Includes almost 760 entries ranging in length from 3,100 words on the first (1855) edition of Leaves of Grass to 140 words on Elizabeth Leavitt Keller. Entries include biographical data; thematic, formal and technical considerations; discussions of the poet's social and personal life; and commentary on all of Whitman's works, including poem clusters, major poems, essays, and lesser known works such as the novel Franklin Evans and two dozen short stories. A chronology and genealogy are included. Annotation copyrighted by Book News, Inc., Portland, OR

The Complete Works of Walt Whitman offers readers a comprehensive collection of poetry and prose by one of America's most influential writers of the 19th century. Known for his free verse style and celebration of individualism and democracy, Whitman's works explore themes of identity, nature, and the human experience. His writings reflect the literary context of transcendentalism and romanticism, with a focus on the beauty of the natural world and the inner workings of the human soul. This collection includes famous works such as 'Leaves of Grass' and 'Song of Myself', showcasing Whitman's lyrical and introspective writing style. Walt Whitman, often called the 'Bard of Democracy', was inspired by his own experiences as a poet, journalist, and volunteer nurse during the Civil War. His unique perspective on American life and his belief in the power of the individual are evident throughout his works. Whitman's dedication to capturing the essence of the American spirit makes his writings a crucial part of the nation's literary history. I highly recommend The Complete Works of Walt Whitman to readers interested in exploring the beauty and depth of American poetry. Whitman's timeless reflections on humanity and the natural world continue to resonate with readers today, offering profound insights into the human condition and the power of self-expression.

The Routledge Encyclopedia of Walt Whitman presents a comprehensive resource complied by over 200 internationally recognized contributors, including such leading Whitman scholars as James E. Miller, Jr., Roger Asselineau, Betsy Erkkila, and Joel Myerson. Now available for the first time in paperback, this volume comprises more than 750 entries arranged in convenient alphabetical format. Coverage includes: biographical information: all names, dates, places, and events important to understanding Whitman's life and career Whitman's works: essays on all eight editions of "Leaves of Grass," major poems and poem clusters, principal essays and prose works, as well as his more than two dozen short stories and the novel, Franklin Evans prominent themes and concepts: essays on such major topics as democracy, slavery, the Civil War, immortality, sexuality, and the women's rights movement. significant forms and techniques: such as prosody, symbolism, free verse, and humour important trends and critical approaches in Whitman studies: including new historicist and cultural criticism, psychological explorations, and controversial issues of sexual identity surveys of Whitman's international impact as well as an assessment of his literary legacy. Useful for students, researchers, librarians, teachers, and Whitman devotees, this volume features extensive cross-references, numerous photographs of the poet, a chronology, a special appendix section tracking the poet's genealogy, and a thorough index. Each entry includes a bibliography for further study.

The Oxford Handbook of Ralph Waldo Emerson is the most expansive collection of critical essays on Emerson to date, a survey that approaches Emerson from the vantages of climate change, racial justice, print culture, the digital humanities, the new religious studies, hemispheric American Studies, health humanities, and affect theory among other critical perspectives. Curated between a forward by editor Christopher Hanlon--who makes the case for a capacious and contemporary Emerson--and Cornel West--the activist-scholar whose influential work on Emerson merges with a career of advocacy for economic and racial justice?this collection assesses the history and state of Emerson scholarship while charting pathways for new work on this most essential American writer. Comprised of new works by leading figures in nineteenth-century Americanist literary studies, the volume suggests directions into underexamined facets of Emerson's writing, life, and reputation. From Emerson's engagements with energy infrastructure and the processes of extraction that undergirded the locomotives he rode and the energy economies he sometimes extolled; to the vicissitudes of age he experienced alongside the romantic tropes of youthful vigour he both re-circulated and re-tooled; to Emerson's poetry, both in its philosophical formulations and in its reflections of the material circumstances of nineteenth-century print culture; to Emerson's resonance beyond the United States, elsewhere in the western hemisphere; to the Black press and its refractions of Emersonian transcendentalism in the midst of ante- and post-bellum justice struggles; to the legacies of Emerson to be found in the writings of W.E.B. Du Bois, James Baldwin, Rachel Carson, and in the versions of ?Emerson? to be found in children's literature; to his often-fraught and often-fruitful engagements with reform movements of various sorts; to the prospects for digital processes of re-reading Emerson and his contemporaries' styles of textual production and engagement, The Oxford Handbook of Ralph Waldo Emerson is a necessary resource for students, scholars, and general readers committed to the study of Emerson, transcendentalism, and current critical approaches to United States literature.

It is now difficult to imagine that, in the years before Whitman's death in 1892, there was real doubt in the minds of Whitman and his literary circle whether Leaves of Grass would achieve lasting fame. Much of the critical commentary in the first decade after his burial in Camden was as negative as that in Boston's Christian Register, which spoke of Whitman as someone who “succeeded in writing a mass of trash without form, rhythm, or vitality.”That the balance finally tipped toward admiration, culminating in Whitman's acceptance into the literary canon, was due substantially to the unflagging labor of Horace Traubel, famous for his nine volumes of Whitman conversations but less well known for his provocative monthly journal of socialist politics and avant-garde culture, the Conservator.Conserving Walt Whitman's Fame offers a generous selection from the enormous trove of Whitman-related materials that Traubel included in the 352 issues of the Conservator. Among the revelatory, perceptive, and often entertaining items presented here are the most illuminating of the Conservator's more than 150 topical essays on Whitman and memoirs by many of his friends and literary cohorts that shed new light on the poet, his work, and his critical reception. Also important is the richer understanding these pages afford of Horace Traubel's own sophisticated, deeply humane, and feisty views of America.

Shortly after the third edition of Leaves of Grass was published, in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years—locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published. Genoways's account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead, Walt Whitman and the Civil War reveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the "real war will never get in the books."

The fascinating history of Five Points, a New York City neighborhood infamous for being utterly depraved and yet amazingly culturally rich, illuminates all the best and worst of the American immigrant experience. 40 photos.

The Critical Heritage gathers together a large body of critical sources on major figures in liteature. Each volume presents contemporary responses on a writer's work, enabling student and researcher to read the material themselves.

Myerson's massive bibliography documents the numerous editions, reprintings, and rearrangements of Whitman's lifetime project--the singularly important Leaves of Grass--as well as miscellaneous pieces: individually published poems, magazine and newspaper articles, broadsides, circulars, advertisements, and other prose works. Thoroughly illustrated (title pages, bindings, etc.), the volume also includes an index showing the publication history of the poems in Leaves of Grass and a bibliography of the principal works about Whitman. The clearest explication of this intricate publishing history yet accomplished. Annotation copyright by Book News, Inc., Portland, OR