On the morning after he has celebrated his 60th birthday party at a celebrity-filled party, Ned Marriott is in bed with his partner, Emma, when there's a knock on the door. Detectives from the London police force's 'Operation Millpond' have come to arrest him over an allegation of sexual assault. Ned is one of the country's best-known historians - teaching at a leading university, advising governments and making top-rating TV documentaries - but this 'historic' claim from someone the cops insist on calling 'the victim' threatens him with personal and professional ruin and potential imprisonment. Professor Marriott would normally turn for support to Tom Pimm, his closest friend at the university, but Tom has just been informed that a secret investigation has raised anonymous complaints, which may end Dr Pimm's career. Swinging between fear, bewilderment and anger, Ned and Tom must try to defend themselves against the allegations, and hope that no others are made. The two men's families and friends are forced to question what they know and think. Can the complainants, detectives, HR teams, journalists and Tweeters who are driving the stories all be seeing smoke that has no fire behind it? By turns shocking and comic, reportorial and thoughtful, The Allegations startlingly and heart-breakingly captures a contemporary culture in which allegations are easily made and reputations casually destroyed. Asking readers to decide who they believe, it explores a modern nightmare that could happen, in some way, to anyone whose view of personal history may differ from someone else's.

This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words. It includes all the words in the First Folio, transcribed using IPA, and the accompanying website hosts sound files as a further aid to pronunciation. It also includes the main sources of evidence in the texts, notably all spelling variants (along with a frequency count for each variant) and all rhymes (including those occurring elsewhere in the canon, such as the Sonnets and long poems). An extensive introduction provides a full account of the aims, evidence, history, and current use of OP in relation to Shakespeare productions, as well as indicating the wider use of OP in relation to other Elizabethan and Jacobean writers, composers from the period, the King James Bible, and those involved in reconstructing heritage centres. It will be an invaluable resource for producers, directors, actors, and others wishing to mount a Shakespeare production or present Shakespeare's poetry in original pronunciation, as well as for students and academics in the fields of literary criticism and Shakespeare studies more generally.

American national trade bibliography.