The essays in this collection draw on feminist, post-colonial and cultural theory to analyze the different roles played by constructions of race and gender in shaping Canadian identity as represented in various aspects of its culture, history, politics and health care.

Expelled from the Soviet Union in 1972 and honored with the Nobel Prize fifteen years later, poet Joseph Brodsky in many ways fit the grand tradition of exiled writer. But Brodsky’s years of exile did not render him immobile: though he never returned to his beloved Leningrad, he was free to travel the world and write about it. In Brodsky Abroad, Sanna Turoma discusses Brodsky’s poems and essays about Mexico, Brazil, Turkey, and Venice. Challenging traditional conceptions behind Brodsky’s status as a leading émigré poet and major descendant of Russian and Euro-American modernism, she relocates the analysis of his travel texts in the diverse context of contemporary travel and its critique. Turoma views Brodsky’s travel writing as a response not only to his exile but also to the postmodern and postcolonial landscape that initially shaped the writing of these texts. In his Latin American encounters, Brodsky exhibits disdain for third-world politics and invokes the elegiac genre to reject Mexico’s postcolonial reality and to ironically embrace the romanticism of an earlier Russian and European imperial age. In an essay on Istanbul he assumes Russia’s ambiguous position between East and West as his own to negotiate a distinct, and controversial, interpretation of Orientalism. And, Venice, the emblematic tourist city, becomes the site for a reinvention of his lyric self as more fluid, hybrid, and cosmopolitan. Brodsky Abroad reveals the poet’s previously uncharted trajectory from alienated dissident to celebrated man of letters and offers new perspectives on the geopolitical, philosophical, and linguistic premises of his poetic imagination.

First published in 2004. This is Volume I in a collection on Imperialism, Critical Concepts in Historical Studies and includes part one on the Emergence of Imperialism as a Concept and part two, Early Marxist Theories and their Critics.

The break-up of the Soviet Union is a key event of the twentieth century. The 39th IIS congress in Yerevan 2009 focused on causes and consequences of this event and on shifts in the world order that followed in its wake. This volume is an effort to chart these developments in empirical and conceptual terms. It has a focus on the lands of the former Soviet Union but also explores pathways and contexts in the Second World at large. The Soviet Union was a full scale experiment in creating an alternative modernity. The implosion of this union gave rise to new states in search of national identity. At a time when some observers heralded the end of history, there was a rediscovery of historical legacies and a search for new paths of development across the former Second World. In some parts of this world long-repressed legacies were rediscovered. They were sometimes, as in the case of countries in East Central Europe, built around memories of parliamentary democracy and its replacement by authoritarian rule during the interwar period. Some legacies referred to efforts at establishing statehood in the wake of the First World War, others to national upheavals in the nineteenth century and earlier. In Central Asia and many parts of the Caucasus the cultural heritage of Islam in its different varieties gave rise to new markers of identity but also to violent contestations. In South Caucasus, Georgia, Armenia and Azerbaijan have embarked upon distinctly different, but invariably contingent, paths of development. Analogously core components of the old union have gone through tumultuous, but until the last year and a half largely bloodless, transformations. The crystallization of divergent paths of development in the two largest republics of that union, i.e. Russia and Ukraine, has ushered in divergent national imaginations but also in series of bloody confrontations.

This book examines the language and the ideology of the Pax Romana, the Pax Britannica and the Pax Americana within the broader contexts of 'hegemony' and 'empire'. It addresses three main themes: a conceptual examination of the way in which hegemony has been justified; a linguistic study of how the notion of pax (usually translated as peace) has been used in ancient and modern times; and a study of the international orders created by Rome and Britain. Using an historiographical approach, the book draws upon texts from Greco-Roman antiquity, and sources from the nineteenth, twentieth and twenty-first centuries to show how the pax ideology has served as a justification for hegemonic foreign policy, and as an intellectual exercise in power projection. From Tacitus' condemnation of what he described as 'creating a wilderness and calling it peace', to debates about the establishment of a Pax Americana in post-Saddam Hussein's Iraq, the book shows not only how the governing elite in each of the three hegemonic orders prescribed to a loose interpretation of the pax ideology, but also how their internal disagreements and different conceptualisations of pax have affected the process of 'empire-building'. This book will be of interest to students of international history, empire, and International Relations in general.

Ariana Sirenia has wanted to join the ranks of the Braxian Neo Warriors ever since she was a child and now, at the age of eighteen, she has been named the newly appointed Neo Warrior for the House of Neptune following the death of her cousin Michael. Leaving her home island of Neyara to travel to the mainland for the very first time, she begins her training under the Neo Warriors’ strongest Commander, Caspian Feioré. As far as Ariana is concerned, she is finally living her dream... but dreams don’t last forever and reality has a habit of kicking you in ways that you never expected. Before Ariana has even finished her training, war breaks out with the neighbouring Cimmerian once again and her home at the very edge of the Braxian Empire is suddenly in the firing line. As events begin to unfold Ariana begins to discover what it really means to be a Neo Warrior.

An intimate, authorized yet totally frank biography of Gore Vidal (1925–2012), one of the most accomplished, visible, and controversial American novelists and cultural figures of the past century The product of thirty years of friendship and conversation, Jay Parini’s Empire of Self digs behind the glittering surface of Gore Vidal’s colorful career to reveal the complex emotional and sexual truths underlying his celebrity-strewn life. But there is plenty of glittering surface as well—a virtual Who’s Who of the twentieth century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Johnny Carson, Leonard Bernstein, and the crème de la crème of Hollywood. Also a generous helping of feuds with the likes of William F. Buckley, Norman Mailer, Truman Capote, and The New York Times, among other adversaries. The life of Gore Vidal teemed with notable incidents, famous people, and lasting achievements that call out for careful evocation and examination. Jay Parini crafts Vidal’s life into an accessible, entertaining story that puts the experience of one of the great American figures of the postwar era into context, introduces the author and his works to a generation who may not know him, and looks behind the scenes at the man and his work in ways never possible before his death. Provided with unique access to Vidal’s life and his papers, Parini excavates many buried skeletons yet never loses sight of his deep respect for Vidal and his astounding gifts. This is the biography Gore Vidal—novelist, essayist, dramatist, screenwriter, historian, wit, provocateur, and pioneer of gay rights—has long needed.