Machine generated contents note: -- Preface -- Chapter 1 - Exile and Post-Exile in Analytical Perspective -- Chapter 2 - Escape, Deportation and Exile: The Contours of Institutionalized Exclusion -- Chapter 3 - Exile and Diaspora Politics: Mobilizing to Undo Exclusion -- Chapter 4 - Diaspora and Home Country Initiatives, Transnational Networks and State Policies -- Chapter 5 - Surviving Authoritarianism, Contributing to the Agenda of Democratization -- Chapter 6 - Undoing Exile? Remembering, Imagining, Envisioning -- Chapter 7 - The Transformational Role of Culture and Education: Impacting the Future -- Chapter 8 - Shifting Frontiers of Citizenship -- Conclusions -- About the Authors -- Index

The breathtaking conclusion to the GUARDIANS OF THE CROWN series, introduces a heroine with nothing left to lose and a hero with everything to gain… England, 1659: Following the death of Cromwell, a new king is poised to ascend the throne of England. One by one, those once loyal to the crown begin to return … Agnes Fletcher’s lover is dead, and when his two orphaned children are torn from her care by their scheming guardian, she finds herself alone and devastated by the loss. Unwilling to give up, Agnes desperately seeks anyone willing to accompany her on a perilous journey to save the children and return them to her care. After enduring imprisonment, exile and torture, the fugitive Daniel Lovell has returned to England, determined to find his brother and kill the man who murdered his father. But the King has one last mission for him and there is the small matter of a desperate woman who needs his help. Agnes finds her protector in Daniel Lovell and thrown together with separate quests – and competing obligations – Daniel and Agnes make their way from London to the English countryside, danger at every turn. When they are finally given the opportunity to seize everything they ever hoped for, will they find the peace they crave, or will their fledgling love be the final casualty of war?

The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.

Many books of the Hebrew Bible were either composed in some form or edited during the Exilic and post-Exilic periods among a community that was to identify itself as returning from Babylonian captivity. At the same time, a dearth of contemporary written evidence from Judah/Yehud and its environs renders any particular understanding of the process within its social, cultural and political context virtually impossible. This has led some to label the period a dark age or black box – as obscure as it is essential for understanding the history of Judaism. In recent years, however, archaeologists and historians have stepped up their effort to look for and study material remains from the period and integrate the local history of Yehud, the return from Exile, and the restoration of Jerusalem’s temple more firmly within the regional, and indeed global, developments of the time. At the same time, Assyriologists have also been introducing a wide range of cuneiform material that illuminates the economy, literary traditions, practices of literacy and the ideologies of the Babylonian host society – factors that affected those taken into Exile in variable, changing and multiple ways. This volume of essays seeks to exploit these various advances.

East Timor, the world's newest nation, finally gained its independence in 2002, following half a millennium of Portuguese rule and 24 years of Indonesian occupation. That occupation produced a refugee diaspora spread between Portugal and Australia that has been integral in advancing East Timor's cause abroad. Because East Timorese in the diaspora identified strongly as exiles and invested so much in pursuing East Timor's independence, the homeland's liberation has complicated the very basis on which many have "imagined" themselves since fleeing to Australia. Wise interrogates the space after exile for members of the East Timorese diaspora in Australia, in dialogue with key debates on diasporic identities within cultural studies, contemporary anthropology, and cultural geography. Drawing on innovative ethnographic research, Exile and Return Among the East Timorese explores questions of shifting identity and home, trauma and embodiment, belonging and return among the East Timorese abroad at this critical juncture in their lives. The book asks what forms of cultural identity emerge among politically active refugee diasporas, what happens to such groups when the dream of homeland is fulfilled, and how they renegotiate a sense of home after exile. The lived experience of Timorese in Australia and former refugees who have returned to East Timor is brought to life through their eloquent and often moving firsthand narratives, which the author has used liberally throughout the book, vividly presenting them alongside images and analysis of their role in the political struggle. Providing unique insights into cultural identities in the transition from exile to diaspora in a post-refugee group, Exile and Return Among the East Timorese is essential reading for anyone interested in questions of home and identity among diasporic, transnational, and refugee communities.

This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Miloš Crnjanski, Herta Müller, and to the “internal exile” of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of “homecoming” of exiled texts and writers.

In contemporary Anglo-Caribbean literature, the dialectic interrelations of “exile” and “return” are essential for conveying meta-reflections on literature and language, as well as the role they play in the construction of personal and collective identities. While this volume focuses on the specificity of a cultural area whose history is marked by colonialism, diaspora, slavery and racial conflicts, it also raises epistemological questions surrounding the complexity of literature, and its function in a world which is ever more composite, hybrid and transcultural. By developing a new, systematic approach which combines post-colonial studies, theories of intertextuality and philosophy of language, it explores how contemporary literary texts reflect, elaborate and redefine the experiences of societies that are currently dealing with ever-growing global interdependencies and newly-formed cultural and semiotic context.

The first in a glorious epic of political intrigue, sorcery and romance: magic can no longer lie hidden when an ancient evil threatens the country, perfect for fans of Robert Jordan and Robin Hobb. Robert Douglas, Earl of Dunlorn, has returned to Lusara after three years of self-imposed exile to find that the Guild has spread its Halls throughout the land, bringing fear and tyranny to the people. The usurper King Selar is too busy planning to overthrow his brother, king of neighbouring Mayeene, to notice - or perhaps to care - what is going on in his country. Robert has sworn a vow never to oppose the king, but his brother Finnlay won't let him return quietly to his lands, for Robert, like his younger brother, is a sorcerer. Magic is outlawed in Lusara, and most believe it to have vanished from the land; but there are a few who still wield the power in secret for the good of the common folk. And when Robert and Finnlay rescue Jenn, running in fear of her life from Guildsmen, they discover a new kind of sorcerer: one whose powers, though different, may be as great as Robert's. And with Jenn come new possibilities . . .