsiders looking in, many can not understand the stock home syndrome that a woman lives through. We as women are dependent on our abusers and are scared to leave. This book explains the honeymoon phases. They are not always bad to us. When it's good it's great. When it gets bad it's horrifying. We loose sight of what normal is. We lose our self respect, dignity, and strength. We lose our support systems such as family or friends outside of the relationship. We are alone, scared, and depressed. I went back one too many times and it ended in tragedy. But, I did survive. It is years later and I can finally face it and talk about it. This story is to help other abused women. I can relate to the cycles and the exhaustion that go along with them. This book is to tell other women I have been there, I understand, and there is hope.

First published in 2000. Women's Anger brings together, in an integrated presentation of anger over the lifespan, theoretical understandings, clinical experiences, empirical research, and the lived experience of anger for women and girls. Women's Anger offers a combined focus of feminist and developmental perspectives on anger, the psychology of emotion, and applied theory. It also focuses on the adaptive and functional aspects of women's anger rather than on the traditional, psychopathology-based models. The reader will be introduced to several clinical illustrations from actual clients as well as to personal accounts of women and girls talking about their own perspectives on anger.

This collection of original papers shows how women in Britain are still being discriminated against during schooling, despite the existence of legislation prohibiting such discrimination and despite apparent concern with promoting equality between the sexes in education. Focusing on the current situation and experiences of women in education and their subsequent entry to, and experiences of, the labour market, the book shows how the category of gender is made relevant in the education of women: how it is influential in structuring their actions, beliefs, values and life chances, and how it provides them with a set of contradictions about their role in society.

From former model, actress, and reality TV star Richards ("It's Complicated")comes a raw, honest, and uplifting memoir.

Reprint of the original, first published in 1838.