When the Yoruba of West Africa were brought to Cuba as slaves, they preserved their religious heritage by disguising their gods as Catholic saints and worshiping them in secret. The resulting religion is Santería, a blend of primitive magic and Catholicism now practiced by an estimated five million Hispanic Americans. Blending informed study with her personal experience, González-Wippler describes Santería¿s pantheon of gods ("orishas "); the priests ("santeros" ); the divining shells used to consult the gods (the "Diloggún" ) and the herbal potions prepared as medicinal cures and for magic ("Ewe ) "as well as controversial ceremonies-including animal sacrifice. She has obtained remarkable photographs and interviews with Santería leaders that highlight aspects of the religion rarely revealed to nonbelievers. This book satisfies the need for knowledge of this expanding religious force that links its devotees in America to a spiritual wisdom seemingly lost in modern society.

The African continent is home to a fascinating and strong tradition of myth, due in part to the long history of human habitation in Africa; the diversity of its geography, flora, and fauna; and the variety of its cultural beliefs. African Mythology A to Z is a readable reference to the deities, places, events, animals, beliefs, and other subjects that appear in the myths of various African peoples. For the first time, this edition features full-color photographs and illustrations.Coverage includes:

Organized by major themes—such as creation stories, and resistance to oppression—this collection gather works of imagination, politics and history, religion, and culture from many societies and across recorded time. Asante and Abarry marshal together ancient, anonymous writers whose texts were originally written on stone and papyri and the well-known public figures of more recent times whose spoken and written words have shaped the intellectual history of the diaspora. Within this remarkably wide-ranging volume are such sources as prayers and praise songs from ancient Kemet and Ethiopia along with African American spirituals; political commentary from C.L.R. James, Malcolm X, Mary McLeod Bethune, and Joseph Nyerere; stirring calls for social justice from David Walker, Abdias Nacimento, Franzo Fanon, and Martin Luther King, Jr. Featuring newly translated texts and ocuments published for the first time, the volume also includes an African chronology, a glossary, and an extensive bibliography. With this landmark book, Asante and Abarry offer a major contribution to the ongoing debates on defining the African canon. Author note:Molefi Kete Asanteis Professor and Chair of African American Studies at Temple University and author of several books, includingThe Afrocentric Idea(Temple) andThe Historical and Cultural Atlas of African Americans.Abu S. Abarryis Assistant Chair of African American Studies at Temple University.

Designed specifically for young readers, the Mythology A to Z series explores the world's most important myths and legends in an accessible and entertaining manner. Each volume includes vividly written entries on the major figures, places, stories, objects, and themes of a given mythology. A vast continent, Africa is the home of the first humans and the birthplace of many cultures, ranging from nomadic bands to farmers to sophisticated civilizations. With four major language families and myriad peoples, Africa is also the source of a diverse and engaging body of myth. African Mythology A to Z is a clearly written reference guide to this lore. Containing 42 illustrations, two maps, a time line, a bibliography, an index, and extensive cross-references, African Mythology A to Z is a comprehensive and accessible reference guide for anyone interested in learning more about various African myths, traditions, and beliefs.

A guide to the history, beliefs, rituals, and culture of a religious tradition that, despite persecution, suppression, and its own secretive nature, has close to a million adherents in the United States alone. Santería is a religion with Afro-Cuban roots, rising out of the cultural clash between the Yoruba people of West Africa and the Spanish Catholics who brought them to the Americas as slaves. With the exile of thousands of Cubans after Castro's revolution in 1959, Santería came to the United States, where it is gradually coming to be recognized as a legitimate faith tradition, one about which most people in America's mainstream know very little. De La Torre explains the worldview, myths, rituals, and history of Santería, and discusses what role the religion typically plays in the life of its practitioners as well as the cultural influence it continues to exert in Latin American communities today.--From publisher description.

Influence the unconscious mind. To practice Voodoo is to enter the ancient world of Magik, where secret arts developed from rituals held by ancient pagans, Native American tribes, Haitians, and Wiccans. Understand Voodoo’s underlying ideas and learn to make use of its powers with illustrated instructions and exercises. Use charms to bring good luck to your relationships, finances, and health--or curses to keep away harmful forces and persons. Make and employ the full range of sacred objects: dolls, candles, incense, ritual clothing, swords, knives, needles and nails, goblets, keys, mirrors, musical instruments, amulets, and masks, for charm or curse symbols to place in your room, car, or clothing. Breathing exercises enable you to enter trances, contact the unconscious and even the dead.

These Treatises of the Odu of Ifá in volumes, are very complete, since in addition to dealing with the Afro-Cuban Odu of Ifá, they also contain treatises of Traditional African Ifá. Both bring together thousands of Pataki or Stories, thousands of Eboses and works, which will make it easier for you to deepen your study and resolve any situation that arises in the religious field of consulting the Ifá oracle. The Synthesis of the Treaties of the Odu of Ifá, already published by me previously, is nothing more than, as its name indicates, a synthesis of these treaties, whose objective was always to support to the Babalawo as a handy reminder, starting from the base, that these issues have been studied and deepened before. For these reasons, it is highly recommended to have this valuable information in your library. We have grouped only two Odu in each volume, to facilitate their acquisition.

Mythology and religious-studies teachers will appreciate World Mythology for its thematic approach, historical background information, commentary, and discussion questions provided for each myth from a range of geographic regions. For the same reasons, any reader interested in mythology will enjoy the contents and format of the book.

Since 1971, The Witches’ Almanac has been the source of fun, wisdom, trivia, and magical lore for hundreds of thousands of readers throughout the world. Modeled after the Old Farmers’ Almanac, it includes information related to the annual Moon Calendar (weather forecasts and horoscopes), as well as legends, rituals, herbal secrets, interviews, mystic incantations, interviews, and many a curious tale of good and evil. Although it is an annual publication, only about 15 percent of the content is specific to the date range of each issue. The theme of Issue 33 (Spring 2014 – Spring 2015) is Mystic Earth. Also included are articles on Ganesha, graveyard dust, Italian cimaruta amulets, veiled witches, and the legend of the Wicker Man.

This genre falls under the category of Sci-fi fantasy thriller a works that is just as exciting as the adventures of Lora Croft in “Tomb Raiders” I chose this genre to create characters that exist outside of the everyday urban-scape theme. One of the main characters is a black woman; a seasoned sea captain for example. I wanted to create another kind of hero, in another part of the world, on another kind of mission based on another mindset; more of a West African theme influenced by the folklore of the ancient Yoruba of Southwestern Nigeria which is deeply submerged in cosmological and celestial influences and is viewed as individual characteristic energies expressing themselves universally in allegorical narratives. These legends tend to be older then Western civilization. I wanted the story to be unique and the characters just as unique. This is a story told by the ancestors of the war in heaven before the creation of man...this a story of the battle of illumination and darkness the fight to maintain balance between good and evil.