Pheme Perkins searches for the historical Peter, and the influence his image has had for both Roman Catholics and Protestants. Pointing to portrayals of Peter in the Pauline and Johannine traditions, the synoptic Gospels, and the Book of Acts, Perkins argues that precisely because there is no single Petrine tradition in the New Testament, the apostle should serve as a unifying figure for many forms of Christianity. She shows how Peter should be viewed as a harmonising figure who captures the Christian imagination, not only because he is the most prominent of Jesus' disciples but also because his weaknesses and strengths reveal a character accessible to all Christians.

A substantive commentary that helps pastors, students, and teachers understand the meaning of 1 Peter.

In this fully revised commentary, Wayne Grudem builds on his original work to take into account almost four further decades of study and prayer. Peter's short letter to 'the exiles of the Dispersion' addresses many topics of ongoing relevance: holiness, the sufferings of Christ and his followers, God's sovereignty and grace, the work of the Holy Spirit, the church as the new people of God, the reality of the unseen spiritual world, and the challenge of trusting in God in the midst of daily life. For Wayne Grudem, these seemingly disparate themes are tied together by suffering as a form of imitating Christ. The Tyndale New Testament Commentaries (TNTC) have long been a trusted resource for Bible study. Written by some of the world's most distinguished evangelical scholars, these twenty volumes offer clear, reliable and relevant explanations of every book in the New Testament. These commentaries are designed to help readers understand what the Bible actually says and what it means. The introduction to each volume gives a concise but thorough description of the authorship, date and historical background of the biblical book under consideration. The commentary itself examines the text section by section, drawing out its main themes. It also comments on individual verses and deals with problems of interpretation. The aim throughout is to get at the true meaning of the Bible and to make its message plain to readers today. "The Tyndale volumes have long been the premier shorter-length commentary series on both Testaments throughout the English-speaking world." Craig Blomberg, Denver Seminary "Tyndale commentaries are always useful, not least because they focus so clearly on the text of Scripture, and do not fall into the trap of paying too much attention to other commentaries and not enough to the scriptural text they are intended to expound and explain. So they retain their usefulness for preachers, Bible study leaders and for all readers of the Bible." Peter Adam, principal, Ridley College, Melbourne, Australia "The evenness and quality of this series are remarkable." Christianity Today

Die Reihe Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft (BZNW) ist eine der ältesten und renommiertesten internationalen Buchreihen zur neutestamentlichen Wissenschaft. Seit 1923 publiziert sie wegweisende Forschungsarbeiten zum frühen Christentum und angrenzenden Themengebieten. Die Reihe ist historisch-kritisch verankert und steht neuen methodischen Ansätzen, die unser Verständnis des Neuen Testaments befördern, gleichfalls offen gegenüber.

Peter is a fascinating character in all four canonical gospels, not only as a literary figure in each of the gospels respectively, but also when looked at from an intertextual perspective. This book examines how Peter is rewritten for each of the gospels, positing that the different portrayals of this crucial figure reflect not only the theological priorities of each gospel author, but also their attitude towards their predecessors. Rewriting Peter as an Intertextual Character in the Canonical Gospels is the first critical study of the canonical gospels which is based on Markan priority, Luke’s use of Mark and Matthew, and John’s use of all three synoptic gospels. Through a selection of close readings, Damgaard both provides a new critical portrait of Peter and proposes a new theory of source and redaction in the gospels. In the last thirty years there has been an increasing appreciation of the gospels’ literary design and of the gospel writers as authors and innovators rather than merely compilers and transmitters. However, literary critics have tended to read each gospel individually as if they were written for isolated communities. This book reconsiders the relationship between the gospels, arguing that the works were composed for a general audience and that the writers were bold and creative interpreters of the tradition they inherited from earlier gospel sources. Damgaard’s view that the gospel authors were familiar with the work of their predecessors, and that the divergences between their narratives were deliberate, sheds new light on their intentions and has a tremendous impact on our understanding of the gospels.

The Beatrix Potter 99 Cliparts Book Part 4 contains 99 beautiful and unique Cliparts which originate from Beatrix Potter illustrations. Elizabeth M. Potter revised and stored them in single files to be downloaded for private usage (instructions to do so are listed in the book). All Cliparts are displayed on a white background and were taken from the following Beatrix Potter tales: The Tale of Jemima Puddle-Duck The Tale of Ginger and Pickles The Tale of Timmy Tiptoes The Tale of Pigling Bland The Tale of Little Pig Robinson Apple Dapply's Nursery Rhymes The illustrations within the book, are in black and white (except ebook version), whereas the downloadable Cliparts are accordingly to the original colours.

Drawing on recent insights from postcolonial theory and social psychology, Travis B. Williams seeks to diagnose the social strategy of good works in 1 Peter by examining how the persistent admonition to "do good" is intended to be an appropriate response to social conflict. Challenging the modern consensus, which interprets the epistle's good works language as an attempt to accommodate Greco-Roman society and thereby to lessen social hostility, the author demonstrates that the exhortation to "do good" envisages a pattern of conduct which stands opposed to popular values. The Petrine author appropriates terminology that was commonly associated with wealth and social privilege and reinscribes it with a new meaning in order to provide his marginalized readers with an alternative vision of reality, one in which the honor and approval so valued in society is finally available to them. The good works theme thus articulates a competing discourse which challenges dominant social structures and the hegemonic ideology which underlies them.

DigiCat Publishing presents to you this special edition of "Simon Called Peter" by Robert Keable. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"As a composer one forgets, in time, the fine detail of composition processes which produced past work... it must be left to scholars to recreate, slowly and painstakingly, earlier creative processes." Peter Maxwell Davies. In the eight essays presented here, leading scholars of the music of Peter Maxwell Davies explore some of the composer's creative processes. David Roberts, Peter Owens and Richard McGregor examine Davies's employment of pitch-class sets and other models evident in his sketch material, while Joel Lester looks at the serial elements that produce structure and effect in the work Ave Maris Stella. The political, literary and musical influences evident in the 1987 opera Resurrection and in subsequent orchestral works come under scrutiny from John Warnaby. Davies's use of older dramatic forms and ritual is the focus of Michael Burden's examination of his music theatre. The composer's own descriptions of his compositional process contain distinctly modernist overtones as Arnold Whittall suggests in the concluding essay in the volume. The sustained textural multiplicity evident in much of Davies's music points to this modernism. It is a multiplicity mirrored in the variety of approaches taken by the commentators in this volume. The differing points of view on offer complement and contrast each other, allowing the reader to appreciate the different levels on which Davies's music works.

The Bibliography of Literature on First Peter gives comprehensive publication details of a categorized list of articles and books concerned with the exposition of the New Testament letter known as 1 Peter. The bibliography, which primarily presents works of modern scholarship but also includes important works which have appeared throughout the lengthy period of Christian interpretation, has been conceived with the needs of a variety of users in mind. It provides an extremely valuable reference tool for all those interested in a deeper understanding of this important document of early Christianity, and will meet the needs of researchers of all kinds, from lay students to the professional scholar. Not every work represented in this bibliography will be of equal use to all; but judicious selection on the basis of the helpful classification provided will save the researcher much time.