This book presents a novel perspective on neocolonialism, education and other related issues. It unveils the effects of neocolonialism on the learning and well-being of students and workers, including marginalized groups such as Native Americans, Latino/as, and African Americans. It is a collection of in-depth interviews with and heartfelt essays by committed social justice educators and scholars genuinely concerned with educational issues situated in the context of western neocolonialism and neoliberalism.This dialogical way of discussing important issues and co-constructing knowledge can be traced back to ancient philosophers, who used dialogue as a form of inquiry to explore and analyze educational, socio-economic and political issues facing the world. It will cover many interwoven and pressing issues echoed through authentic voices of progressive educators and scholars.

Includes decisions of the Supreme Court and various intermediate and lower courts of record; May/Aug. 1888-Sept../Dec. 1895, Superior Court of New York City; Mar./Apr. 1926-Dec. 1937/Jan. 1938, Court of Appeals.

America’s first great organized-crime lord was a lady—a nice Jewish mother named Mrs. Mandelbaum. “A tour de force . . . With a pickpocket’s finesse, Margalit Fox lures us into the criminal underworld of Gilded Age New York.”—Liza Mundy, author of The Sisterhood In 1850, an impoverished twenty-five-year-old named Fredericka Mandelbaum came to New York in steerage and worked as a peddler on the streets of Lower Manhattan. By the 1870s she was a fixture of high society and an admired philanthropist. How was she able to ascend from tenement poverty to vast wealth? In the intervening years, “Marm” Mandelbaum had become the country’s most notorious “fence”—a receiver of stolen goods—and a criminal mastermind. By the mid-1880s as much as $10 million worth of purloined luxury goods (nearly $300 million today) had passed through her Lower East Side shop. Called “the nucleus and center of the whole organization of crime,” she planned robberies of cash, gold and diamonds throughout the country. But Mrs. Mandelbaum wasn’t just a successful crook: She was a business visionary—one of the first entrepreneurs in America to systemize the scattershot enterprise of property crime. Handpicking a cadre of the finest bank robbers, housebreakers and shoplifters, she handled logistics and organized supply chains—turning theft into a viable, scalable business. The Talented Mrs. Mandelbaum paints a vivid portrait of Gilded Age New York—a city teeming with nefarious rogues, capitalist power brokers and Tammany Hall bigwigs, all straddling the line between underworld enterprise and “legitimate” commerce. Combining deep historical research with the narrative flair for which she is celebrated, Margalit Fox tells the unforgettable true story of a once-famous heroine whose life exemplifies America’s cherished rags-to-riches narrative while simultaneously upending it entirely.

The Encyclopedia of American Journalism explores the distinctions found in print media, radio, television, and the internet. This work seeks to document the role of these different forms of journalism in the formation of America's understanding and reaction to political campaigns, war, peace, protest, slavery, consumer rights, civil rights, immigration, unionism, feminism, environmentalism, globalization, and more. This work also explores the intersections between journalism and other phenomena in American Society, such as law, crime, business, and consumption. The evolution of journalism's ethical standards is discussed, as well as the important libel and defamation trials that have influenced journalistic practice, its legal protection, and legal responsibilities. Topics covered include: Associations and Organizations; Historical Overview and Practice; Individuals; Journalism in American History; Laws, Acts, and Legislation; Print, Broadcast, Newsgroups, and Corporations; Technologies.

"In the tradition of The Boys in the Boat and Seabiscuit, a fascinating portrait of a groundbreaking but forgotten figure--the remarkable Major Taylor, the black man who broke racial barriers by becoming the world's fastest and most famous bicyclist at the height of the Jim Crow era"--

Antietam is the eagerly awaited second volume of Ezra Carman's magisterial The Maryland Campaign of September 1862. Many authors have written about the climactic September 17 battle of the 1862 invasion of Maryland, but it is impossible to do so without referencing Carman's sweeping and definitive maps and 1,800-page manuscript. His work guides every Civil War historian and comprises the basis of the National Park Service's interpretive programs at Antietam. Indeed, even the basic layout of the National Park battlefield was based upon Carman's groundbreaking work. Carman had the advantage of not only participating in the battle as a colonel in the Union army, but knowing, corresponding, and conversing with hundreds of Northern and Southern soldiers from corps commanders all the way down to privates. Over the decades he amassed a vast collection of letters, maps, and personal memoirs from many key participants. He used this treasure trove of firsthand accounts to create his compelling narrative. No one has devoted more time and effort to understanding what happened at Antietam than did Ezra Carman-the campaign's first true historian. Unfortunately, Carman did not always note from where he obtained his information, making the authenticity and reliability of his work problematic. Editor Thomas G. Clemens, recognized internationally as one of the foremost historians of the Maryland Campaign, has spent more than two decades studying Antietam and editing and richly annotating Carman's exhaustively written manuscript. As Clemens discovered, Carman used his sources judiciously, and the stories he relates withstand scrutiny for accuracy and reliability. Carman's invaluable prose is augmented by his detailed maps of the dawn to nearly dusk fighting on September 17, which have never appeared in their original form in any book on the battle. Even more exciting are the newly discovered 19th century photographs authorized by Carman to document his work laying out the battlefield, a haunting visual record of how the battlefield appeared to Carman as he tried to unravel its mysteries. The result is The Maryland Campaign of September 1862: Antietam, the most comprehensive and detailed account of the battle ever produced. Jammed with firsthand accounts, personal anecdotes, detailed footnotes, maps, and photos, this long-awaited study will be read and appreciated as battle history at its finest. Indeed, we will never see such a study again. About the Authors: Ezra Ayres Carman was born in Oak Tree, New Jersey, on February 27, 1834, and educated at Western Military Academy in Kentucky. He fought with New Jersey organizations throughout the Civil War. He died in 1909 on Christmas day and was buried just below the Custis- Lee mansion in Arlington Cemetery. Thomas G. Clemens earned his doctoral degree at George Mason University, where he studied under Maryland Campaign historian Dr. Joseph L. Harsh. Tom has published a wide variety of magazine articles and book reviews, has appeared in several documentary programs, and is a licensed tour guide at Antietam National Battlefield. A retired professor from Hagerstown Community College, he also helped found and is the current president of Save Historic Antietam Foundation, Inc., a preservation group dedicated to saving historic properties.

The statistics of "Immigration and passenger movement" are included in the report on foreign commerce to 1895, and for 1893-1894 are also published separately.

American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. As author Noah Tsika demonstrates, understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement.