The name of Joseph Ritson, born in Stockton-on-Tees in 1752, will be familiar to very few people. The name of Robin Hood is known the world over. Yet it was Ritson whose research in the late eighteenth century ensured the survival of the Robin Hood legend. He traveled all over the country looking for ancient manuscripts which told of the life and deeds of England’s most famous outlaw. Without his efforts, the legend of Robin Hood might have gone the way of other medieval outlaws such as Adam Bell — famous in their day but not so much now. Yet this is not only a story about the formation of the Robin Hood legend. Ritson’s story is one of rags to riches. Born in humble circumstances, his aptitude for learning meant that he rose through society’s ranks and became a successful lawyer, local official, and a gentleman. However, underneath the genteel and bourgeois façade of Joseph Ritson, Esq. was a revolutionary: having traveled to Paris at the height of the French Revolution, he was captivated by the revolutionaries’ ideology of liberté, egalité, fraternité. He returned to England as a true democrat who sought the abolition of the British monarchy and the ‘rotten’ parliamentary system and wished for French Revolution and its reign of terror to spread over to England. This the history of the life and times of Joseph Ritson: gentleman, scholar, and revolutionary.

The legends of Robin Hood are very familiar, but scholarship and criticism dealing with the long and varied tradition of the famous outlaw is as elusive as the identity of Robin himself, and is scattered in a wide range of sources, many difficult of access. This book is the first to bring together major studies of aspects of the tradition. The thirty-one studies take a variety of approaches, from archival exploration in quest of a real Robin Hood, to a political angle seeking the social meaning of the texts across time, to literary scholars concerned with origin, structures and generic variation, or moral and social significance; also included are considerations of theatre and film studies, and folklore and children's literature. Overall, the collection provides a valuable basis for further study. STEPHEN KNIGHT is Professor of English Literature at the University of Wales, Cardiff; he is well-known as an authority on the Robin Hood tradition, and has edited the recently-discovered Robin Hood Forresters Manuscript.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

Reproduction of the original: Ballads of Robin Hood and other Outlaws by Frank Sidgwick

Although nearly everyone has heard the name of Robin Hood, few have actually read any medieval tales about the legendary outlaw. Stephen Knight and Thomas Ohlgren set out to correct this discrepancy in their comprehensive collection of all pre-seventeenth-century Robin Hood tales. The editors include such other "outlaw" figures as Hereward the Wake, Eustache the Monk, and Fouke le Fitz Waryn to further contextualize the tradition of English outlaw tales. In this text the figure of Robin Hood can be viewed in historical perspective, from the early accounts in the chronicles through the ballads, plays, and romances that grew around his fame and impressed him on our fictional and historical imaginations. This edition is particularly useful for classrooms, with its extensive introductions, notes, and glosses, enabling students of any level to approach the texts in their original Middle English.

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives.