National Public Radio's correspondent provides a brilliant, intimate, on-the-ground account of history in the making with Naked in Baghdad. As NPR's senior foreign correspondent, Anne Garrels has covered conflicts in Chechnya, Bosnia, Kosovo, Afghanistan, and elsewhere. She is renowned for direct, down-to-earth, insightful reportage, and for her independent take on what she sees. One of only sixteen un-embedded American journalists who stayed in Baghdad's now-legendary Palestine Hotel throughout the American invasion of Iraq, she was at the very center of the storm. Naked in Baghdad gives us the sights, sounds, and smells of our latest war with unparalleled vividness and immediacy. Garrels's narrative starts with several trips she made to Baghdad before the war, beginning in October 2002. At its heart is her evolving relationship with her Iraqi driver/minder, Amer, who becomes her friend and confidant, often serving as her eyes and ears among the populace and taking her where no other reporter was able to penetrate. Amer's own strong reactions and personal dilemma provide a trenchant counterpoint to daily events. The story is also punctuated by e-mail bulletins sent by Garrels's husband, Vint Lawrence, to their friends around the world, giving a private view of the rough-and-tumble, often dangerous life of a foreign correspondent, along with some much-needed comic relief. The result is enthralling, deeply personal, utterly authentic--an on-the-ground picture of the war in Iraq that no one else could have written. As Chicago Sun-Times critic Lloyd Sachs wrote about Garrels's work in Baghdad, "a few choice words, honestly delivered, are worth more than a thousand pictures . . . In your mind's eye, they carry lasting truth."

An on-the-ground commander describes his brigade's first year in Iraq after the U.S. forces seized Baghdad in the spring of 2003, and explains what went right and wrong as the U.S. military confronted an insurgency, in a firsthand analysis of success and failure in Iraq.

Changing The Guard is a fictional story about a modern day coup d etat of our present political leadership. Citizens being tired of over taxation and our leaders lining their pockets with money, while ignoring the wishes of the population that voted for them, had reached the point where it was time to get rid of them. Although the characters are fiction, many things came from our present day situations. Inspired by present day citizens of America and their frustration of actions by our elected officials, this is the time for this story.

The first volume in D.J. Molles's bestselling series, now in a special edition with the bonus novella The Remaining: Trust. In a steel-and-lead encased bunker a Special Forces soldier waits on his final orders. On the surface a bacterium has turned 90% of the population into hyper-aggressive predators. Now Captain Lee Harden must leave the bunker and venture into the wasteland to rekindle a shattered America.

In Phony Fighter Pilot, Hugh E. Scott, Vietnam veteran. ex-USAF pilot and registered Republican, tells how he found a White House biography on the Internet that inflated President Bushs National Guard jet experience by nearly four years. Because the bio looked like GOP campaign material meant to deceive voters in 2000, Scott tipped the Boston Globe and it ran the story the next day on 02/28/04. Also, using newspaper archives, authorized Bush family bios and official USAF records, Scott shows that George W. is an incompetent Commander in Chief who only got the job because of his famous family name.

War and landpower's role in the twenty-first century is not just about military organizations, tactics, operations, and technology; it is also about strategy, policy, and social and political contexts. After fourteen years of war in the Middle East with dubious results, a diminished national reputation, and a continuing drawdown of troops with perhaps a future force increase proposed by the Trump administration, the role of landpower in US grand strategy will continue to evolve with changing geopolitical situations. Landpower in the Long War: Projecting Force After 9/11, edited by Jason W. Warren, is the first holistic academic analysis of American strategic landpower. Divided into thematic sections, this study presents a comprehensive approach to a critical aspect of US foreign policy as the threat or ability to use force underpins diplomacy. The text begins with more traditional issues, such as strategy and civilian-military relations, and works its way to more contemporary topics, such as how socio-cultural considerations effect the landpower force. It also includes a synopsis of the suppressed Iraq report from one of the now retired leaders of that effort. The contributors—made up of an interdisciplinary team of political scientists, historians, and military practitioners—demonstrate that the conceptualization of landpower must move beyond the limited operational definition offered by Army doctrine in order to encompass social changes, trauma, the rule of law, acquisition of needed equipment, civil-military relationships, and bureaucratic decision-making, and argue that landpower should be a useful concept for warfighters and government agencies.

The Postmasculinist Marines and New Optics of Combat -- The Gladiator Robot and the Critique of Remote Warfare -- 6 Synthetic Visions of War: Conclusion and Epilogue -- Biopolitics and the Costs of War -- Digital Culture and the Computational Marine -- Subjectivity Lives and Dies -- Notes -- Essay on Primary Sources -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

The PEN/O. Henry Prize Stories 2012 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. These remarkable stories explore the boundaries of the imagination in settings as various as an army training camp in China, the salt mines of Detroit, a divided Balkan town, and the eye of a hurricane. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

This is about my responsibility. Doing what is right. Being where I'm needed. I've started a job and I must finish it. I owe it to the people of Iraq. In 1926, the nation of Iraq is in its infancy, and British archaeologist Gertrude Bell is founding a museum in Baghdad. In 2006, Ghalia Hussein is attempting to reopen the museum after looting during the war. Decades apart, these two women share the same goals: to create a fresh sense of unity and nationhood, to make the world anew through the museum and its treasures. But in such unstable times, questions remain. Who is the museum for? Whose culture are we preserving? And why does it matter when people are dying? A story of treasured history, desperate choices and the remarkable Gertrude Bell. This edition of Hannah Khalil's epic new play was published to coincide with the world premiere at the RSC's The Other Place in 2019.

This is a Marine infantryman's combat memoir from the Invasion of Iraq to the Battle of Fallujah. It chronicles firsthand accounts of war while serving with the most combat-deployed Marine Corps battalion of the Iraq War, the 3rd Battalion, 4th Marines. Initially trained as an infantry platoon radio operator and then as a team leader with a scout/sniper platoon, Brian Van Gorden portrays the battles that took place in a complex war and the hardships experienced from repeated combat deployments.