Searchable online reference covers more than 20 centuries of history, and interpret history broadly, covering areas such as archaeology, climate, culture, languages, immigration, migration, and emigration. Multi-authored entries analyze key themes such as national identity, women and society, living standards, and religious belief across the centuries in an authoritative yet approachable way. The A-Z entries are complemented by maps, genealogies, a glossary, a chronology, and an extensive guide to further reading.--From title screen.

Drawing on a rich, yet untapped, source of Scottish autobiographical writing, this book provides a fascinating insight into the nature and extent of early-modern religious narratives. Over 80 such personal documents, including diaries and autobiographies, manuscript and published, clerical and lay, feminine and masculine, are examined and placed both within the context of seventeenth-century Scotland, and also early-modern narratives produced elsewhere. In addition to the focus on narrative, the study also revolves around the notion of conversion, which, while a concept known in many times and places, is not universal in its meaning, but must be understood within the peculiarities of a specific context and the needs of writers located in a specific tradition, here, Puritanism and evangelical Presbyterianism. These conversions and the narratives which provide a means of articulation draw deeply from the Bible, including the Psalms and the Song of Solomon. The context must also include an appreciation of the political history, especially during the religious persecutions under Charles II and James VII, and later the changing and unstable conditions experienced after the arrival of William and Mary on her father's throne. Another crucial context in shaping these narratives was the form of religious discourse manifested in sermons and other works of divinity and the work seeks to investigate relations between ministers and their listeners. Through careful analysis of these narratives, viewing them both as individual documents and as part of a wider genre, a fuller picture of seventeenth-century life can be drawn, especially in the context of the family and personal development. Thus the book may be of interest to students in a variety of areas of study, including literary, historical, and theological contexts. It provides for a greater understanding of the motivations behind such personal expressions of early-modern religious faith, whose echoes can still be heard today.

The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.

Contributions to this book probe the contexts–both social and spiritual–from which select iconic figures emerge and discover how to present themselves as innovators and cultural leaders as well as draw material into forms that subsequent generations consider innovative or emblematic. The overall import of the book is to locate producers of culture such as authors, poets, singers, and artists as leaders both in their respective genres and of culture and society more broadly through the influence exerted by their works.

This authoritative survey of Britain in the later Middle Ages comprises 28 chapters written by leading figures in the field. Covers social, economic, political, religious, and cultural history in England, Ireland, Scotland, and Wales Provides a guide to the historical debates over the later Middle Ages Addresses questions at the leading edge of historical scholarship Each chapter includes suggestions for further reading

Scotland and the French Revolutionary War, 1792-1802 aims to provide an up-dated discussion of the nature and extent of Scottish support for the British state in the 1790s.

In Scots Folk Singers and their Sources, Caroline Macafee offers a detailed analysis of song transmission in two major Scottish folk song collections, the Greig-Duncan Collection, and the Scots folk song material of the School of Scottish Studies Archives.

From its first issue, published on the 10th October 1802, Francis Jeffrey's "Edinburgh Review" established a strong reputation and exerted a powerful influence. This is a literary study of the "Edinburgh Review" for over fifty years. It contextualizes the periodical within the culture wars of the Romantic era.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.