Throughout the years, there may have been equally charismatic performers, comparable athletes, and even better interviews, but none were blessed with the same combination of talents to manage to stay on top for over three decades. To wrestling fans, the Nature Boy is a platinum-blond deity, a sixteen-time world champion who accurately boasted that he could have a five-star match with a broom. No matter how limited the opponent, Flair had the skill and determination to bounce all over the mat, transforming his rival into a star. When the camera light went on, "Slick Ric" could convince viewers that, if they missed an upcoming match, a momentous life experience would pass them by. Flair's opponents were challenged with this simple taunt: "To be the man, you have to beat the man." Away from the arena, Richard Morgan Fliehr spent years struggling with his own concept of what it meant to be a man. He suffered periods of crushing self-doubt, marital strife and—in a profession where there was room for only one Ric Flair—broken friendships. Ric Flair: To Be the Man, cowritten with Keith Elliot Greenberg, chronicles the anguish and exhilaration of Flair's life and career—in painfully honest detail. In addition to his own words, Flair's story is enriched by anecdotes from ring greats like Superstar Billy Graham, Ricky "The Dragon" Steamboat, Harley Race, Sgt. Slaughter, David Crockett, Arn Anderson, Bobby "The Brain" Heenan, "Mean" Gene Okerlund, Shawn Michaels, Triple H, Undertaker and Brock Lesnar. To Be the Man traces the rise of one of wrestling's most enduring superstars to the pinnacle of the sports entertainment universe, and is a must-read for every wrestling fan.

Traffic is getting heavier. Tempers are getting shorter. Most importantly, the roads are getting more dangerous everyday. Learning how to avoid preventable wrecks and developing “best safety practices” behind the wheel is not just a good idea, but literally a matter of life and death. Whether you are a concerned parent of a young driver just starting out, or a high mileage professional driver, the information in Driving Under the Influence of Ric could help prevent an unnecessary tragedy. Driving Under the Influence of Ric has a way of turning a “dry” subject into an interesting and helpful guide to help good drivers become safe drivers, and teach new drivers how to protect themselves. This book will provide several smiles, a few laugh out loud moments, and by the time the reader finishes it, they will know how to avoid potentially life threatening situations. Driving Under the Influence of Ric is not merely a driving safety manual. It was written for the express purpose of giving every driver the tools they need to get from point A to point B safely. The Author, Ric Newell is not only an author but a professional speaker. He is a professional member of the National Speakers Association, and has spent over a decade and a half working with “at risk” drivers. Over that time he has done over a thousand workshops and worked with over 20,000 drivers in 22 states. Ric has done state mandated defensive driving classes for the worst drivers in the state of Texas. And for the last decade he has done workshops for dozens of transportation companies and thousands of professional drivers. This is a perfect book for parents who are concerned about the welfare of their children who have just started driving. By the same token, the information it contains is also directly applicable to experienced drivers who just want their commute to be a little less like waterboarding. If you are a professional driver it is imperative, in the current marketplace, to avoid preventable, property damage, incidents. No matter what kind of driver you are job one is to avoid banging into other vehicles. The information in this book will show you how to avoid crashes, while giving you techniques to enjoy the driving experience more than you ever imagined.

Ric Hochet, the famous Parisian newshound, is not himself. He's wearing a mysterious bandage, he isn't driving his usual car, and a strange smell is emanating from his apartment... When he's invited to his old friend Police Commissioner Bourdon's wedding in the South of France, his infallible memory starts failing and his legendary luck begins to desert him. Then an attempt is made on Bourdon's life. What's eating Ric and why would anyone want to murder Bourdon? Clearly, things are not all what they seem—least of all Ric himself.

Ric is on another set of adventures through out the world as he continues his sexcapades. Walk with him as he meets Randy a banker, Michael an academy student, Sam a college student and Alex a dancer. He will be sure to keep you entertained and feel as though you are experiencing everything too.

As ever, Rick is in a pickle. Instead of getting his hands on some new information, he bumps into his old foe Nyctalope – literally. And, of course, he's alone and unarmed. Unimpressed, his boss sends him out to investigate a mysterious murder in Paris's Luxembourg Gardens – which turns out to be a series of mysterious murders. The trail leads to a left-wing magazine called "Mad" – whose reporters are mad enough to target Rick himself. Meanwhile, there's Nyctalope to deal with (again)... Is the nearest Rick will get to a front-page story seeing his own picture splashed across it?

Ancestry played a continuous role in the construction and portrayal of Roman emperorship in the first three centuries AD. Emperors and Ancestors is the first systematic analysis of the different ways in which imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Looking beyond individual rulers, Hekster evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations over a prolonged period of time. The volume explores how the different media in use sent out different messages. The importance of local notions and traditions in the choice of local representations of imperial ancestry are emphasized, revealing that there was no monopoly on image-forming by the Roman centre and far less interaction between central and local imagery than is commonly held. Imperial ancestry is defined through various parallel developments at Rome and in the provinces. Some messages resonated outside the centre but only when they were made explicit and fitted local practice and the discourse of the medium. The construction of imperial ancestry was constrained by the local expectations of how a ruler should present himself, and standardization over time of the images and languages that could be employed in the 'media' at imperial disposal. Roman emperorship is therefore shown to be a constant process of construction within genres of communication, representation, and public symbolism.