Examining the way people imagine and interact in their cities, this book explores the post-cosmopolitan city. The contributors consider the effects of migration, national, and religious revivals (with their new aesthetic sensibilities), the dispositions of marginalized economic actors, and globalized tourism on urban sociality. The case studies here share the situation of having been incorporated in previous political regimes (imperial, colonial, socialist) that one way or another created their own kind of cosmopolitanism, and now these cities are experiencing the aftermath of these regimes while being exposed to new national politics and migratory flows of people.

Examining the way people imagine and interact in their cities, this book explores the post-cosmopolitan city. The contributors consider the effects of migration, national, and religious revivals (with their new aesthetic sensibilities), the dispositions of marginalized economic actors, and globalized tourism on urban sociality. The case studies here share the situation of having been incorporated in previous political regimes (imperial, colonial, socialist) that one way or another created their own kind of cosmopolitanism, and now these cities are experiencing the aftermath of these regimes while being exposed to new national politics and migratory flows of people. Caroline Humphrey is a Research Director in the Department of Social Anthropology at the University of Cambridge. She has worked in the USSR/Russia, Mongolia, Inner Mongolia, Nepal, and India. Her research interests include socialist and post-socialist society, religion, ritual, economy, history, and the contemporary transformations of cities. Vera Skvirskaja is a postdoctoral researcher in the Department of Anthropology at Copenhagen University. She has worked in arctic Siberia, Uzbekistan and Ukraine. Her recent research interests include urban cosmopolitanism, educational migration in Europe and coexistence in the post-Soviet city.

As the former capital of two great empires—Eastern Roman and Ottoman—Istanbul has been home to many diverse populations, a condition often glossed as cosmopolitanism. The Greek-speaking Christian Orthodox community (Rum Polites) is among the oldest in the urban society, yet their leading status during the centuries of imperial cosmopolitanism has faded. They have even been brought to the brink of disappearance in their home city. Scattered around the world as a result of the homogenizing tendencies of nationalism, the Rum Polites in the diaspora of Istanbul (“the City” or Poli) continue to identify with its cosmopolitan legacy, as vividly shown through their everyday practices of distinction and cultural memory. By exploring the shifting meaning of cosmopolitanism in spatial and temporal contexts, Diaspora of the City examines how experiences of forced displacement can highlight changing conceptualizations of what constitutes a local, diasporic, minority, or migrant community in different multicultural urban settings, past and present.

In recent decades, the insight that narration shapes our perception of reality has inspired and influenced the most innovative historical accounts. Focusing on new research, this volume explores the history of non-elite populations in cities from Caracas to Vienna, and Paris to Belgrade. Narration is central to the theme of each contribution, whether as a means of description, a methodological approach, or basic story telling. This book brings together research that both asks classical socio-historical questions and takes narration seriously, engaging with novels, films, local history accounts, petitions to municipal authorities, and interviews with alternative cinema activists.

In academic descriptions of cosmopolitanism, one particularly important distinction often recurs. Specifically, scholars have been concerned to distinguish between cosmopolitanism as a set of mundane practices and/or competences on the one hand and cosmopolitanism as a cultivated form of consciousness or moral aspiration on the other. For anthropologists whose ethnographic studies reveal many different expressions of cosmopolitanism, this distinction between aspiration and practice can often be quite ambiguous. This book therefore brings together five contributions from anthropologists who are reporting on encounters and aspirations that reveal different forms of spatial mobility, scales of commitment or risk, and are often transient, ambivalent and precarious. These are circumstances in which cosmopolitanism emerges as uneven and partial rather than as a comprehensive or unequivocal transformation of practice and outlook. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

Cosmopolitan Spaces in Odesa: A Case Study of an Urban Context is the first book to explore Odesa’s cosmopolitan spaces in an urban context from the nineteenth to twenty-first centuries. Leading scholars shed new light on encounters between Jewish, Ukrainian, and Russian cultures. They debate different understandings of cosmopolitanism as they are reflected in Odesa’s rich multilingual culture, ranging from intellectual history and education to music, opera, and literature. The issues of language and interethnic tensions, imperialist repression, and language choice are still with us today. Moreover, the book affords a historical view of what lay behind the Odesa myth, as well as insights into the Jewish and Ukrainian cultural revivals of the early twentieth century.

Exploring some of the ways in which repair practices and perceptions of brokenness vary culturally, Repair, Brokenness, Breakthrough argues that repair is both a process and also a consequence which is sought out—an attempt to extend the life of things as well as an answer to failures, gaps, wrongdoings, and leftovers. This volume develops an open-ended combination of empirical and theoretical questions including: What does it mean to claim that something is broken? At what point is something broken repairable? What are the social relationships that take place around repair? And how much tolerance for failure do our societies have?

Jewish Odesa: Negotiating Identities and Traditions in Contemporary Ukraine explores the rich Jewish history in Ukraine's port city of Odesa. Long considered both a uniquely cosmopolitan and Jewish place, Odesa's Jewish character has shifted since the Soviet Union collapsed and Ukraine gained its independence. Drawing on extensive field research, Marina Sapritsky-Nahum, examines how the role of Russian language and culture, memories of the Soviet political project, and Odesan's place in a Ukrainian national project have all been questioned in recent years. Jewish Odesa reveals how a city once famous for its progressive Jewish traditions has become dominated by Orthodox Judaism and framed by the agendas of international Jewish organizations embedded in a religiosity that is foreign to the city. Russia's war in Ukraine has forced Jewish identities with ties to Odesa to change still further.

This book offers a critical introduction to the relation between cities and literature (fiction, poetry and literary criticism) from the late eighteenth to twenty-first centuries. It examines examples of writing from Europe, North America and post-colonial countries, juxtaposed with key ideas from urban cultural and critical theories. Cities and Literature shows how literature frames real and imagined constructs and experiences of cities. Arranged thematically each chapter offers a narrative which introduces a number of key thinkers and writers whose vision illuminates the prevailing idea of the city at the time. The themes are extended or challenged by boxed cases of specific texts or images accompanied by short critical commentaries; the structure provides readers with a map of the terrain enabling connections across time and place within manageable limits, and offers elements of critical discussion to serve a growing number of university courses which involve the intersections of cities and literature. This volume offers access to literature from an urban perspective for the social sciences, and access to urbanism from a literary viewpoint. It is an excellent resource for both undergraduate and postgraduate students in the fields of urban studies and English literature, planning, cultural and human geographies, architecture, cultural studies and cultural policy.