From first introductions to deep dives into the wonders of our world, Rivet nonfiction books fascinate young readers. A level 5 reader in the Worlds Greatest Painters series, Michelangelo: Renaissance Man will feed readers' curiosity about Biography, Arts, History.

The English Renaissance is frequently defined in the context of the Elizabethans and early-Stuarts, but here we focus on the early Renaissance, and the important cultural transitions of the late-medieval/early-Tudor period. In this innovative study, Elisabeth Salter reconstructs the lives and experiences of six men and women of the early Renaissance and leads us on a quest to reconstruct their lost cultural worlds. The six men and women are all figures from the margins of the royal courts during the reigns of Henry VII and Henry VIII: Gilbert Banaster, present at the court of Henry VII in the guise of writer and musician; The Anonymous Witness, spectator to the marriage of Prince Arthur and Katherine of Aragon; William Cornish, playwright and musician at Henry VIII's household; Elizabeth Philip, silk trader to the royal court; Dame Katherine Styles, whose biography is recreated through her will; and William Buckley, Educator and Schoolmaster to King Edward VI. Salter presents an exemplary model of how it is possible to reconstruct biography from sometimes fragmentary sources. The connections drawn between these six individuals display ample evidence for the cultural innovation and sophistication of these courts in terms of pageantry, music, the visual arts, fashions in luxury consumption, scientific discovery and literary invention. When all six lives are added together as a whole, the book will lead the reader to a richer understanding of the cultural context of the early English Renaissance.

A fresh and vigorous appreciation of the intellectual liberation and artistic triumphs of the Italian Renaissance. The development of the first universities from the 12th century onwards, growing wealth and patronage in certain cities, and above all the invention of printing and cheap paper, provided essential conditions for the Renaissance. And it was in literature and scholarship that it began, in the rebirth of classical culture that loosened the Church's iron grip on visual art. Paul Johnson tells the story, in turn, of Renaissance literature, sculpture, building and painting. Despite the critical importance of inventions outside Italy - printing in Germany and oil painting in Holland - he locates the Renaissance firmly in Italy and in Florence above all, between 1400 and 1560. There are memorable sketches of the key figures - the frugal and shockingly original Donatello, the awesome Michelangelo, the delicacy of Giovanni Bellini. The final part of the book charts the spread and decline of the Renaissance, as the Catholic Church repositioned itself to counter the Reformation which the Renaissance had itself helped to produce.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.

New Historicism has been one of the major developments in literary theory over the last decade, both in the USA and Europe. In this book, Wilson and Dutton examine the theories behind New Historicism and its celebrated impact in practice on Renaissance Drama, providing an important collection both for students of the genre and of literary theory.

This book offers a survey of how female and male characters in English Renaissance theatre participated and interacted in musical activities, both inside and outside the contemporary societal decorum. Wong examines the theatrical functions of music in the context of non-Shakespearean Renaissance drama, discussing dramaturgical meanings of music and its association with gender, love, and erotomania in Renaissance plays.

Timed to coincide with the release of Walter Isaacson’s latest biography on the famous painter and inventor, as well as the latest thriller in Dan Brown’s Da Vinci Code series, this book includes 101 in-depth facts about Leonardo Da Vinci. 101 Things You Didn’t Know About Da Vinci provides you with all the fascinating facts you didn’t know about the famous artist, inventor, and creator of the Mona Lisa and the Vitruvian Man, including details about his personal life, information about his inventions and art, his interactions with his contemporaries, and his impact on the world since his death. Some facts include: —Da Vinci was left handed, and wrote from right to left, even writing his letters backwards. —Da Vinci’s The Last Supper started peeling off the wall almost immediately upon completion, due to a combination of the type of paint Leonardo used and the humidity —Among Leonardo’s many inventions and creations was a mechanical lion he created to celebrate the coronation of King François I of France Whether you’re seeking inspiration, information, or interesting and entertaining facts about history’s most creative genius, 101 Things You Didn’t Know About Da Vinci has just what you’re looking for!

Renaissance Lawman: The Education and Deeds of Eliot H. Lumbard details the life, education, and public service career of Eliot Howland Lumbard. A lawyer, who most of his life, lived and worked in Manhattan and whose legal career spanned more than fifty years beginning in the early 1950s. Lumbard is easily identified as a renaissance lawman for having gained considerable expertise in the operations of the political and justice systems, and for proceeding to capitalize on this knowledge to become both an advocate and initiator of progressive reforms for criminal justice. His contributions on behalf of public safety have been largely forgotten but throughout this intriguing biography Martin Alan Greenberg successfully juxtaposes many of Lumbard's professional activities with many of the major historical developments and challenges of his time. The chronicled events emphasize what motivated the people in his generation to behave as they did since the world today is a much different place than what Americans were experiencing in the first three decades after WW II. Cultural and technological changes have combined to make our present-day world quite different from over a half-century ago. Renaissance Lawman proves to be especially rewarding to a wide-range of readers interested in police work, criminal justice history, public service leadership, and legal ethics. There are no other comparable books on the market. Lumbard certainly had a unique legal career and his impactful contributions have seldom, if ever, been duplicated – even if his contributions, on behalf of public safety, have been largely forgotten.

The complaint of Catherine Morland in Jane Austen's Northanger Abbey, that history has 'hardly any women at all' is not an uncommon one. Yet there is evidence to suggest that women have engaged in historical writing since ancient times. This study traces the history of women's historical writing, reclaiming the lives of individual women historians, recovering women's historical writings from the past and focusing on how gender has shaped the genre of history. Mary Spongberg brings together for the first time an extensive survey of the progress of women's historical writing from the Renaissance to the present, demonstrating the continuities between women's historical writings in the past and the development of a distinctly woman-centred historiography. Writing Women's History since the Renaissance also examines the relationship between women's history and the development of feminist consciousness, suggesting that the study of history has alerted women to their unequal status and enabled them to use history to achieve women's rights. Whether feminist or anti-feminist, women who have had their historical writings published have served as role models for women seeking a voice in the public sphere and have been instrumental in encouraging the growth of a feminist discourse.