The long-awaited and much-demanded sequel to A PLAGUE OF ANGELS, continuing the story of Abasio, once a farmboy, now, so Blue, his talking horse, is happy to inform people, a man who goes hither and thither helping orphans in this world where renascent mythical beasts and fairy tale 'archetypes' now live. ... And when he comes agross little Xulai from Tingawan, one of the Ten Thousand Islands, far across the western Sea, she informs him that she too is an orphan, and implores his help carrying out the last request of the Princess Xu-i-lok, who has been dying since the day she married Duke Justinian, who refused the royal order to marry Alicia, the Prince's sister. Xulai is Princess Xu-i-lok's Soul Carrier, and the task she must complete means visiting the scary forest in the dead of night - but it is the only thing that will bring the princess a measure of peace. Abasio, helper of orphans, promises though she must do this alone, he will be near, to aid her if necessary ... and it is, for there are dark things abroad ... And Xulai's job is not yet done, for with the princess now dead, the grieving Duke is left a widower - and Alicia, Duchess Altamont, still wishes to marry him. It's not just the man she wants, but his lands too ... and her plans do not bode well for anyone except her ...

American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.

The purpose of this concordance is to provide a thorough tool for Taylor scholarship, and to this end it is designed to anticipate the needs of the greatest number of Taylor scholars without compromising the needs of those with special interest in stylistic features of Taylor's work.

“A plethora of insights about nature and ourselves, revealed by one man’s journey as he comes to terms with human exploitation of our planet.” —Dr. James Hansen, climate scientist and former director of NASA’s Goddard Institute for Space Studies Life on one-tenth the fossil fuels turns out to be awesome. We all want to be happy. Yet as we consume ever more in a frantic bid for happiness, global warming worsens. Alarmed by drastic changes now occurring in the Earth’s climate systems, Peter Kalmus, a climate scientist and suburban father of two, embarked on a journey to change his life and the world. He began by bicycling, growing food, meditating, and making other simple, fulfilling changes. Ultimately, he slashed his climate impact to under a tenth of the US average and became happier in the process. Being the Change explores the connections between our individual daily actions and our collective predicament. It merges science, spirituality, and practical action to develop a satisfying and appropriate response to global warming. Part one exposes our interconnected predicament: overpopulation, global warming, industrial agriculture, growth-addicted economics, a sold-out political system, and a mindset of separation from nature. It also includes a readable but authoritative overview of climate science. Part two offers a response at once obvious and unprecedented: mindfully opting out of this broken system and aligning our daily lives with the biosphere. The core message is deeply optimistic: living without fossil fuels is not only possible, it can be better. “In this timely and provocative book, Peter Kalmus points out that changing the world has to start with changing our own lives. It’s a crucial message that needs to be heard.” —John Michael Greer, author of After Progress and The Retro Future

April 1975. The Fall of Saigon. Chaos and confusion. Desperation and despair. Panic and death. As the North Vietnamese Army closes in, a team of five former American servicemen reenter Saigon. Their mission: to “liberate” the gold reserves of South Vietnam. Things begin to go wrong from the start, and rapidly proceed to get worse.

The demon Saul has broken the seal that had held his army trapped inside. The God of War has returned to lead the heroes of the past and the men of the future against the Army that threatens to sweep across the world. But before they can do anything else they must fight the dead.