Rebecca was just an ordinary girl, but what does it take to send someone ordinary over the edge? Working in a call centre might be the start of it, or could it be the end? Starting out at a new job in a call centre, Rebecca has to go through all the palaver of training and getting to know new people, only things don't go as planned and she ends up hating her job more than she hated her life. Drinking starts to be a large part in her life as slowly she delves deeper and deeper into the world of an alcoholic. Meanwhile, there is a killer on the loose, wreaking havoc and mutilating bodies faster than the police can keep track of, each time in a new and more inventive way. The killer dubbed as The Silence Killer continues to evade police radar, but will he/she ever be caught? Will Rebecca's life spiral out of control just as she starts her new career? Will The Silence killer come for her too?

From the late 1860s until her death in 1910, Rebecca Harding Davis was one of the best-known writers in America. She broke into print as a young woman in the 1860s with "Life in the Iron Mills," which established her as one of the pioneers of American realism. She developed a literary theory of the "commonplace" nearly two decades before William Dean Howels shaped his own version of the concept. Yet, in spite of her importance to the literary and popular culture of her time, she has been, for the most part, ignored by scholars. Rebecca Harding Davis and American Realism helps to change that.

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