The Paris Peace Conference had significant ramifications across Europe, felt by the Great Powers, but also by small states struggling for their recognition and independence, setting the stage for the Second World War. Despite the importance of this conference, many perspectives from European historians remain inaccessible to international audiences because they have not yet been published in English. This has led to a marginalization of voices from some of the countries which have been the most affected by the fallout from the conference. This book remedies this by providing access to the latest research on the topic, based on primary sources and critical analyses of existing publications.

A dazzling portrait of Paris’s forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir—featuring an introduction by Ernest Hemingway—made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray’s legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray’s reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d’Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki’s seminal influence not only on Man Ray’s art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses—and the lines separating the two.

Woody Allen made the glamour of Paris in the twenties magical in Midnight In Paris--but was that really the case? The Lost Generation made up one of the most fascinating, eccentric, and diverse group of writers ever known--Ernest Hemmingway, James Joyce, F. Scott Fitzgerald, Ezra Pound, and so many more collectively made up this artistic period in time. In this book, you will learn how and why the movement started, what it was like to be a writer in Paris, and what led to its fall. A list of essential reading from the period is also included in the book.

Chronicling the emergence of an international society in the 1920s, Daniel Gorman describes how the shock of the First World War gave rise to a broad array of overlapping initiatives in international cooperation. Though national rivalries continued to plague world politics, ordinary citizens and state officials found common causes in politics, religion, culture, and sport with peers beyond their borders. The League of Nations, the turn to a less centralized British Empire, the beginning of an international ecumenical movement, international sporting events, and audacious plans for the abolition of war all signaled internationalism's growth. State actors played an important role in these developments and were aided by international voluntary organizations, church groups, and international networks of academics, athletes, women, pacifists, and humanitarian activists. These international networks became the forerunners of international NGOs and global governance.

In 1918 the U.S. government decided to involve itself with the Russian Revolution by sending troops to Siberia. This book re-creates that unhappily memorable storythe arrival of British marines at Murmansk, the diplomatic maneuvering, the growing Russian hostility, the uprising of Czechoslovak troops in central Siberia which threatened to overturn the Bolsheviks, the acquisitive ambitions of the Japanese in Manchuria, and finally the decision by President Wilson to intervene with American troops. Of this period Kennan writes, "Never, surely, in the history of American diplomacy, has so much been paid for so little."