Dr. Waters is one of a new breed of analysts for whom the interpenetration of politics, culture, and national development is key to a larger integration of social research. Race, Class, and Political Symbols is a remarkably cogent examination of the uses of Rastafarian symbols and reggae music in Jamaican electoral campaigns. The author describes and analyzes the way Jamaican politicians effectively employ improbable strategies for electoral success. She includes interviews with reggae musicians, Rastafarian leaders, government and party officials, and campaign managers. Jamaican democracy and politics are fused to its culture; hence campaign advertisements, reggae songs, party pamphlets, and other documents are part of the larger picture of Caribbean life and letters. This volume centers and comes to rest on the adoption of Rastafarian symbols in the context of Jamaica's democratic institutions, which are characterized by vigorous campaigning, electoral fraud, and gang violence. In recent national elections, such violence claimed the lives of hundreds of people. Significant issues are dealt with in this cultural setting: race differentials among Whites, Browns, and Blacks; the rise of anti-Cubanism; the Rastafarians' response to the use of their symbols; and the current status of Rastafarian ideological legitimacy.

"The standard of contribution is high . . . the reader gets a good sense of the cutting edge of historical research." – African Affairs

Denouncing racism and celebrating diversity have become central mainstays of progressive politics: for many on the left, social justice consists of equitable distribution of wealth, power, and esteem among racial groups. But as Adolph Reed, Jr. and Walter Benn Michaels argue in this groundbreaking collection of essays, the emphasis seems to be tragically misplaced. Not only does a fixation with racial disparities distract from the pervasive influence of class—it actually legitimises economic inequality. “Adolph Reed, Jr. is the towering radical theorist of American democracy of his generation.” —Cornel West “Walter Benn Michaels is cunning, brilliant, acutely suggestive, exhilarating to read.” —Eric Lott “Wokelords and anti-racist liberals will be frustrated, enraged, and defeated. This book pushes us closer towards the uncompromising, bare-knuckled anti-capitalist movement we so desperately need.” —Cedric Johnson “An exhilarating journey that swaps the orthodoxies of contemporary progressive culture for a class politics rooted in universalism.” —James Bloodworth “Adolph Reed, Jr. and Walter Benn Michaels have been among the clearest voices critiquing the dominant race reductionism in American intellectual life and proposing a real egalitarian alternative.” —Bhaskar Sunkara “Anyone interested in the politics of race and class must push aside the dogma of identity and grapple with what Reed, Jr. and Michaels have been arguing for decades.–Jodi Dean “These essays tell the story of the last seven decades, charting the decline of the left and American politics. The result is as rich as it is rare: a long view that is pressing and immediate.” —Corey Robin “Reed, Jr. and Michaels take a hammer to common ways of thinking about race, class, inequality and identity, revealing ugly truths, and challenging us out of our comfort zones.” —Kenan Malik

An examination of the interrelationship between gender, race, narrative, and nationalism in black politics specifically within American politics as a whole. The author not only highlights the critical role of race and gender, she goes further to show how they operate to define political discourse and to determine public policy.

Rereads classical figures in continental thought, takes up current topics in the legacy of political theory, and analyzes and evaluates Foucault's work as a prime manifestation of the complicated modern interface between truth and power, institution and liberation.

This collection provides a deep engagement with the political implication of Black Lives Matter. This book covers a broad range of topics using a variety of methods and epistemological approaches. In the twenty-first century, the killings of Black Americans have sparked a movement to end the brutality against Black bodies. In 2013, #BlackLivesMatter would become a movement-building project led by Alicia Garza, Patrisse Cullors, and Opal Tometi. This movement began after the acquittal of George Zimmerman, who murdered 17-year-old Trayvon Martin. The movement has continued to fight for racial justice and has experienced a resurgence following the 2020 slayings of Ahmaud Arbery, George Floyd, Breonna Taylor, Sean Reed, Tony McDade, and David McAtee among others. The continued protests raise questions about how we can end this vicious cycle and lead Blacks to a state of normalcy in the United States. In other words, how can we make any advances made by Black Lives Matter stick? The chapters in this book were originally published in the journal Politics, Groups, and Identities.

Combining timeless readings with cutting-edge, current selections, Principles and Practice of American Politics effectively animates today′s institutions and political arrangements in the study of American Government and politics. Each selection is artfully framed by contextual headnotes, and many of the readings are written specifically for the volume. The Eighth Edition includes readings that present institutions of majority rule, the nature of racial discrimination, the proper role of the court, and other issues that provide students an opportunity to think through and discuss their views on the future direction of American civic life.

Introduction -- The World Around Us : Against Musical Common Sense -- The Empire Samples Back : Raga, Dub, and Fortress Europe -- Loss of Innocence : Found Sounds before and after 9/11 -- Re-Imagining Westphalia : Electroacoustic Reminders -- 'His Master's Voice' and (R)evolutionary Signifyin' -- Conclusion.

In Reel Arguments , Andrew Light, known for his work in environmental ethics and the philosophy of technology, addresses the role of film in society. By looking at films and the creators of such films as Alice in the Cities , Enemy of the State , The Conversation , Falling Down , City of Hope , and Matewan , Light persuasively argues that film can be highly philosophical and influential. Though not the first to make such a claim, Light brings new insights into the readings of these films as visual arguments covering a range of issues: identity politics, urban landscapes, the politics of space, and the unexpected dimensions of technology. This volume will be of special interest to readers of film and philosophy.

At a time when debates about social inequality are in the spotlight, it is worth examining how the two most popular media of the 20th and 21st centuries--film and television--have shaped the representation of social classes. How do generic conventions determine the representation of social stereotypes? How do filmmakers challenge social class identification? How do factors such as national history, geography and gender affect the representation of social classes? This collection of new essays explores these and other questions through an analysis of a wide range of American and British productions--from sitcoms and reality TV to documentaries and auteur cinema--from the 1950s to the present.