The first book to offer a comprehensive exploration of Marx’s relationship to republicanism, arguing that it is essential to understanding his thought In Citizen Marx, Bruno Leipold argues that, contrary to certain interpretive commonplaces, Karl Marx’s thinking was deeply informed by republicanism. Marx’s relation to republicanism changed over the course of his life, but its complex influence on his thought cannot be reduced to wholesale adoption or rejection. Challenging common depictions of Marx that downplay or ignore his commitment to politics, democracy, and freedom, Leipold shows that Marx viewed democratic political institutions as crucial to overcoming the social unfreedom and domination of capitalism. One of Marx’s principal political values, Leipold contends, was a republican conception of freedom, according to which one is unfree when subjected to arbitrary power. Placing Marx’s republican communism in its historical context—but not consigning him to that context—Leipold traces Marx’s shifting relationship to republicanism across three broad periods. First, Marx began his political life as a republican committed to a democratic republic in which citizens held active popular sovereignty. Second, he transitioned to communism, criticizing republicanism but incorporating the republican opposition to arbitrary power into his social critiques. He argued that although a democratic republic was not sufficient for emancipation, it was necessary for it. Third, spurred by the events of the Paris Commune of 1871, he came to view popular control in representation and public administration as essential to the realization of communism. Leipold shows how Marx positioned his republican communism to displace both antipolitical socialism and anticommunist republicanism. One of Marx’s great contributions, Leipold suggests, was to place politics (and especially democratic politics) at the heart of socialism.

The first global history of architecture to give equal attention to Western and non-Western structures and built landscapes, Architecture since 1400 is unprecedented in its range, approach, and insight. From Tenochtitlan’s Great Pyramid in Mexico City and the Duomo in Florence to Levittown’s suburban tract housing and the Bird’s Nest Stadium in Beijing, its coverage includes the world’s most celebrated structures and spaces along with many examples of more humble vernacular buildings. Lavishly illustrated with more than 300 photographs, plans, and interiors, this book presents key moments and innovations in architectural modernity around the globe. Deftly integrating architectural and social history, Kathleen James-Chakraborty pays particular attention to the motivations of client and architect in the design and construction of environments both sacred and secular: palaces and places of worship as well as such characteristically modern structures as the skyscraper, the department store, and the cinema. She also focuses on the role of patrons and addresses to an unparalleled degree the impact of women in commissioning, creating, and inhabiting the built environment, with Gertrude Jekyll, Lina Bo Bardi, and Zaha Hadid taking their place beside Brunelleschi, Sinan, and Le Corbusier. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, Architecture since 1400 provides a sweeping, cross-cultural history of the built environment over six centuries.

'There was a blue cast to Satjma's handsomely sculpted mesmerizing tale of earthbound witchery and celestial love." Fatma, an Arabian peasant girl, unwittingly embarks upon a strange journey of transformation the day her father marries her off to a snake handler. Unbeknownst to the new bride, her husband milks the venom of his snakes for use in potions he sells on the side. Bitten by one of the snakes, Fatma changes from naïve girl to sensuous woman. What's more, she now gains an arcane affinity for her husband's reptiles as well as a talent for controlling them. This trait will enable her to travel from the sands of Arabia to the shadows of the Netherworld beyond the realm of ordinary human experience. Resonating with ritual and mystery, Fatma is a fabulous tale of one woman's path to ecstasy—an enraptured vision of enchantment in this world and fulfillment in another. The first novel to be published in English by one of the most distinguished of modern Arabic writers, this imaginative work blends naturalistic prose, poetry, and song with all the magic of its author's abundant literary gifts.

Informed by currents in sociology, cultural anthropology, and literary theory, Galileo, Courtier is neither a biography nor a conventional history of science. In the court of the Medicis and the Vatican, Galileo fashioned both his career and his science to the demands of patronage and its complex systems of wealth, power, and prestige. Biagioli argues that Galileo's courtly role was integral to his science—the questions he chose to examine, his methods, even his conclusions. Galileo, Courtier is a fascinating cultural and social history of science highlighting the workings of power, patronage, and credibility in the development of science.

Reprint of the original, first published in 1882.

Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their “fans.” The rise of the press, new advertising techniques, and the marketing of leisure brought a profound transformation in the visibility of celebrities: private lives were now very much on public show. Nor was politics spared this cultural upheaval: Marie-Antoinette, George Washington, and Napoleon all experienced a political world transformed by the new demands of celebrity. And when the people suddenly appeared on the revolutionary scene, it was no longer enough to be legitimate; it was crucial to be popular too. Lilti retraces the profound social upheaval precipitated by the rise of celebrity and explores the ambivalence felt toward this new phenomenon. Both sought after and denounced, celebrity evolved as the modern form of personal prestige, assuming the role that glory played in the aristocratic world in a new age of democracy and evolving forms of media. While uncovering the birth of celebrity in the eighteenth century, Lilti's perceptive history at the same time shines light on the continuing importance of this phenomenon in today’s world.