This book deals with the fruits of chanting “Sri Lalitha Sahasranamam” Lalitha Sahasranamam is taken from Brahmanda Purana and divided into three parts.The first one is called ‘Poorva Bhaga’ the middle portion which is called ‘Stotra’ which consists of 1000 Namas (names) and the last portion is called ‘Uttara Bhaga’. Sri Lalitha Sahasra Nama contains 1000 Namas and these are sub grouped (each group having nearly 100 Namas) by Sri Bhaskara Rayar into 12 Kalas of Soorya and they are listed here Thapinee, Thaapinee, Dhoomra, Mareechi, Jwalini, Ruchee, Sushumna, Bhogadha, Vishwa, Bodhinee, Dharinee and Kshama.

Exquisite Collectible with original Sanskrit text, English transliteration (for those unable to read Sanskrit Devnagri script) and a high-quality exact translation that preserves the purity, integrity and beauty of the original text. Study it over and over, gift it, treasure it for a lifetime! The Upanishads are the CORE of the Hindu philosophy that has fascinated spiritual seekers all over the world for centuries. They contain the deepest, most startling philosophical concepts known to mankind. They are a must-read for any spiritual seeker, regardless of their culture, nationality or religious beliefs… for anyone who has ever wondered in a philosophical/spiritual sense – Who am I? Journey into the world of Upanishads… This is a journey of self-realization from which there is no turning back…

.......Motilal Banarsidass Indian Edition Of Denssen`s Book Is Quit Welcome....... For No Student Of Vedanta Can Hope TO Start His study In A Proper Manner Without Going Through Denssen`s Work. (Journal Of Indian Council Of Philosophical Research,Vol.19, No.2, April-June, 2002) The philosophy of the Upanishads according to Paul Deussen is the culminating point of the Indian doctrine of the universe and this point he said had been already reached in vedic pre buddhistic times and in philosophical significance has been surpassed by none of the later development of thought up to the present day.

The verdant and beautiful Kerala, well known for its flora and fauna and for its rich tradition of temples, has today become one of the must see destinations in the world. Temples have always been an integral part of the culture and tradition of Kerala. This small state has become famous for its efforts to preserve the ancient culture of the big temples as well as the small family shrines, keeping their rich variety and tradition intact. These temples play an important role in spreading the greatness of Kerala in countries all over the world. Temples of Kerala have never been mere places of worship; they have played a pivotal role in the social, financial, cultural and educational fields of the state. For the rehabilitation of the poor and the deprived many schemes have been implemented by the temples like providing food and shelter to the needy. Today, if there is a great progress in the field of tourism, the temples have certainly contributed much to it. A large number of foreigners come to the state to study and understand Kerala’s traditional temple arts like Kathakali, Chakiarkoothu, Ottamthullal etc. On the happy occasion of bringing out this book, we have endeavored to include details of the prominent Ayyappan temples outside Kerala, along with those of the great temples within the state. The intention is to make this a comprehensive reference book for all well-known temples in India. May all our readers be blessed by the Almighty with peace, prosperity and good health.

The *Bhagavad Gita* has had a profound impact on Indian life and philosophy, shaping thought in truly transformative ways. However, it has also frequently been at the center of debates and controversies, as its interpretations are often entangled in complex dialectics that resist easy resolution. This book places a primary emphasis on the *Gita*'s educational and pedagogical ideals, exploring its potential to transform Indian educational frameworks and inspire growth within a rich cultural and philosophical landscape.

This is a study of three Sanskrit texts, the Harivamsa, the Visnupurana, and the Bhagavatabelonging to the puranic genre, the chief source of knowledge of the origins of popular Hinduism. It treats them as integrated compositions and displays the theological motives and creative skill which have gone into the making of them. It shows how all three texts contain narratives which present Krishna as one of several subordinate manifestations (avataras) of Vishnu. All three use much the same traditional material, yet each, by arranging this material in its own way, presents a distinctive view of Krishna, and the most influential of them, the Bhagavata , builds up a world view in which Krishna, not Vishnu, is supreme.