To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Why has the female body been marginalised in psychoanalysis, with a focus on female problems and pains only? How can we begin to think about body pleasure, power, competition and aggression as normal in females? In Women's Bodies in Psychoanalysis, Rosemary Balsam argues that re-tracing theoretical steps back to the biological body's attributes is fruitful in searching for the clues of our mental development. She shows that the female biological body, across female gender variants and sexual preferences, including the 'vanished pregnant body', has been largely overlooked in previous studies. It is how we weave these images of the body into our everyday lives that informs our gendered patterning. These details about being female free up gender studies in the postmodern era to think about the body's contribution to gender – rather than continuing the familiar postmodern trend to repudiate biology and perpetuate the divide between the physical and the mental. There are four main areas explored: • clinical contributions on female development • assessments of past and present psychoanalytic theories in relation to the body • inner portraits of gender building blocks • a conscious and unconscious focus on the potentially procreative female body. Women's Bodies in Psychoanalysis will be of particular interest to psychodynamic, psychotherapeutic and psychoanalytic practitioners, teachers, students, feminist academicians, college undergraduates, graduates and faculty in women's studies and gender studies. Rosemary Balsam is Associate Clinical Professor of Psychiatry, Yale School of Medicine; Staff Psychiatrist, Yale University Student Mental Health and Counselling Services; Training and Supervising Analyst, Western New England Institute for Psychoanalysis.

This book makes available psychoanalytic writing on the topics of female sexuality and woman. From Freud's contemporaries to French feminists to postmodernism and post-feminism, a spectrum of female theorists affords comparison and cross reference.

This remarkable collection charts the professional growth of one psychoanalyst from student to seasoned clinician to provide a guidebook for how psychoanalytic theory is conceptualized, created and tested in the analytic session. Specifically, the book traces the development of thinking on the place of women in psychoanalysis and how psychoanalysis has changed how it views and treats women. Using the techniques of qualitative psychoanalytic research, Lucy Holmes presents new theories of female development grounded in drive theory and expands and enriches Freud’s phallocentric ideas about women. Validated by over 30 years of clinical experience with female patients, her work demonstrates how these theories affect women in analysis, in group and in their personal lives. Later papers focus on the process of psychoanalysis itself, using the laboratory of the analytic session to study how talking changes the neurological structure of the brain; to reflect on the concept of "cure" in psychoanalysis; and finally to tackle the tenacity of the repetition compulsion. Exploring topics across women’s lives, such as childbirth, anger, identity, death, humour, leadership and madness, this unique collection of papers is ideal for practicing clinicians and theorists of psychoanalysis.

In this landmark collection of original essays, outstanding feminist critics in Britain, France, and the United States present new perspectives on feminism and psychoanalysis, opening out deadlocked debates. The discussion ranges widely, with contributions from feminists identified with different, often opposed views on psychoanalytic criticism. The contributors reassess the history of Lacanian psychoanalysis and feminism, and explore the significance of its institutional context. They write against the received views on 'French feminism' and essentialism. A remarkable restatement of current positions within psychoanalysis and feminism, the volume as a whole will change the terms of existing debates, and make its arguments and concerns more generally accessible.

Combining historical and cultural methods of analysis with sophisticated theoretical discussions, Natalya Lusty explores how women artists and intellectuals responded to the appropriation of 'the feminine' in Surrealism and psychoanalysis. Reading work by

A decade in the making, the Handbook is the definitive contemporary exposition of interpersonal psychoanalysis. It provides an authoritative overview of development, psychopathology, and treatment as conceptualized from the interpersonal viewpoint.

By examining the private correspondence of a circle of German psychoanalyst emigrés that included Otto Fenichel, Annie Reich, and Edith Jacobson, Russell Jacoby recaptures the radical zeal of classical analysis and the efforts of the Fenichel group to preserve psychoanalysis as a social and political theory, open to a broad range of intellectuals regardless of their medical background. In tracing this effort, he illuminates the repression by psychoanalysis of its own radical past and its transformation into a narrow medical technique. This book is of critical interest to the general reader as well as to psychoanalytic historians, theorists, and therapists.

Volume 17, the first volume of The Annual published by The Analytic Press, includes John Gedo's examination of the "epistemology of transference" and Edwin Wallace's outline of a "phenomenological and minimally theoretical psychoanalysis." Studies in applied psychoanalysis focus on the art of Edvard Munch (Mavis and Harold Wylie); George Eliot's Romolo (Jerome Winer); and psychoanalysis and music (Martin Nass).