"Until around 10,000 B.C. art in Europe appears to have been in advance of the rest of the world, and throws a valuable if intermittent, light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprisingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia B.C. fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this masterly study concludes with an account of the original and exciting new departures of Celtic La Tene art of the last four centuries B.C."--BOOK COVER.

This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.

"Until around 10,000 B.C. art in Europe appears to have been in advance of the rest of the world, and throws a valuable if intermittent, light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprisingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia B.C. fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this masterly study concludes with an account of the original and exciting new departures of Celtic La Tene art of the last four centuries B.C."--BOOK COVER.

Clothing styles from prehistory to A.D. 1066 displayed in over 160 illustrations. Draped robes of classical Greece, the apparel of a 10th-century Byzantine emperor, garments of peasants, as well as footwear, hairstyles, jewelry, more.

"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa

This work provides an overview of the progress that has characterized the field of research and policy in art education. It profiles and integrates history, policy, learning, curriculum and instruction, assessment, and competing perspectives.

The study of Old Norse Religion is a truly multidisciplinary and international field of research. The rituals, myths and narratives of pre-Christian Scandinavia are investigated and interpreted by archaeologists, historians, art historians, historians of religion as well as scholars of literature, onomastics and Scandinavian studies. For obvious reasons, these studies belong to the main curricula in Scandinavia but are also carried out at many other universities in Europe, the United States and Australia a fact that is evident to any reader of this book. In order to bring this broad and varied field of research together, an international conference on Old Norse religion was held in Lund in June 2004. About two hundred delegates from more than fifteen countries took part. The intention was to gather researchers to encourage and improve scholarly exchange and dialogue, and Old Norse religion in long-term perspectives presents a selection of the proceedings from that conference. The 75 contributions elucidate topics such as worldview and cosmology, ritual and religious practice, myth and memory as well as the reception and present-day use of Old Norse religion. The main editors of this volume have directed the multidisciplinary research project Roads to Midgard since 2000. The project is based at Lund University and funded by the Bank of Sweden Tercentenary Foundation.

A unique and indispensable reference work Unsurpassed in content and scope When the first edition of Gold Coins of the World made its debut in 1958, it forever changed the way gold coins were collected, cataloged, traded, and priced. For the first time, one book provided a reliable guide for a subject which previously required an often expensive investment in multiple volumes of literature, some of it rare and antique, and much of it badly out-of-date. With the publication of this pioneering work, Robert Friedberg (1912-1963) established himself as an international icon in the field of numismatic literature. This book, and the 'Friedberg Numbering System' he developed became then, and is still today, the internationally-recognized standard for systematically identifying any gold coin ever made. From just 384 pages in 1958, Gold Coins of the World has expanded to the extent that it now contains more than triple the information of its ancestor. It still stands alone as the first and only book to describe, catalog and price two millennia of gold, platinum, and palladium coin issues from across the globe. From the first coins of the ancient Greeks to the most recently-issued modern commemoratives, they are all here, an astonishing compilation of more than 21,000 individual coin listings accompanied by over 8,000 actual-size photographs. The prices have been completely updated, for the most part raised substantially, to reflect the current market. Entire sections have been expanded, many illustrations have been added or improved, and hundreds of new discoveries and recent issues have been included for the first time. Arthur Friedberg, president of the International Association of Professional Numismatists from 2001 to 2007 and now its Honorary President, and Ira Friedberg, have completely revised and expanded their late father's work. They have had the valuable assistance and cooperation of a who's who of the leading numismatists on every continent in bringing this edition to fruition. For the numismatist, banker, economist, historian, institution of higher learning, or a fancier of the noble metal in all its forms, Gold Coins of the World is a book for every library, public and private.