While many older American cities struggle to remain vibrant, New Brunswick has transformed itself, adapting to new forms of commerce and a changing population, and enjoying a renaissance that has led many experts to cite this New Jersey city as a model for urban redevelopment. Featuring more than 100 remarkable photographs and many maps, New Brunswick, New Jersey explores the history of the city since the seventeenth century, with an emphasis on the dramatic changes of the past few decades. Using oral histories, archival materials, census data, and surveys, authors David Listokin, Dorothea Berkhout, and James W. Hughes illuminate the decision-making and planning process that led to New Brunswick’s dramatic revitalization, describing the major redevelopment projects that demonstrate the city’s success in capitalizing on funding opportunities. These projects include the momentous decision of Johnson & Johnson to build its world headquarters in the city, the growth of a theater district, the expansion of Rutgers University into the downtown area, and the destruction and rebuilding of public housing. But while the authors highlight the positive effects of the transformation, they also explore the often heated controversies about demolishing older neighborhoods and ask whether new building benefits residents. Shining a light on both the successes and failures in downtown revitalization, they underscore the lessons to be learned for national urban policy, highlighting the value of partnerships, unwavering commitment, and local leadership. Today, New Brunswick’s skyline has been dramatically altered by new office buildings, residential towers, medical complexes, and popular cultural centers. This engaging volume explores the challenges facing urban America, while also providing a specific case study of a city’s quest to raise its economic fortunes and retool its economy to changing needs.

"Ever since Ma Rainey's Black Bottom captivated Broadway audiences, August Wilson established himself as the most important American playwright of the last fifty years. His decade-by-decade cycle of ten plays about the African American experience in the twentieth century put Black life center stage, celebrating themes and voices that had been sorely missing from Broadway and regional theaters nationwide. His prolific body of work, as well as his advocacy for equity in the nation's theaters, paved the way for a new generation of African American playwrights. Wilson's life is the quintessential American story, a winding tale that took him from a two-room cold-water flat in Pittsburgh to the nation's most prestigious stages. His life is full of paradox as well as poetic justice. A precocious young man who dropped out of high school because of racism and intolerance, he went on to win a Tony Award and two Pulitzer Prizes for drama. He wrote flowery verse as a young aspiring poet but found his voice when he learned to listen to the people around him and tell their stories in their own words. He wrote often about fathers and sons but was raised by a single mother and never fully resolved questions about his biological father. His success was due in part to the guidance of his mentor, the acclaimed director Lloyd Richards, whom he referred to as "Pops," but the two men eventually parted ways in a tragic, acrimonious split. No one has written more brilliantly about the trials and triumphs of African American life than August Wilson -- from Fences to Jitney to Joe Turner's Come and Gone. A prodigious reader and autodidact, Wilson said he never did research but instead drew on what he called "the blood's memory," an uncanny reimagining of his own family history and, by extension, that of all African Americans. He ultimately achieved his oft-stated goal: to turn ordinary Black Americans into kings and queens. Author and theater critic Patti Hartigan knew Wilson and interviewed him many times. She conducted exhaustive research, including interviews with friends, colleagues, and family members, to tell the definitive story of a playwright who left his indelible imprint on American theater" --

TRB's National Cooperative Highway Research Program (NCHRP) Synthesis 332: Access Management on Crossroads in the Vicinity of Interchanges examines current practices relating to access location and design on crossroads in the vicinity of interchanges. It identifies standards and strategies used on new interchanges and on the retrofit of existing interchanges.

African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.

This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.