Reprint of the original, first published in 1875.

Migration studies is an area of increasing significance in musicology as in other disciplines. How do migrants express and imagine themselves through musical practice? How does music help them to construct social imaginaries and to cope with longings and belongings? In this study of migration music in postsocialist Albania, Eckehard Pistrick identifies links between sound, space, emotionality and mobility in performance, provides new insights into the controversial relationship between sound and migration, and sheds light on the cultural effects of migration processes. Central to Pistrick?s approach is the essential role of emotionality for musical creativity which is highlighted throughout the volume: pain and longing are discussed not as a traumatising end point, but as a driving force for human action and as a source for cultural creativity. In addition, the study provides a fascinating overview about the current state of a rarely documented vocal tradition in Europe that is a part of the mosaic of Mediterranean singing traditions. It refers to the challenges imposed onto this practice by heritage politics, the dynamics of retraditionalisation and musical globalisation. In this sense the book constitutes an important study to the dynamics of postsocialism as seen from a musicological perspective.

This second edition of Laster's Catalog combines in one volume the listings from the first catalog with the voluminous material that has appeared since 1973, more than doubling the number of citations. It is designed as an aid for the church musician and/or pastor seeking to plan unified worship services. It will also be of use to those church musicians who follow the Liturgical Calendar and plan music appropriate to the appointed lessons, as well as a source for non-church choir directors who would like to locate choral settings based on a particular passage from Scripture. Entries are arranged from Genesis through Revelation. Each main entry citation provides the biblical reference (book, chapter, and verse), as well as a reference to additional passages from Scripture used in the anthem. The composer, arranger, or editor and the title are listed as they appear on the octavo. Information on voicing, solos, and instrumental accompaniment is noted; the name of the publisher, the most recent date of publication and the octavo number appear at the end of each citation, where information on instrumental parts, other versions of the same title, and collections where the work might appear are also listed. Composer and title indexes round off the work.

Description The myths and legends of England’s South West are full of what is called "local colour" and are richer in legend than any other part. The legends in this volume are infused with Celtic poetry and symbolism, inherent in the blood of the people of the West They afford us not only glimpses of ancient times and of old habits of thought and life, but also of the country itself at different times of the year. Stories like THE LOST LAND OF LYONESSE which for part of the Arthurian legends, home to Tristan, which is said to have sunk beneath the waves. However, almost 100 years ago, the Great Western Railway realised the value of these stories to travellers and has saved 12 of these precious remnants of old England and put them into print for us. The stories in this volume are: The Church the Devil Stole The Parson and the Clerk The Weaver of Dean Combe The Demon Who Helped Drake The Samson of Tavistock The Midnight Hunter of the Moor The Lost Land of Lyonesse The Piskie's Funeral The Spectre Coach St. Neot, the Pigmy Saint The Old Man of Cury The Hooting Carn The Padstow May Day Songs (Supplement) Because so many old stories were passed on orally by storytellers, with the advent of the industrial revolution printed books became more common and these stories became “lost” as less attended the once popular storytelling sessions. Then in 1870 the UK Education Act undertook to teach all children how to read and the art of storytelling all but died out altogether. This volume is sure to keep you enchanted for hours, if only not because of the content, but because of their quality, and will have you and your young wards coming back for more time-and-again. ============ KEYWORDS/TAGS: folklore, fairy tales, myths, legends, children’s stories, bedtime, fables, wonder tales, West country, myth, legend, land, , Abbey, ancient, awe-inspiring, beasts, beautiful, black, Bodmin, Brent, Buckfast, Buckfastleigh, Buckland, Carn, cave, centuries, Church, clerk , Cornish, Cornwall, Dartmoor, Dawlish, Dean, demon who helped drake , Devil, Devon, discover, Dodge, Drake, Exeter, gates, glorious, golf, grave, Great, headless, heart, Hooting, hooting carn , hound, journey, King, Knowles, lamentation, Land's End, Lanreath, Lelant, Lizard, Looe, lost land of lyonesse , love, magnificent, mermaid, midnight hunter of the moor , miners, moor, moorland, Mullion, neighbour, Neot, night, old man of cury, Bodmin Moor, Ordulph, padstow may day songs , Parson, Penzance, picturesque, piskie's funeral , pixie, Plymouth, prehistoric, priest, Queen, railway, Richard, rock, saint, samson of tavistock , sand-hills, Scillies, Isles of Scilly, sea, Seven, spectre coach , spectre-pack, spirit, st. neot the pigmy saint , stole , Stones, stupendous, Talland, Tavistock, Tavy, thieves, thunder, Tor, transform, weaver of dean combe , weird, West, wild, Wish, world