Andrei Bely's novel Petersburg is considered one of the four greatest prose masterpieces of the 20th century. In this new edition of the best-selling translation, the reader will have access to the translators' detailed commentary, which provides the necessary historical and literary context for understanding the novel, as well as a foreword by Olga Matich, acclaimed scholar of Russian literature. Set in 1905 in St. Petersburg, a city in the throes of sociopolitical conflict, the novel follows university student Nikolai Apollonovich Ableukhov, who has gotten entangled with a revolutionary terrorist organization with plans to assassinate a government official–Nikolai's own father, Apollon Apollonovich Ableukhov. With a sprawling cast of characters, set against a nightmarish city, it is all at once a historical, political, philosophical, and darkly comedic novel.

The definitive cultural biography of the “Venice of the North” and its transcendent artistic and spiritual legacy, written by Russian emerge and acclaimed cultural historian, Solomon Volkov. Long considered to be the mad dream of an imperious autocrat—the "Venice of the North," conceived in a setting of malarial swamps—St. Petersburg was built in 1703 by Peter the Great as Russia's gateway to the West. For almost 300 years this splendid city has survived the most extreme attempts of man and nature to extinguish it, from flood, famine, and disease to civil war, Stalinist purges, and the epic 900-day siege by Hitler's armies. It has even been renamed twice, and became St. Petersburg again only in 1991. Yet not only has it retained its special, almost mystical identity as the schizophrenic soul of modern Russia, but it remains one of the most beautiful and alluring cities in the world. Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. For Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.

St. Petersburg: from space of representation to embattled public sphere -- Nihilism: self-fashioning and subculture in the city -- Underground pioneers -- To the people and back -- City synergy -- Organized troglodytes: building up the underground -- Battleground Petersburg -- The armor of our invisibility: underground terror and the illusion of power

Few wartime cities in Virginia held more importance than Petersburg. Nonetheless, the city has, until now, lacked an adequate military history, let alone a history of the civilian home front. The noted Civil War historian A. Wilson Greene now provides an expertly researched, eloquently written study of the city that was second only to Richmond in size and strategic significance. Industrial, commercial, and extremely prosperous, Petersburg was also home to a large African American community, including the state's highest percentage of free blacks. On the eve of the Civil War, the city elected a conservative, pro-Union approach to the sectional crisis. Little more than a month before Virginia's secession did Petersburg finally express pro-Confederate sentiments, at which point the city threw itself wholeheartedly into the effort, with large numbers of both white and black men serving. Over the next four years, Petersburg's citizens watched their once-beautiful city become first a conduit for transient soldiers from the Deep South, then an armed camp, and finally the focus of one of the Civil War's most protracted and damaging campaigns. (The fall of Richmond and collapse of the Confederate war effort in Virginia followed close on Grant's ultimate success in Petersburg.) At war's end, Petersburg's antebellum prosperity evaporated under pressures from inflation, chronic shortages, and the extensive damage done by Union artillery shells. Greene's book tracks both Petersburg's civilian experience and the city's place in Confederate military strategy and administration. Employing scores of unpublished sources, the book weaves a uniquely personal story of thousands of citizens--free blacks, slaves and their holders, factory owners, merchants--all of whom shared a singular experience in Civil War Virginia.

The Battle of Petersburg was the culmination of the Virginia Overland campaign, which pitted the Army of the Potomac, led by Ulysses S. Grant and George Gordon Meade, against Robert E. Lee's Army of Northern Virginia. In spite of having outmaneuvered Lee, after three days of battle in which the Confederates at Petersburg were severely outnumbered, Union forces failed to take the city, and their final, futile attack on the fourth day only added to already staggering casualties. By holding Petersburg against great odds, the Confederacy arguably won its last great strategic victory of the Civil War. In The Battle of Petersburg, June 15-18, 1864, Sean Michael Chick takes an in-depth look at an important battle often overlooked by historians and offers a new perspective on why the Army of the Potomac's leadership, from Grant down to his corps commanders, could not win a battle in which they held colossal advantages. He also discusses the battle's wider context, including politics, memory, and battlefield preservation. Highlights include the role played by African American soldiers on the first day and a detailed retelling of the famed attack of the First Maine Heavy Artillery, which lost more men than any other Civil War regiment in a single battle. In addition, the book has a fresh and nuanced interpretation of the generalships of Grant, Meade, Lee, P. G. T. Beauregard, and William Farrar Smith during this critical battle.

On July 16, 1815, a fire began in a small stable in Petersburg. After only a few hours, almost two-thirds of the city lay in ruins. Citizens stood on the banks of the Appomattox River and watched as wind blew flames from one building to the next. The tragedy claimed a dozen lives and destroyed more than five hundred homes. The fire raged until it was quelled by a downpour of rain. Stories of heroism from firefighters and landowners were left in the aftermath. Author Tamara Eastman describes the city before the fire, the horrific event and the collective efforts to rebuild a stronger city.

New York Times bestselling author Ralph Peters returns with the fourth installment in his Boyd Award-winning series on the Civil War GLORY TURNED GRIM... ...and warfare changed forever. As Grant pinned Lee to Petersburg and Richmond, the Confederacy’s stubborn Army of Northern Virginia struggled against a relentless Union behemoth, with breathtaking valor and sacrifice on both sides. That confrontation in the bloody summer and autumn of 1864 shaped the nation that we know today. From the butchery of The Crater, where stunning success collapsed into a massacre, through near-constant battles fought by heat-stricken soldiers, to the crucial election of 1864, The Damned of Petersburg resurrects our Civil War’s hard reality, as plumes and sabers gave way to miles of trenches. Amid the slaughter of those fateful months, fabled leaders—Grant and Lee, Winfield Scott Hancock and A. P. Hill—turned to rising heroes, Confederates “Little Billy” Mahone and Wade Hampton, last of the cavaliers, or Union warriors such as tragedy-stricken Francis Channing Barlow and the fearless Nelson Miles, a general at twenty-four. Nor does Ralph Peters forget the men in the ranks, the common soldiers who paid the price for the blunders of leaders who’d never know their names. In desperate battles, now forgotten, such as Deep Bottom, Globe Tavern and Reams Station, soldiers on both sides, pushed to the last human limits, fought on as their superiors struggled to master a terrible new age of warfare. The Damned of Petersburg revives heroes aplenty—enriching our knowledge of our most terrible war—but, above all, this novel’s a tribute to the endurance and courage of the American soldier, North or South. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

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Andrei Bely's 1913 masterwork Petersburg is widely regarded as the most important Russian novel of the twentieth century. Vladimir Nabokov ranked it with James Joyce's Ulysses, Franz Kafka's Metamorphosis, and Marcel Proust's In Search of Lost Time. Few artistic works created before the First World War encapsulate and articulate the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism as comprehensively. Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.