Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?

Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.

Bloomfield and Dunn describe the varying roles which "poets" have historically filled within society, whether ancient, medieval, or pre-modern and identify the key functions of the poet figure. He (or sometimes she) supports the ruler and is in turn rewarded for a central service to the tribe; he exercises his authority by an apparently magical understanding of the past, present, and future; and, whenever called upon to perform an official rite, he knows how to wield the appropriate traditional, esoteric utterances. In order to illustrate the ways in which this kind of poetic function can be seen to have been exercised in early Irish literature, pre-modern Scottish Gaelic, early Welsh, early Norse and Old English the authors draw on a wide-range of texts. The study concludes with an examination of the implications of their findings for twentieth century readers exploring the utterances of poets remote from them in time or space.

"This is a new account of the intellectual, literary and political development of one the central poets in the English canon. Author Nicholas McDowell follows John Milton more or less from his birth in 1608 and his education to his emergence as a polemical prose writer in the 1640s, concluding at the moment when Milton turned his pen to defending the execution of Charles I in 1649 in the closing years of the English Civil War, though several years before the onset of the poet's blindness and the composition of Paradise Lost. As the author makes explicit, this is not a book about the writing of Milton's great biblical epic; rather, it is a book about the formation of the mind that eventually would create this epic, though only after that same mind, of course, justified the killing of a king. Central to the book is Milton's evolving understanding of the ways in which 'tyranny'-defined initially in ecclesiastical and clerical terms but which grows to encompass political organization-retards the intellectual and cultural progress of a nation. McDowell demonstrates how this understanding was shaped not only by Milton's historical experience of the political turbulence of mid seventeenth-century Britain, but also by the interaction between that experience and his intellectual life. This, the author says, was Milton's period of intensive and almost entirely orthodox reading in history and religion, and it was then that he came to see any clerical encroachment upon civil authority as tyranny. His intellectual pursuits, in tandem with wider events, led him to turn to explicitly political prose writing in the defence of regicide at the beginning of 1649. This biography of the first half of the poet's life shows us how John Milton the young poet, scholar, humanist, and universalist became John Milton the puritan, republican and polemicist"--

Are you frustrated with your poetry career? There's good news. The publishing landscape has changed, and poets have more opportunities to sell their work than ever before. And guess what? Almost no one is pursuing these options! Navigate the New World of Poetry Publishing Indie poet & author Michael La Ronn walks you through what it really means to be a poet in today's market, and how to use the status quo to your advantage. In this book, you'll learn: * What the new landscape looks like and why you should take advantage of it now * Myths about poetry writing & common traps that poets fall into * Why you should indie publish your next collection (and how to do it with style) * How to think about your poetry as a business (hint: it's not just submitting to literary magazines) * The right way to market a poetry collection without the help of a publisher * How MFA programs and literary magazines can adapt in order to thrive in this new world All this and much more. NOW is the time to take charge of your writing career. Buying this book may be the most important thing you do to reach new readers and improve your sales. This is the self-publishing book that poets have been waiting for!  V1.0

Li Po was a Chinese poet of the first century AD. He is generally regarded as China's greatest poet - much like Shakespeare in Britain. This book contains the text of a paper presented to the China Society at the School of Oriental Studies. It is a scholarly paper, mostly comparing LI Po with Tu Fu- a contemporary of LI Po.

Analyzes the heated critical debate on Heine from his own lifetime to the present. Heinrich Heine (1797-1856), one of the best known and most controversial German writers of the nineteenth century, has been the subject of intense critical debate. Heine's lyric poetry ranks second only to Goethe's in popularity and is known world wide in musical settings. He is also known for his stories and travel sketches, his writings on political, social, and cultural developments in Europe, and for essays on literature, religion, and philosophy. Peters's study records the stormy development of Heine's critical reception from his own time down to the present. As a Jew living in Paris, an outspoken critic of both repressive political policies in Germany and the stifling influence of the Catholic church, and the author of the most famous satirical poem in the German language, Deuschland. Ein Wintermärchen, Heine engendered the wrath of the conservative critics of his day, while progressive critics, particularly those supportive of his emancipatory ideals, came to his defense. Since his death, Heine criticism has continued to be partisan in tone. Twentieth-century Heine criticism has mirrored Germany's historical development, from the nationalistic fervor of the Wilhelminian era, through the tolerance of Weimar, the anti-Semitic frenzy of the Third Reich, the postwar period of competing critical views in East and West, to the final decade of the century and a period of renewed and intense critical interest. George F. Peters is professor of German and Chair of the Department of Languages and Linguistics at Michigan State University.