What is mind? What is its relationship to the physical world? Is consciousness a causative agent in the physical world? With much progress being made in the neurosciences, many have thought that these questions could be answered by reducing them to questions about physical systems such as the brain. But this approach has foundered on the core problem of consciousness: Why is it that some brain processes are accompanied by conscious awareness? This anthology points out new sources and unexamined paths of consciousness research. By presenting a wide spectrum of non-reductive theories, the volume endeavours to overcome the dichotomy between dualism and monism that keeps plaguing the debate in favour of new and more differentiated positions.

This book explores the contributions of psychological, neuroscientific and philosophical perspectives to the design of contemporary cities. Pursuing an innovative and multidisciplinary approach, it addresses the need to re-launch knowledge and creativity as major cultural and institutional bases of human communities. Dwelling is a form of knowledge and re-invention of reality that involves both the tangible dimension of physical places and their mental representation. Findings in the neuroscientific field are increasingly opening stimulating perspectives on the design of spaces, and highlight how our ability to understand other people is strongly related to our corporeity. The first part of the book focuses on the contributions of various disciplines that deal with the spatial dimension, and explores the dovetailing roles that science and art can play from a multidisciplinary perspective. In turn, the second part formulates proposals on how to promote greater integration between the aesthetic and cultural dimension in spatial design. Given its scope, the book will benefit all scholars, academics and practitioners who are involved in the process of planning, designing and building places, and will foster an international exchange of research, case studies, and theoretical reflections to confront the challenges of designing conscious places and enable the development of communities.

This is Volume III of eight in a collection on the Philosophy of the Mind and Language. Originally published in 1925, this text looks at alternative theories of life and mind at the level of enlightened common-sense; the Mind's knowledge of Existents and the Unconscious.

Art Marsicano shares the inspiring story of his wifes five-year battle with ovarian cancer in this tribute to God, marriage, and the power of love. In Jeans final years, she smiled more than she cried and reached out to help others when she was the one in trouble. While cancer may have destroyed her body, it did not destroy her mind, soul or her essence. But as cancer took its toll, Art was forced to think about a life of living alone. One day, a verse of poetry fixed itself into his mind: theres a place in my mind that so clearly I see and when I go there I think of thee there are mountains and rivers and the wind blows free yet I feel great sorrow, for there is only me When Jean died, Art found comfort by relying on Gods strength and thinking about the sunny days of the past, including four women that he wanted to reconnect withdiscovering that two of them had died. But one of the women, Mary, would find him by sending a condolence card in the mail. Soon, Art would discover that his life could still have magic and love.

(Soft-Cover print) I designed this front cover myself, has some violence and mature inuendos) Rated Teen.------ A lone agent looking for a key to uncover a mystery of great world shaking proportions has ventured into unknown territory that no one else has returned from. His mind, his training, and his dedication are all that hold him to his quest to make contact and take advantage of a mysterious hidden culture. He is swept up into a new world he is not prepared for and has to survive to save the Earth from destruction...........Her eyes were so intense that for a moment I thought she had seen me, but it was something else. The quick movements, all of them made were inhuman, more like hyper-robotic. They were all female but they moved almost as if they were electronic. It was astonishing; the movements they made. They were robotic. They had to be! Nothing human could move that way or want to, comfortably........