Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama. Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.

In Guinea, situated against the background of central government struggles, rural elites use identity politics through contemporary political reforms to maintain their privileges and perpetuate a generations-old local social contract that bridges ethnic and religious divides. Simultaneously, administrative reform and national unrest lead to the creative re-combination of sources of authority and practices of legitimate rule. Past periods of colonization, socialism and authoritarian regime are reflected in contemporary struggles to make sense of participatory democracy and the future of the embattled Guinean national state.

The papers and research results presented here have been prepared as part of the Integrated Basin Studies project. This project had the objective of studying the lithospheric and upper crustal processes governing the formation and evolution of extensional and foreland basins and to decipher the role of tectonics, sea level and sedimentary processes in the filling of such basins. The Dynamics of the Norwegian Margin module focused on the rifted sedimentary basins of the northern North Sea and off Mid-Norway. This prolific hydrocarbon province has an extensive industry and scientific database and offers a unique opportunity to study fundamental earth processes, from failed rifting to crustal breakup and accretion of oceanic crust. A set of new models for basin formation and filling has been derived, including linking of sedimentary basin faulting to lower crustal deformation, signature and variability of syn-rift infill, correlation of mineralogy to seismic signature, nature and characteristics of volcanic margin formation and distribution of present-day stress field.

Written for the AQA geography specification A, this text develops skills analysis in context through the use of map extracts and satellite data. It incorporates ICT and questions to reinforce learning. Sample exam questions and mark schemes give pupils practice.

This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.

This publication is based on work done in partial fulfillment of the author's Doctor of Philosophy degree at the George Washington University, Washington, D.C.