Rocks are time machines and the keepers of our history. This guide is a geological field trip through Earth’s incredible rock formations and the stories they hold Like rings on a tree stump hold the history of the tree, the history of Earth is written in its rocks. How to Read a Rock: Our Planet’s Hidden Stories teaches readers to decipher the rocks all around us, from backyard stones to mountain ranges, and trace Earth's history layer by layer. Spanning from prehistoric Earth’s shifting continents, to contemporary human impact, to the future surfaces of space exploration, the book reviews a remarkable array of topics, including: diamond volcanoes ancient coastlines, rivers, deserts, and coral reefs how animals have changed rocks making of mud urban rock strata human-made rocks and minerals current limestone rock crisis technofossils (the footprints humans will leave behind through their material goods) How to Read a Rock's brilliant imagery captures the power, majesty, and history of the planet. Rocks carry the memories of dinosaur landscapes and vanished oceans; show evidence of the greening of the planet and the effect of natural forces; and convey clues on climate and energy consumption. The book unearths the most fascinating stories rocks can tell us, not only about our past, but how the past can help imagine the future.

This publication contains three special lectures, six keynote addresses and sixty-eight technical papers presented at the symposium. The wide variety of topics covered are grouped in the proceedings according to subject.

Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.

Voted "the Prettiest Small Town in North Carolina" and often referred to as the Crown of the Blue Ridge, Blowing Rock is the highlight of the High Country. Named for a unique, natural feature itself, Blowing Rock has always represented a distinctive blend of natural and cultural heritage. The town was first developed as an early resort area, which grew quickly in the 1890s. Modern boardinghouses, hotels, and inns were the first significant businesses in Blowing Rock and helped the town survive--even flourish--during the Great Depression. Added attractions in the 1950s and 1960s made Blowing Rock a year-round vacation paradise for families, which it still is today. Yet the heart of Blowing Rock lies within its community and residents who make their small town a wonderful place to visit and an even better place to live.

This text book provides the theoretical background of rock fracture mechanics and displacement discontinuity methods used for the modelling of geomechanical problems. The computer program FRACOD is used to analyse the fracture problems, assessing fracture initiation and propagation in tension (Mode I), shear (Mode II) and mixed mode I and II of solid intact or jointed geomaterials. The book also presents the fundamentals of thermo-mechanical coupling and hydro-mechanical coupling. Formulations of multiple regional mechanical, thermal and hydraulic functions, which allow analyses of fracture mechanics problems for structures made of brittle, rock-like materials, are provided. In addition, instructive examples of code verification and applications are presented. Additional material: The 2-D version of the FRACOD program, a manual on the program and a wealth of verification examples of classical problems in physics, mechanics and hydromechanics are available at http://extras.springer.com. A large number of applications related to civil, mining, petroleum and environmental engineering are also included. - The first textbook available on modelling of rock fracture propagation - Introduces readers to the fundamentals of rock fracturing - Uses a modern style of teaching with theory, mathematical modelling and applications in one package - The basic version of the FRACOD software, manual, verification examples and applications are available as additional material - The FRACOD program and manual enable the readers to solve fracture propagation problems on their own --------------------------- Ki-Bok Min, Department of Energy Resources Engineering, College of Engineering, Seoul National University, Korea “Challenging rock engineering applications require extreme conditions of stress, temperature and hydraulic pressure resulting in rock fracturing to a various extent. The FRACOD is one of few computer codes available in engineering rock mechanics that can simulate the initiation and propagation of fractures often interacting with natural fractures. Its capability has been significantly enhanced to include the hydraulic and thermal fracturing with concerted interaction from multi-national research and industry partners. My experience with the FRACOD is very positive and I am certain that its already-excellent track record will expand further in the future."

During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.

I now understand and can relate to the authors of the bible and how they were inspired by God to write their individual book of the bible. This truly was the Lords idea and His influence alone. I am retired military 20 years just prior to retirement July 1999 I accepted Jesus Christ as Lord and Savior on I-35 after attending a job conference. 2years later was called to preach the gospel. Attended the School of Ministry UMHB 2 years, 2 years later called to pastor Gods people and part of the vision is to write books about His Son.

Advances in Rock Mechanics is a publication presenting the state of the art in the field of rock mechanics. This book includes 29 contributions which present ongoing or recently completed research in various aspects of rock mechanics, as well as examples of current practice with advanced technologies or methods.On the whole, this book offers an interesting and comprehensive understanding of worldwide developments in rock mechanics in recent years.

She was the unchallenged queen of the New York rock scene...Dorothy Parker of Max's Kansas City' - Rolling Stone From the pubs of the Sydney Push to New York's legendary nightclubs, Lillian Roxon set the pace for an era that changed the world. Born in Mussolini's Italy, she arrived as a child in Brisbane at the height of the Second World War. Audacious, independent and fiercely intelligent, by eighteen she was cutting her writing teeth in the colourful world of Sydney tabloid journalism and was a key member of the Sydney Push. She moved to New York in 1960, just in time for a cultural revolution that celebrated youth, sexual freedom, women's liberation - and rock and roll. Embracing the new scene with gusto, she became the centre of a circle that included Andy Warhol, Lou Reed, Jim Morrison and David Bowie. Linda Eastman confided in her about her first date with Paul, and Germaine Greer dedicated The Female Eunuch to her. Her Rock Encycylopedia, published in 1969, was the first book of its kind and established Roxon as a leading critic and chronicler of rock culture. When she died suddenly in 1973, she left behind a body of work full of the energy, irreverence and idealism of her times. Drawing on Roxon's personal papers and extensive interviews with those who knew her, Mother of Rock is a riveting portrait of an Australian trailblazer. It also contains a generous selection of Roxon's own writing, including material from her Rock Encyclopedia, which revolutionised the way rock music was perceived.