Learn how to take your work to the next level with this informative guide on the craft, business, and lifestyle of writing With warmth and humor, Paulette Perhach welcomes you into the writer’s life as someone who has once been on the outside looking in. Like a freshman orientation for writers, this book includes an in-depth exploration of all the elements of being a writer—from your writing practice to your reading practice, from your writing craft to the all-important and often-overlooked business of writing. In Welcome to the Writer’s Life, you will learn how to tap into the powers of crowdsourcing and social media to grow your writing career. Perhach also unpacks the latest research on success, gamification, and lifestyle design, demonstrating how you can use these findings to further improve your writing projects. Complete with exercises, tools, checklists, infographics, and behind-the-scenes tips from working writers of all types, this book offers everything you need to jump-start a successful writing life.

For anyone who loves great literature -- or aspires to write it -- this is an essential collection, full of insight, wisdom, humour, and candour from Canada's most important and beloved literary figures. For the past twenty-five years, the Writers' Trust of Canada's annual lecture series, the Margaret Laurence Memorial Lecture, has invited some of Canada's most prominent authors to discuss the theme of "A Writer's Life" in front of their peers. Hugh MacLennan, Mavis Gallant, Timothy Findley, W.O. Mitchell, Pierre Berton, P.K. Page, Dorothy Livesay, Alistair MacLeod, and Margaret Atwood, among others, have shared the personal challenges they faced in forging their own paths as writers, at a time when such a career was still unusual in this country. Intimate, frank, and revealing in tone, their lectures -- collected for the first time in celebration of the series' twenty-fifth anniversary -- provide a unique account of a period when a national writing community was just being formed, and give us unprecedented access to the heroes and heroines of Canadian literature as they share their insights into their work, the profession of writing, the growing canon of our literature, and the cultural history of our country.

Phillip Caputo, Larry Heinemann, Tim O’Brien, and Robert Olen Butler: four young midwestern Americans coming of age during the 1960s who faced a difficult personal decision—whether or not to fight in Vietnam. Each chose to participate. After coming home, these four veterans became prizewinning authors telling the war stories and life stories of soldiers and civilians. The four extended conversations included in Writing Vietnam, Writing Life feature revealing personal stories alongside candid assessments of each author’s distinct roles as son, soldier, writer, and teacher of creative writing. As Tobey Herzog's thoughtful interviews reveal, these soldier-authors have diverse upbringings, values, interests, writing careers, life experiences, and literary voices. They hold wide-ranging views on, among other things, fatherhood, war, the military, religion, the creative process, the current state of the world, and the nature of both physical and moral courage. For each author, the conversation and richly annotated chronology provide an overview of the writer’s life, the intersection of memory and imagination in his writing, and the path of his literary career. Together, these four life stories also offer mini-tableaux of the fascinating and troubling time of 1960s and 1970s America. Above all, the conversations reveal that each author is linked forever to the Vietnam War, the country of Vietnam, and its people.

Raw is the story of one woman’s quest for health and happiness, which dragged her kicking and screaming into spiritual adulthood. Anxiety and a desire to heal it holistically—even before she knew what it was—is at the heart of this story, which reveals Carter’s struggles to face her fears, release perfectionism, surrender things beyond her control, and find validation within for her life and work. The book is divided into three sections—body, mind, and spirit—and it begins with Carter’s efforts to holistically cure chronic stomach problems. Toward that end, she adopted a 100 percent raw, vegan diet, which eased her symptoms and produced impressive, unexpected perks, but didn’t completely heal her. She then looked to her mind for answers and discovered that unconscious negative thoughts combined with a stressful, hectic-paced life sabotaged her well-being. Finally, a few mystical experiences brought her “home” to a visceral understanding of who she really is.

Create Your Writer's Life offers a coaching approach to develop a writing practice that actually works. Finally, a resource that allows you to do it your way, and that works.

Long before she became the renowned author of the best-selling Schmecks cookbooks, an award-winning journalist for magazines such as Macleans, and a creative non-fiction mentor, Edna Staebler was a writer of a different sort. Staebler began serious diary writing at the age of sixteen and continued to write for over eighty years. Must Write: Edna Staebler’s Diaries draws from these diaries selections that map Staebler’s construction of herself as a writer and documents her frustrations and struggles, along with her desire to express herself, in writing. She felt she must write—that not to write was a “denial of life”—while at the same time she doubted the value of her scribblings. Spanning much of the twentieth century—each decade is introduced by an overview of key events in the author’s life during that period—the diaries vividly illuminate both her intensely personal experiences and her broader social world. The volume also presents four key examples of Staebler’s public writing: her first published magazine article; her first award-winning publication; the opening chapter of her book Cape Breton Harbour; and her lively account of the Great Cookie War. Must Write: Edna Staebler’s Diaries portrays an ordinary woman’s struggle to write in the context of her lived experience. “All my life I have talked about writing and kept scribbling in my notebook, as if that makes me a writer,” wrote Staebler in 1986. This volume argues that the very act of writing the diaries, with all their contradictory accounts of writerly ambition, success, and conflict, made Staebler the writer she yearned to be.

In this engrossing memoir, poet and literacy scholar Eli Goldblatt shares the intimate ways reading and writing influenced the first thirty years of his life—in the classroom but mostly outside it. Writing Home: A Literacy Autobiography traces Goldblatt’s search for home and his growing recognition that only through his writing life can he fully contextualize the world he inhabits. Goldblatt connects his educational journey as a poet and a teacher to his conception of literacy, and assesses his intellectual, emotional, and political development through undergraduate and postgraduate experiences alongside the social imperatives of the era. He explores his decision to leave medical school after he realized that he could not compartmentalize work and creative life or follow in his surgeon father’s footsteps. A brief first marriage rearranged his understanding of gender and sexuality, and a job teaching in an innercity school initiated him into racial politics. Literacy became a dramatic social reality when he witnessed the start of the national literacy campaign in postrevolutionary Nicaragua and spent two months finding his bearings while writing poetry in Mexico City. Goldblatt presents a thoughtful and exquisitely crafted narrative of his life to illustrate that literacy exists at the intersection of individual and social life and is practiced in relationship to others. While the concept of literacy autobiography is a common assignment in undergraduate and graduate writing courses, few books model the exercise. Writing Home helps fill that void and, with Goldblatt’s emphasis on “out of school” literacy, fosters an understanding of literacy as a social practice.

The leading MacDonald scholar and biographer presents the most comprehensive work to date on the 19th century author’s life and work. Best known for his fiction and fairy tales, such as the immortal classics Robert Falconer and At the Back of the North Wind, the Victorian author and theologian George MacDonald inspired some of the greatest writers of the 19th and 20th centuries. Most notably, C.S. Lewis credits MacDonald’s books with inspiring his works of fantasy fiction as well as putting him on the path to Christianity. In this major biographical work, MacDonald scholar Michael Phillips examines how the events of the author’s life contributed to his work and legacy. Referring to this volume as a “bibliographic biography,” Phillips brings his expertise to bear on the complete corpus of MacDonald’s fiction, pointing out each book’s essential themes, and offering insights into how each title can be most perceptively be read.

Everybody has something to say. In an age when Twitter, blogs, and Tumblrs give millions the chance to write whatever is on their minds, it seems that we're finding plenty of avenues in which to share it. How, then, do we write what is worth saying? How do we record our important memories so they'll be remembered? How do we tell our personal stories the way they deserve to be told? In keeping with successful earlier editions of Writing from Within, Selling has stressed the idea that personal writing is a means to personal understanding. Learning to write well starts with the subjects we know the best—ourselves. To write life stories, writers explore vivid memories and re-engage with the perspectives of their younger selves. They learn to harness their inner critics and deal with fear. They use their creative drive to remember details from their most significant memories. The process of life story writing is as much one of self-discovery as it is one of nostalgia. These emotional connections to memories provide the backbone for Selling's writing instruction. In this 25th anniversary edition of Writing from Within, the original lessons of life story writing are included and significantly expanded upon. Readers are given guidance on finding their earliest memories and on remembering details vividly. Writing instruction is offered to accompany this process and ensure that readers' life stories are full of clear, accurate memories. The core focus of the book is on unlocking memories and writing them as life stories. However, this Anniversary edition also provides substantial new material on: Story pacing techniques Strategies for subtly adding exposition and denouement Revealing and unraveling character Writing stories within stories Developing unique voices within the same story Researching and writing family histories Expanding life story writing into novels or screenplays Advanced steps like creating visual motifs, employing sub-text, and separating the writer from the central character Draft samples will show readers how their life stories will grow using the Writing from Within method. Excerpts from past students' life stories show the potential of the method. Personal notes to readers keep them on track and their goals in perspective. Writing from Within: The Next Generation invites readers to find their voices and helps them along the way to doing so. As much a tool for personal reflection as a guide to writing instruction, the book represents a comprehensive discussion of the creative process. Writers, new and old, will write with more skill, understand themselves and their characters better, and be able to turn their life experiences into art. So, learn to harness your inner critic. Construct your own writing process. Open the door to your past. Give the characters voices. Breathe some life into your story and leave something so future generations can get to know you.

Nineteen interviews conducted over the past two decades on both sides of the Atlantic and beyond with the author of the Booker Prize-winning The Remains of the Day