One dimensional television characters are a thing of the past--today's popular shows feature intricate storylines and well developed characters. From the brooding Damon Salvatore in The Vampire Diaries to the tough-minded Rick Grimes in The Walking Dead, protagonists are not categorically good, antagonists often have relatable good sides, and heroes may act as antiheroes from one episode to the next. This collection of new essays examines the complex characters in Orange Is the New Black, Homeland, Key & Peele, Oz, Empire, Breaking Bad, House, and Buffy the Vampire Slayer.

Heroes and Villains, the seventh volume in Jon Scieszka’s Guys Read Library of Great Reading, is chock-full of adventure featuring an array of characters—with and without capes. Featuring ten all-new, original stories that run the gamut from fantasy to comics to contemporary adventure to nonfiction, and featuring eleven of the most acclaimed, exciting writers for kids working today, this collection is the perfect book for you, whether you use your powers for good—or evil. Authors include Laurie Halse Anderson, Cathy Camper and Raúl Gonzalez, Sharon Creech, Jack Gantos, Christopher Healy, Deborah Hopkinson, Ingrid Law, Pam Muñoz Ryan, Lemony Snicket, and Eugene Yelchin, with illustrations by Jeff Stokely.

1 in 6 males will be sexually abused in their lifetime. This fact is often ignored or not believed. Heroes, Villains, and Healing is a guide to help male survivors of childhood sexual abuse understand and heal from the trauma of their past using DC Comic Book superheroes and villains. This helpful book is divided into three parts. The first is “Heroes,” which explains how some coping strategies of male survivors are similar to the archetypes of such DC superheroes as Superman, Batman, and the Flash. The second part, “Villains,” examines how other coping strategies may not be as positive, having traits and attitudes of villains such as Lex Luthor and the Joker. “Healing” is the final part, which explains how striving to live the life of a hero or a villain can be sustainable. To truly heal from childhood sexual abuse means working through the stages of healing and receiving help from a therapist or counselor. This final section includes writing exercises and examples that help male survivors know they are not alone, as they come to terms with their abuse and heal from past trauma. The book was written to help male survivors open up about their abuse, seek help, and stop suppressing their trauma through drug and alcohol abuse, or suicide.

This volume presents three major social types in American society-heroes, villains, and fools-as models for American behaviour. Approaching these models primarily through language, Orrin E. Klapp explores what they may suggest about Americans as a people. Rather than study people, the author describes abstract types named and embedded in popular language. These social types are important symbols; and a way to attack a symbol is by identifying its meaning in various contexts. He further argues that the language surrounding heroes, villains, and fools reveals a social structure. We may not escape being ascribed a type, but we do have a choice of type. Known more commonly as "finding oneself," we can manipulate cues-with dress, facial expressions, style of life, or conspicuous public roles-to build an identity. This classic study has serious contemporary implications. For a public figure, an inevitable result of the typing process is the development of at least two selves, the public and the private. When the book originally appeared in 1962, the struggle to balance two images generally only plagued celebrities and politicians. Today, social media offers everyone the opportunity to develop an online persona. This volume will be of interest to sociologists as well as anyone who has a Facebook account.

The heroes, villains, and monsters portrayed in such popular science fiction television series as Heroes, Lost, Battlestar Galactica, Caprica, Doctor Who, and Torchwood, as well as Joss Whedon's many series, illustrate a shift from traditional, clearly defined characterizations toward much murkier definitions. Traditional heroes give way to "gray" heroes who must become more like the villains or monsters they face if they are going to successfully save society. This book examines the ambiguous heroes and villains, focusing on these characters' different perspectives on morality and their roles within society. Appendices include production details for each series, descriptions and summaries of pivotal episodes, and a list of selected texts for classroom use. Instructors considering this book for use in a course may request an examination copy here.

In pieces drawn from over the course of his distinguished career, pre-eminent historian Roy Mottahedeh explores such diverse topics as the social bonds that connected people in the early Islamic Middle East, the transmission of learning in the Muslim world, religious and ethnic toleration in the past and in the present, and the theme of ‘wonders’ in The Thousand and One Nights. His essays extend from the early Islamic period through the medieval era and on to modern times. A number concern Iran, the country of his father’s birth, and again Mottahedeh’s studies range widely, including Persian panegyric poetry, the origins of the city of Kashan, and Shi‘ite political thought. Speaking to contemporary concerns, he also touches upon voting rights, academic freedom, and censorship. Intended not only for those in Islamic studies but for students of history and interested lay readers, there are introductions to each section written with the non-specialist in mind, and these sections progress from more general topics to those more specialized. In the Shadow of the Prophet thus reflects Mottahedeh’s desire that the Islamic world and its history become better understood so that cooperation between Muslims and non-Muslims might become the order of the day.

A study of the representation of journalists on film and what this tells us about society's relationship with journalism and news media.

The existential question facing the antebellum presidents was how to resolve the dichotomy between the freedoms guaranteed in the Declaration of Independence and the protection of slavery established by the Constitution. This work details how each president dealt with this issue. It then ranks the presidents on the sole criterion of their ability to recognize slavery as the critical threat to national unity, and to act decisively to end the evil and peacefully preserve the Union. The book ends with the beginning of the Civil War the result of presidents' efforts.

What is evil? How do we understand it in our culture? The thirteen essays in this critical volume explore the different ways in which evil is portrayed in popular culture, particularly film and novels. Iconic figures of evil are considered, as is the repeated use of classic themes within our intellectual tradition. Topics covered include serial killers in film, the Twilight series, the Harry Potter series, Star Wars, and more. Collectively, these essays suggest how vital the notion of evil is to our culture, which in turn suggest a need to reflect on what it means to value what is good.