The present study deals with the royal Mughal ladies in details and is concerned with their achievements and contributions which till today form a part of rich cultural heritage. It provides a detailed account of the life and contributions of the royal Mughal ladies from the times of Babar to Aurangzeb's, with special emphasis on the most prominent among them.

Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.

Building Histories offers innovative accounts of five medieval monuments in Delhi—the Red Fort, Rasul Numa Dargah, Jama Masjid, Purana Qila, and the Qutb complex—tracing their modern lives from the nineteenth century into the twentieth. Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective “archival” truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument—far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.

"The Life/Death Rhythms of Ancient Empires" outlines the flow of history from 3000BC to 1400AD to identify the factors that make up dominant, just, prosperous civilisations that can be described as golden cultures. These factors were found to have common features and the cultures themselves could be described in cyclical terms. This meant that the rise and fall of future dominant cultures could be roughly forecast to some degree in terms of hundreds of years. The evolution of capitalism was made possible, during and after actual warfare, by ancient priests and bankers, assisted by the invention of coinage. Capitalism was practised in the ancient world, supported at times by warfare and religion. It was vanquished for centuries by powerful weapons called irresponsible debt, and debasement of currency. The global capitalism of the twenty-first century is dependent on debt and a debased US dollar. A review of ancient history provides the basis for a glimpse into the future. This century's global temperature increase, which so excites environmentalists, can be shown to be part of a thousand year climate cycle. There well might be a human element to global warming but this just exacerbates the centuries' long cyclical pattern. Research has shown that periods of hot-dry and cold-dry climate have effects on human behaviour. Extrapolation of cycles enables forecasts of human behaviour to be made well into the new millennium. Dominant prosperous societies have occurred at roughly 200 year intervals which can suggest time-lines for societies in the present and the future A relatively irreverent history of ancient cultures, war, religion, money and debt produces cyclical analysis enabling a forecast that the USA might lose world dominance in 2040. The next volume "Life/Death Rhythms from the Capitalist Renaissance" will include economic data that will allow refined cyclical forecasts.

Annemarie Schimmel has written extensively on India, Islam and poetry. In this comprehensive study she presents an overview of the cultural, economic, militaristic and artistic attributes of the great Mughal Empire from 1526 to 1857.

2023-24 BPSC General Knowledge & General Science Solved Papers

JACK LARK: SOLDIER, LEADER, IMPOSTER. The fourth book in the compelling military adventure series for fans of Bernard Cornwell, Julian Stockwin and Jonathan Spencer. 'A gripping adventure from start to finish. Jack Lark might not be the hero anyone wants, but he's most definitely the hero you need!' Richard Cullen/R. S. Ford 'Brilliant' Bernard Cornwell 'Quite simply do yourself a favour and read these books' S.J.A. Turney Bombay, 1857. India is simmering with discontent, and Jack Lark, honourably discharged from the British Army, aims to take the first ship back to England. But before he leaves, he cannot resist the adventure of helping a young woman escape imprisonment in a gaming house. He promises to escort Aamira home, but they arrive in Delhi just as the Indian Mutiny explodes. As both sides commit horrific slaughter and the siege of Delhi begins, Jack realises that despite the danger he cannot stand by and watch. At heart, he is still a soldier... The Lone Warrior is a scintillating tale of battle, adventure and courage. THE LONE WARRIOR: JACK LARK BOOK 4 ⭐⭐⭐⭐⭐ READERS CAN'T GET ENOUGH OF JACK LARK: 'Proves once more that Paul Fraser Collard is at the top of his game and the top of the genre' 'The best but by far the most brutal outing for Jack yet' 'Life and death on the frontline is so viscerally described that you can smell and taste the blood and powder' 'Colourful characters set in wonderfully detailed environments, each story has swept along with action and intrigue' 'Jack Lark is a hero I'll happily follow'

This book is an accessible, comprehensive, and nuanced history of Pakistan. It reflects upon state and society in Pakistan and shows they have been shaped by historical forces and personae. Hoodbhoy expertly maps the journey of the region from many millennia ago to the circumstances and impulses that gave birth to the very first state in history founded upon religious identity. He documents colonial rule, the trauma of Partition, the nation’s wars with India, the formation of Bangladesh, and the emergence of Baloch nationalism. The book also examines longstanding complex themes and issues – such as religious fundamentalism, identity formation, democracy, and military rule – as well as their impact on the future of the state of Pakistan. Drawing on a range of sources and written by one of the foremost intellectuals of the region, this book will be indispensable for scholars, researchers, students of history, politics, and South Asian studies. It will be of great interest to the general reader interested in understanding Pakistan.

A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Writing Self, Writing Empire examines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan “Brahman” (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan’s life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb ‘Alamgir (1658-1707), the last of the “Great Mughals” whose courts dominated the culture and politics of the subcontinent at the height of the empire’s power, territorial reach, and global influence. As a high-caste Hindu who worked for a series of Muslim monarchs and other officials, forming powerful friendships along the way, Chandar Bhan’s experience bears vivid testimony to the pluralistic atmosphere of the Mughal court, particularly during the reign of Shah Jahan, the celebrated builder of the Taj Mahal. But his widely circulated and emulated works also touch on a range of topics central to our understanding of the court’s literary, mystical, administrative, and ethical cultures, while his letters and autobiographical writings provide tantalizing examples of early modern Indo-Persian modes of self-fashioning. Chandar Bhan’s oeuvre is a valuable window onto a crucial, though surprisingly neglected, period of Mughal cultural and political history.